Sonic possible worlds: hearing the continuum of sound
Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of t...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; New Delhi ; Sydney
Bloomsbury Academic
2014
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| Schlagworte: | |
| Online-Zugang: | BSB01 BSB01 Volltext |
| Zusammenfassung: | Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois. |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (VI, 207 S.) |
| ISBN: | 9781623566951 1623566959 9781623565091 162356509X 9781623567040 1623567041 |
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| 505 | 8 | |a The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns | |
| 520 | |a Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois. | ||
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Datensatz im Suchindex
| _version_ | 1804175395262562304 |
|---|---|
| any_adam_object | |
| author | Voegelin, Salomé 1972- |
| author_GND | (DE-588)141589841 |
| author_facet | Voegelin, Salomé 1972- |
| author_role | aut |
| author_sort | Voegelin, Salomé 1972- |
| author_variant | s v sv |
| building | Verbundindex |
| bvnumber | BV043035527 |
| classification_rvk | AP 14900 |
| collection | ZDB-4-EBA ZDB-30-PQE ZDB-1-PQM |
| contents | The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns |
| ctrlnum | (ZDB-30-PQE)EBC1688464 (OCoLC)880235554 (DE-599)BVBBV043035527 |
| dewey-full | 781.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1 |
| dewey-search | 781.1 |
| dewey-sort | 3781.1 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043035527 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:36Z |
| institution | BVB |
| isbn | 9781623566951 1623566959 9781623565091 162356509X 9781623567040 1623567041 |
| language | English |
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| spelling | Voegelin, Salomé 1972- (DE-588)141589841 aut Sonic possible worlds hearing the continuum of sound by Salomé Voegelin New York ; London ; New Delhi ; Sydney Bloomsbury Academic 2014 1 online resource (VI, 207 S.) txt rdacontent c rdamedia cr rdacarrier Description based on print version record The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns Inspired by its use in literary theory, film criticism and the discourse of game design, Salom Voegelin adapts and develops "possible world theory" in relation to sound. David K Lewis' Possible World is juxtaposed with Maurice Merleau-Ponty's life-world, to produce a meeting of the semantic and the phenomenological at the place of listening. The central tenet of Sonic Possible Worlds is that at present traditional musical compositions and contemporary sonic outputs are approached and investigated through separate and distinct critical languages and histories. As a consequence, no continuous and comparative study of the field is possible. In Sonic Possible Worlds, Voegelin proposes a new analytical framework that can access and investigate works across genres and times, enabling a comparative engagement where composers such as Henry Purcell and Nadia Boulanger encounter sound art works by Shilpa Gupta and Christina Kubisch and where the soundscape compositions of Chris Watson and Francisco L pez resound in the visual worlds of Louise Bourgeois. MUSIC / Instruction & Study / Theory bisacsh Music / Philosophy and aesthetics fast Sound in art fast Sound (Philosophy) fast Musik Music Philosophy and aesthetics Sound (Philosophy) Sound in art Ästhetik (DE-588)4000626-8 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 s Klangkunst (DE-588)4430771-8 s Ästhetik (DE-588)4000626-8 s DE-604 Klang (DE-588)4030933-2 s Philosophie (DE-588)4045791-6 s Erscheint auch als Druck-Ausgabe Sonic possible worlds 978-1-6235-6695-1 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=778363 Aggregator Volltext |
| spellingShingle | Voegelin, Salomé 1972- Sonic possible worlds hearing the continuum of sound The landscape as sonic possible world -- Into the world of the work : the possibility of sound art -- Sonic materialism : the sound of stones -- Hearing the continuum of sound -- Listening to the inaudible : the sound of unicorns MUSIC / Instruction & Study / Theory bisacsh Music / Philosophy and aesthetics fast Sound in art fast Sound (Philosophy) fast Musik Music Philosophy and aesthetics Sound (Philosophy) Sound in art Ästhetik (DE-588)4000626-8 gnd Klang (DE-588)4030933-2 gnd Klangkunst (DE-588)4430771-8 gnd Philosophie (DE-588)4045791-6 gnd Experimentelle Musik (DE-588)4153365-3 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4030933-2 (DE-588)4430771-8 (DE-588)4045791-6 (DE-588)4153365-3 |
| title | Sonic possible worlds hearing the continuum of sound |
| title_auth | Sonic possible worlds hearing the continuum of sound |
| title_exact_search | Sonic possible worlds hearing the continuum of sound |
| title_full | Sonic possible worlds hearing the continuum of sound by Salomé Voegelin |
| title_fullStr | Sonic possible worlds hearing the continuum of sound by Salomé Voegelin |
| title_full_unstemmed | Sonic possible worlds hearing the continuum of sound by Salomé Voegelin |
| title_short | Sonic possible worlds |
| title_sort | sonic possible worlds hearing the continuum of sound |
| title_sub | hearing the continuum of sound |
| topic | MUSIC / Instruction & Study / Theory bisacsh Music / Philosophy and aesthetics fast Sound in art fast Sound (Philosophy) fast Musik Music Philosophy and aesthetics Sound (Philosophy) Sound in art Ästhetik (DE-588)4000626-8 gnd Klang (DE-588)4030933-2 gnd Klangkunst (DE-588)4430771-8 gnd Philosophie (DE-588)4045791-6 gnd Experimentelle Musik (DE-588)4153365-3 gnd |
| topic_facet | MUSIC / Instruction & Study / Theory Music / Philosophy and aesthetics Sound in art Sound (Philosophy) Musik Music Philosophy and aesthetics Ästhetik Klang Klangkunst Philosophie Experimentelle Musik |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=778363 |
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