Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Publishing
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (327 pages) |
| ISBN: | 144112408X 9781441124081 |
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| 505 | 8 | |a FC; Half Title; Title; Copyright; Dedication; Contents; Pretext; Introduction; 1 Boring; Introduction; On being bored; A boring history; Cage, Fluxus, and inclusion; Duration; The aesthetics of boredom and the art of waiting; The premises/promises of aesthetic boredom; A less promising boredom; Uglier feelings of the stuplime; Post ... death ... ; Afterthought ... ; 2 Formless; Pretext; (Informe); How to read this chapter; Story; Becoming formless; Music noise; Recording distraction; -- Multitasking; Capture and escape; Lull))))))))); Listening to SoS#16's lull))))); (((((Listening away))))) | |
| 505 | 8 | |a Muzak's way of dreaming ubiquitously)))) -- Notes on muzak; -- Quantum modulation; We don't (((listen))) anymore; The (((sound))) of habits; Artifice and the artificial;))))) Desire and dissatisfaction; Last))))); Another again; 3 Nonsense; (Voodoo; ((Metareferentiality, metamusic, and hypermusic; (((Grúpat and pseudonymity; ((((Symptoms, syndromes, and hyperfiction; (((((In a Sedimental Mood; ((((((Hyperstition, magick, and nonsense; (((((((Becoming Karen et al, a Real-Time Hyperstition as of March 30,2007 by Karen Eliot; ((((((((Of lies | |
| 505 | 8 | |a (((((((((What does music feel like? (or, "on the refrain of pain andimagining"): Discursive remainders from glossolalia (stress positions)by Engram Knots((((((((((glossolalia (stress positions); (((((((((((Occult dualism; ((((((((((((Illustrative interlude: Practicing; (((((((((((((The sleep side of music and dream-work; Nonsense II; Inconclusion/This chapter is false; Appendix; Bibliography; Index | |
| 505 | 8 | |a Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious con | |
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Datensatz im Suchindex
| _version_ | 1804175395276193792 |
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| any_adam_object | |
| author | Priest, eldritch |
| author_facet | Priest, eldritch |
| author_role | aut |
| author_sort | Priest, eldritch |
| author_variant | e p ep |
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| bvnumber | BV043035534 |
| collection | ZDB-4-EBA |
| contents | FC; Half Title; Title; Copyright; Dedication; Contents; Pretext; Introduction; 1 Boring; Introduction; On being bored; A boring history; Cage, Fluxus, and inclusion; Duration; The aesthetics of boredom and the art of waiting; The premises/promises of aesthetic boredom; A less promising boredom; Uglier feelings of the stuplime; Post ... death ... ; Afterthought ... ; 2 Formless; Pretext; (Informe); How to read this chapter; Story; Becoming formless; Music noise; Recording distraction; -- Multitasking; Capture and escape; Lull))))))))); Listening to SoS#16's lull))))); (((((Listening away))))) Muzak's way of dreaming ubiquitously)))) -- Notes on muzak; -- Quantum modulation; We don't (((listen))) anymore; The (((sound))) of habits; Artifice and the artificial;))))) Desire and dissatisfaction; Last))))); Another again; 3 Nonsense; (Voodoo; ((Metareferentiality, metamusic, and hypermusic; (((Grúpat and pseudonymity; ((((Symptoms, syndromes, and hyperfiction; (((((In a Sedimental Mood; ((((((Hyperstition, magick, and nonsense; (((((((Becoming Karen et al, a Real-Time Hyperstition as of March 30,2007 by Karen Eliot; ((((((((Of lies (((((((((What does music feel like? (or, "on the refrain of pain andimagining"): Discursive remainders from glossolalia (stress positions)by Engram Knots((((((((((glossolalia (stress positions); (((((((((((Occult dualism; ((((((((((((Illustrative interlude: Practicing; (((((((((((((The sleep side of music and dream-work; Nonsense II; Inconclusion/This chapter is false; Appendix; Bibliography; Index Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious con |
| ctrlnum | (OCoLC)828736623 (DE-599)BVBBV043035534 |
| dewey-full | 780.9/04 780.904 781.17 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music 781 - General principles and musical forms |
| dewey-raw | 780.9/04 780.904 781.17 |
| dewey-search | 780.9/04 780.904 781.17 |
| dewey-sort | 3780.9 14 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043035534 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:36Z |
| institution | BVB |
| isbn | 144112408X 9781441124081 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028460184 |
| oclc_num | 828736623 |
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| physical | 1 online resource (327 pages) |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Bloomsbury Publishing |
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| spelling | Priest, eldritch Verfasser aut Boring Formless Nonsense Experimental Music and the Aesthetics of Failure London Bloomsbury Publishing 2013 1 online resource (327 pages) txt rdacontent c rdamedia cr rdacarrier Print version record FC; Half Title; Title; Copyright; Dedication; Contents; Pretext; Introduction; 1 Boring; Introduction; On being bored; A boring history; Cage, Fluxus, and inclusion; Duration; The aesthetics of boredom and the art of waiting; The premises/promises of aesthetic boredom; A less promising boredom; Uglier feelings of the stuplime; Post ... death ... ; Afterthought ... ; 2 Formless; Pretext; (Informe); How to read this chapter; Story; Becoming formless; Music noise; Recording distraction; -- Multitasking; Capture and escape; Lull))))))))); Listening to SoS#16's lull))))); (((((Listening away))))) Muzak's way of dreaming ubiquitously)))) -- Notes on muzak; -- Quantum modulation; We don't (((listen))) anymore; The (((sound))) of habits; Artifice and the artificial;))))) Desire and dissatisfaction; Last))))); Another again; 3 Nonsense; (Voodoo; ((Metareferentiality, metamusic, and hypermusic; (((Grúpat and pseudonymity; ((((Symptoms, syndromes, and hyperfiction; (((((In a Sedimental Mood; ((((((Hyperstition, magick, and nonsense; (((((((Becoming Karen et al, a Real-Time Hyperstition as of March 30,2007 by Karen Eliot; ((((((((Of lies (((((((((What does music feel like? (or, "on the refrain of pain andimagining"): Discursive remainders from glossolalia (stress positions)by Engram Knots((((((((((glossolalia (stress positions); (((((((((((Occult dualism; ((((((((((((Illustrative interlude: Practicing; (((((((((((((The sleep side of music and dream-work; Nonsense II; Inconclusion/This chapter is false; Appendix; Bibliography; Index Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious con Music / Philosophy and aesthetics MUSIC / Instruction & Study / Appreciation bisacsh Avant-garde (Music) fast Music / Philosophy and aesthetics fast Musik Avant-garde (Music) Music Philosophy and aesthetics Ästhetik (DE-588)4000626-8 gnd rswk-swf Scheitern (DE-588)4299802-5 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Avantgarde (DE-588)4133965-4 s Experimentelle Musik (DE-588)4153365-3 s Scheitern (DE-588)4299802-5 s Ästhetik (DE-588)4000626-8 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Priest, eldritch Boring Formless Nonsense : Experimental Music and the Aesthetics of Failure http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=527899 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Priest, eldritch Boring Formless Nonsense Experimental Music and the Aesthetics of Failure FC; Half Title; Title; Copyright; Dedication; Contents; Pretext; Introduction; 1 Boring; Introduction; On being bored; A boring history; Cage, Fluxus, and inclusion; Duration; The aesthetics of boredom and the art of waiting; The premises/promises of aesthetic boredom; A less promising boredom; Uglier feelings of the stuplime; Post ... death ... ; Afterthought ... ; 2 Formless; Pretext; (Informe); How to read this chapter; Story; Becoming formless; Music noise; Recording distraction; -- Multitasking; Capture and escape; Lull))))))))); Listening to SoS#16's lull))))); (((((Listening away))))) Muzak's way of dreaming ubiquitously)))) -- Notes on muzak; -- Quantum modulation; We don't (((listen))) anymore; The (((sound))) of habits; Artifice and the artificial;))))) Desire and dissatisfaction; Last))))); Another again; 3 Nonsense; (Voodoo; ((Metareferentiality, metamusic, and hypermusic; (((Grúpat and pseudonymity; ((((Symptoms, syndromes, and hyperfiction; (((((In a Sedimental Mood; ((((((Hyperstition, magick, and nonsense; (((((((Becoming Karen et al, a Real-Time Hyperstition as of March 30,2007 by Karen Eliot; ((((((((Of lies (((((((((What does music feel like? (or, "on the refrain of pain andimagining"): Discursive remainders from glossolalia (stress positions)by Engram Knots((((((((((glossolalia (stress positions); (((((((((((Occult dualism; ((((((((((((Illustrative interlude: Practicing; (((((((((((((The sleep side of music and dream-work; Nonsense II; Inconclusion/This chapter is false; Appendix; Bibliography; Index Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious con Music / Philosophy and aesthetics MUSIC / Instruction & Study / Appreciation bisacsh Avant-garde (Music) fast Music / Philosophy and aesthetics fast Musik Avant-garde (Music) Music Philosophy and aesthetics Ästhetik (DE-588)4000626-8 gnd Scheitern (DE-588)4299802-5 gnd Experimentelle Musik (DE-588)4153365-3 gnd Avantgarde (DE-588)4133965-4 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4299802-5 (DE-588)4153365-3 (DE-588)4133965-4 |
| title | Boring Formless Nonsense Experimental Music and the Aesthetics of Failure |
| title_auth | Boring Formless Nonsense Experimental Music and the Aesthetics of Failure |
| title_exact_search | Boring Formless Nonsense Experimental Music and the Aesthetics of Failure |
| title_full | Boring Formless Nonsense Experimental Music and the Aesthetics of Failure |
| title_fullStr | Boring Formless Nonsense Experimental Music and the Aesthetics of Failure |
| title_full_unstemmed | Boring Formless Nonsense Experimental Music and the Aesthetics of Failure |
| title_short | Boring Formless Nonsense |
| title_sort | boring formless nonsense experimental music and the aesthetics of failure |
| title_sub | Experimental Music and the Aesthetics of Failure |
| topic | Music / Philosophy and aesthetics MUSIC / Instruction & Study / Appreciation bisacsh Avant-garde (Music) fast Music / Philosophy and aesthetics fast Musik Avant-garde (Music) Music Philosophy and aesthetics Ästhetik (DE-588)4000626-8 gnd Scheitern (DE-588)4299802-5 gnd Experimentelle Musik (DE-588)4153365-3 gnd Avantgarde (DE-588)4133965-4 gnd |
| topic_facet | Music / Philosophy and aesthetics MUSIC / Instruction & Study / Appreciation Avant-garde (Music) Musik Music Philosophy and aesthetics Ästhetik Scheitern Experimentelle Musik Avantgarde |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=527899 |
| work_keys_str_mv | AT priesteldritch boringformlessnonsenseexperimentalmusicandtheaestheticsoffailure |