Aggressive fictions: reading the contemporary American novel
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca
Cornell University Press
2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (xiii, 200 pages) |
| ISBN: | 0801450012 0801462878 9780801450013 9780801462870 |
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| 505 | 8 | |a The author-reader contract -- Narrative speed in contemporary fiction -- Modalities of complaint -- Conjugations of the grotesque -- Violence -- Attacking the reader's ontological assumptions -- Why read aggressive fictions? | |
| 505 | 8 | |a A frequent complaint about contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers--or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fictions." Why would authors risk alienating their readers--and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy. In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion. -- Book jacket | |
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Datensatz im Suchindex
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| author | Hume, Kathryn 1945- |
| author_GND | (DE-588)172147573 |
| author_facet | Hume, Kathryn 1945- |
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| contents | The author-reader contract -- Narrative speed in contemporary fiction -- Modalities of complaint -- Conjugations of the grotesque -- Violence -- Attacking the reader's ontological assumptions -- Why read aggressive fictions? A frequent complaint about contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers--or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fictions." Why would authors risk alienating their readers--and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy. In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion. -- Book jacket |
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| discipline | Anglistik / Amerikanistik |
| era | 1900 - 2099 fast Geschichte 1900-2000 Geschichte 1970-2010 gnd |
| era_facet | 1900 - 2099 Geschichte 1900-2000 Geschichte 1970-2010 |
| format | Electronic eBook |
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| spelling | Hume, Kathryn 1945- Verfasser (DE-588)172147573 aut Aggressive fictions reading the contemporary American novel Kathryn Hume Ithaca Cornell University Press 2012 1 online resource (xiii, 200 pages) txt rdacontent c rdamedia cr rdacarrier Description based on print version record The author-reader contract -- Narrative speed in contemporary fiction -- Modalities of complaint -- Conjugations of the grotesque -- Violence -- Attacking the reader's ontological assumptions -- Why read aggressive fictions? A frequent complaint about contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers--or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fictions." Why would authors risk alienating their readers--and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy. In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion. -- Book jacket 1900 - 2099 fast Geschichte 1900-2000 Geschichte 1970-2010 gnd rswk-swf LITERARY CRITICISM / American / General bisacsh Aggressiveness in literature fast American fiction fast Aversion in literature fast Aggressiveness in literature American fiction 20th century History and criticism American fiction 21st century History and criticism Aversion in literature Roman (DE-588)4050479-7 gnd rswk-swf Aggressivität (DE-588)4141621-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Roman (DE-588)4050479-7 s Aggressivität (DE-588)4141621-1 s Geschichte 1970-2010 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Hume, Kathryn, 1945- Aggressive fictions http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671462 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hume, Kathryn 1945- Aggressive fictions reading the contemporary American novel The author-reader contract -- Narrative speed in contemporary fiction -- Modalities of complaint -- Conjugations of the grotesque -- Violence -- Attacking the reader's ontological assumptions -- Why read aggressive fictions? A frequent complaint about contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers--or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fictions." Why would authors risk alienating their readers--and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy. In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion. -- Book jacket LITERARY CRITICISM / American / General bisacsh Aggressiveness in literature fast American fiction fast Aversion in literature fast Aggressiveness in literature American fiction 20th century History and criticism American fiction 21st century History and criticism Aversion in literature Roman (DE-588)4050479-7 gnd Aggressivität (DE-588)4141621-1 gnd |
| subject_GND | (DE-588)4050479-7 (DE-588)4141621-1 (DE-588)4078704-7 |
| title | Aggressive fictions reading the contemporary American novel |
| title_auth | Aggressive fictions reading the contemporary American novel |
| title_exact_search | Aggressive fictions reading the contemporary American novel |
| title_full | Aggressive fictions reading the contemporary American novel Kathryn Hume |
| title_fullStr | Aggressive fictions reading the contemporary American novel Kathryn Hume |
| title_full_unstemmed | Aggressive fictions reading the contemporary American novel Kathryn Hume |
| title_short | Aggressive fictions |
| title_sort | aggressive fictions reading the contemporary american novel |
| title_sub | reading the contemporary American novel |
| topic | LITERARY CRITICISM / American / General bisacsh Aggressiveness in literature fast American fiction fast Aversion in literature fast Aggressiveness in literature American fiction 20th century History and criticism American fiction 21st century History and criticism Aversion in literature Roman (DE-588)4050479-7 gnd Aggressivität (DE-588)4141621-1 gnd |
| topic_facet | LITERARY CRITICISM / American / General Aggressiveness in literature American fiction Aversion in literature American fiction 20th century History and criticism American fiction 21st century History and criticism Roman Aggressivität USA |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=671462 |
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