Inventing falsehood, making truth: Vico and Neapolitan painting
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, New Jersey
Princeton University Press
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource |
| ISBN: | 0691138842 1400849748 9780691138848 9781400849741 |
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| 505 | 8 | |a "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"-- | |
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Datensatz im Suchindex
| _version_ | 1804175395771121664 |
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| any_adam_object | |
| author | Bull, Malcolm |
| author_facet | Bull, Malcolm |
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| contents | "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"-- |
| ctrlnum | (OCoLC)865565759 (DE-599)BVBBV043035785 |
| dewey-full | 759.5/73 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.5/73 |
| dewey-search | 759.5/73 |
| dewey-sort | 3759.5 273 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | 1700 - 1799 fast Geschichte 1700-1800 Geschichte 1670-1730 gnd |
| era_facet | 1700 - 1799 Geschichte 1700-1800 Geschichte 1670-1730 |
| format | Electronic eBook |
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| spelling | Bull, Malcolm Verfasser aut Inventing falsehood, making truth Vico and Neapolitan painting Malcolm Bull Princeton, New Jersey Princeton University Press 2013 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on print version record "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"-- Vico, Giambattista / 1668-1744 fast Vico, Giambattista 1668-1744 Vico, Giambattista 1668-1744 (DE-588)118626833 gnd rswk-swf 1700 - 1799 fast Geschichte 1700-1800 Geschichte 1670-1730 gnd rswk-swf ART / History / General bisacsh PHILOSOPHY / General bisacsh Art and philosophy fast Painting, Baroque fast Painting, Italian fast Painting / Philosophy fast Truth fast Geschichte Philosophie Painting Philosophy Art and philosophy Italy History 18th century Painting, Italian Italy Naples 18th century Painting, Baroque Italy Naples Truth Ästhetik (DE-588)4000626-8 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Italien Neapel (DE-588)4041476-0 gnd rswk-swf Vico, Giambattista 1668-1744 (DE-588)118626833 p Ästhetik (DE-588)4000626-8 s Malerei (DE-588)4037220-0 s 1\p DE-604 Neapel (DE-588)4041476-0 g Geschichte 1670-1730 z 2\p DE-604 Erscheint auch als Druck-Ausgabe Bull, Malcolm Inventing falsehood, making truth http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=647157 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bull, Malcolm Inventing falsehood, making truth Vico and Neapolitan painting "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"-- Vico, Giambattista / 1668-1744 fast Vico, Giambattista 1668-1744 Vico, Giambattista 1668-1744 (DE-588)118626833 gnd ART / History / General bisacsh PHILOSOPHY / General bisacsh Art and philosophy fast Painting, Baroque fast Painting, Italian fast Painting / Philosophy fast Truth fast Geschichte Philosophie Painting Philosophy Art and philosophy Italy History 18th century Painting, Italian Italy Naples 18th century Painting, Baroque Italy Naples Truth Ästhetik (DE-588)4000626-8 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118626833 (DE-588)4000626-8 (DE-588)4037220-0 (DE-588)4041476-0 |
| title | Inventing falsehood, making truth Vico and Neapolitan painting |
| title_auth | Inventing falsehood, making truth Vico and Neapolitan painting |
| title_exact_search | Inventing falsehood, making truth Vico and Neapolitan painting |
| title_full | Inventing falsehood, making truth Vico and Neapolitan painting Malcolm Bull |
| title_fullStr | Inventing falsehood, making truth Vico and Neapolitan painting Malcolm Bull |
| title_full_unstemmed | Inventing falsehood, making truth Vico and Neapolitan painting Malcolm Bull |
| title_short | Inventing falsehood, making truth |
| title_sort | inventing falsehood making truth vico and neapolitan painting |
| title_sub | Vico and Neapolitan painting |
| topic | Vico, Giambattista / 1668-1744 fast Vico, Giambattista 1668-1744 Vico, Giambattista 1668-1744 (DE-588)118626833 gnd ART / History / General bisacsh PHILOSOPHY / General bisacsh Art and philosophy fast Painting, Baroque fast Painting, Italian fast Painting / Philosophy fast Truth fast Geschichte Philosophie Painting Philosophy Art and philosophy Italy History 18th century Painting, Italian Italy Naples 18th century Painting, Baroque Italy Naples Truth Ästhetik (DE-588)4000626-8 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Vico, Giambattista / 1668-1744 Vico, Giambattista 1668-1744 ART / History / General PHILOSOPHY / General Art and philosophy Painting, Baroque Painting, Italian Painting / Philosophy Truth Geschichte Philosophie Painting Philosophy Art and philosophy Italy History 18th century Painting, Italian Italy Naples 18th century Painting, Baroque Italy Naples Ästhetik Malerei Italien Neapel |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=647157 |
| work_keys_str_mv | AT bullmalcolm inventingfalsehoodmakingtruthvicoandneapolitanpainting |