Nanoart: the Immateriality of Art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bristol
Intellect
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (146 pages) |
| ISBN: | 1783200499 9781783200498 |
Internformat
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| 505 | 8 | |a Cover; Half Title; Title; Copyright; Contents; Foreword; Introduction; Chapter 1: Materiality and Immateriality of Art in the Age of Nanotechnology; Chapter 2: From Seeing to Touching: From the Invisible to the Visible; Chapter 3: Nanotechnology, Vibration and Vitalism; Chapter 4: Matter, Measurement and Light; Chapter 5: Transvitalism and Nature; References; Acknowledgements; Index; Author biography; Back Cover | |
| 505 | 8 | |a Nano is Greek for dwarf and the word nanotechnology 'was first proposed in the early seventies by a Japanese engineer, Norio Taniguchi, implying a new technology that went beyond controlling materials and engineering on the micrometer scale that dominated the 20th Century'. The content for this book has been based on a self-emergent process. It explores an art historical understanding of matter and uses various hypotheses to elucidate the effects on materiality and agency as a result of the emergence of nanotechnology. The blurring of material boundaries are reflected in the establishment of a | |
| 650 | 4 | |a Art and science / Exhibitions | |
| 650 | 4 | |a Art and technology / Exhibitions | |
| 650 | 4 | |a Art, Modern / 21st century / Exhibitions | |
| 650 | 4 | |a Nanotechnology / Exhibitions | |
| 650 | 7 | |a ART / General |2 bisacsh | |
| 650 | 7 | |a Art and science |2 fast | |
| 650 | 7 | |a Nanotechnology |2 fast | |
| 650 | 4 | |a Art and science | |
| 650 | 4 | |a Nanotechnology | |
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Datensatz im Suchindex
| _version_ | 1804175394449915904 |
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| any_adam_object | |
| author | Thomas, Paul |
| author_facet | Thomas, Paul |
| author_role | aut |
| author_sort | Thomas, Paul |
| author_variant | p t pt |
| building | Verbundindex |
| bvnumber | BV043035069 |
| collection | ZDB-4-EBA |
| contents | Cover; Half Title; Title; Copyright; Contents; Foreword; Introduction; Chapter 1: Materiality and Immateriality of Art in the Age of Nanotechnology; Chapter 2: From Seeing to Touching: From the Invisible to the Visible; Chapter 3: Nanotechnology, Vibration and Vitalism; Chapter 4: Matter, Measurement and Light; Chapter 5: Transvitalism and Nature; References; Acknowledgements; Index; Author biography; Back Cover Nano is Greek for dwarf and the word nanotechnology 'was first proposed in the early seventies by a Japanese engineer, Norio Taniguchi, implying a new technology that went beyond controlling materials and engineering on the micrometer scale that dominated the 20th Century'. The content for this book has been based on a self-emergent process. It explores an art historical understanding of matter and uses various hypotheses to elucidate the effects on materiality and agency as a result of the emergence of nanotechnology. The blurring of material boundaries are reflected in the establishment of a |
| ctrlnum | (OCoLC)830167297 (DE-599)BVBBV043035069 |
| dewey-full | 701.03 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.03 |
| dewey-search | 701.03 |
| dewey-sort | 3701.03 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:35Z |
| institution | BVB |
| isbn | 1783200499 9781783200498 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028459719 |
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| physical | 1 online resource (146 pages) |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Intellect |
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| spelling | Thomas, Paul Verfasser aut Nanoart the Immateriality of Art Bristol Intellect 2013 1 online resource (146 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Cover; Half Title; Title; Copyright; Contents; Foreword; Introduction; Chapter 1: Materiality and Immateriality of Art in the Age of Nanotechnology; Chapter 2: From Seeing to Touching: From the Invisible to the Visible; Chapter 3: Nanotechnology, Vibration and Vitalism; Chapter 4: Matter, Measurement and Light; Chapter 5: Transvitalism and Nature; References; Acknowledgements; Index; Author biography; Back Cover Nano is Greek for dwarf and the word nanotechnology 'was first proposed in the early seventies by a Japanese engineer, Norio Taniguchi, implying a new technology that went beyond controlling materials and engineering on the micrometer scale that dominated the 20th Century'. The content for this book has been based on a self-emergent process. It explores an art historical understanding of matter and uses various hypotheses to elucidate the effects on materiality and agency as a result of the emergence of nanotechnology. The blurring of material boundaries are reflected in the establishment of a Art and science / Exhibitions Art and technology / Exhibitions Art, Modern / 21st century / Exhibitions Nanotechnology / Exhibitions ART / General bisacsh Art and science fast Nanotechnology fast Art and science Nanotechnology (DE-588)4135467-9 Ausstellungskatalog gnd-content Erscheint auch als Druck-Ausgabe Thomas, Paul Nanoart : The Immateriality of Art http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=552004 Aggregator Volltext |
| spellingShingle | Thomas, Paul Nanoart the Immateriality of Art Cover; Half Title; Title; Copyright; Contents; Foreword; Introduction; Chapter 1: Materiality and Immateriality of Art in the Age of Nanotechnology; Chapter 2: From Seeing to Touching: From the Invisible to the Visible; Chapter 3: Nanotechnology, Vibration and Vitalism; Chapter 4: Matter, Measurement and Light; Chapter 5: Transvitalism and Nature; References; Acknowledgements; Index; Author biography; Back Cover Nano is Greek for dwarf and the word nanotechnology 'was first proposed in the early seventies by a Japanese engineer, Norio Taniguchi, implying a new technology that went beyond controlling materials and engineering on the micrometer scale that dominated the 20th Century'. The content for this book has been based on a self-emergent process. It explores an art historical understanding of matter and uses various hypotheses to elucidate the effects on materiality and agency as a result of the emergence of nanotechnology. The blurring of material boundaries are reflected in the establishment of a Art and science / Exhibitions Art and technology / Exhibitions Art, Modern / 21st century / Exhibitions Nanotechnology / Exhibitions ART / General bisacsh Art and science fast Nanotechnology fast Art and science Nanotechnology |
| subject_GND | (DE-588)4135467-9 |
| title | Nanoart the Immateriality of Art |
| title_auth | Nanoart the Immateriality of Art |
| title_exact_search | Nanoart the Immateriality of Art |
| title_full | Nanoart the Immateriality of Art |
| title_fullStr | Nanoart the Immateriality of Art |
| title_full_unstemmed | Nanoart the Immateriality of Art |
| title_short | Nanoart |
| title_sort | nanoart the immateriality of art |
| title_sub | the Immateriality of Art |
| topic | Art and science / Exhibitions Art and technology / Exhibitions Art, Modern / 21st century / Exhibitions Nanotechnology / Exhibitions ART / General bisacsh Art and science fast Nanotechnology fast Art and science Nanotechnology |
| topic_facet | Art and science / Exhibitions Art and technology / Exhibitions Art, Modern / 21st century / Exhibitions Nanotechnology / Exhibitions ART / General Art and science Nanotechnology Ausstellungskatalog |
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