Performativity in the gallery: staging interactive encounters
Gespeichert in:
Weitere Verfasser: | , , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bern, Switzerland
Peter Lang AG, International Academic Publishers
2014
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Schriftenreihe: | Cultural interactions
31 |
Schlagworte: | |
Online-Zugang: | Volltext |
Beschreibung: | Description based on online resource; title from digital title page (viewed on Mar. 24, 2014) |
Beschreibung: | 1 online resource (x, 247 Seiten) Illustrationen |
ISBN: | 9783035305616 9783034309660 |
Internformat
MARC
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490 | 1 | |a Cultural interactions |v Volume 31 | |
500 | |a Description based on online resource; title from digital title page (viewed on Mar. 24, 2014) | ||
505 | 8 | |a Cover; Contents; Illustrations; Outi Remes Introduction; Part I Art History and its Challenged Position to Performative Encounters; Mary Oliver 1 Lies, Lies, It's All Lies I Tell You!; Pip Laurenson and Vivian van Saaze 2 Collecting Performance-Based Art: New Challenges and Shifting; Maria Chatzichristodoulou [aka Maria X] 3 Exhibiting Performance, Staging Experience; Beryl Graham 4 Histories of Interaction and Participation: Critical Systems from New Media Art; Eva Fotiadi 5 From Event to Archive and to Event Again; Part II From Curator to Viewer | |
505 | 8 | |a Kaija Kaitavuori 6 Participation in the Gallery: (Re)negotiating ContractsAmy Mechowski 7 Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum; Lee Campbell 8 Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool; Leah Lovett 9 Crowd Control: Encountering Art's Audiences; Part III Curating Participation in the Gallery: Case Studies; Outi Remes and Cally Trench 10 At Play: Curatorial Notes about Playfulness; Sophia Yadong Hao 11 Attending the Gallery; Helen Sloan 12 Like Shadows: A Celebration of Shyness | |
505 | 8 | |a Claudia Marion Stemberger 13 South African Live Art and the Representation of its Residue: On GabriNotes on Contributors; Index | |
648 | 4 | |a Geschichte 1900-2000 | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author2 | Remes, Outi MacCulloch, Laura Leino, Marika |
author2_role | edt edt edt |
author2_variant | o r or l m lm m l ml |
author_GND | (DE-588)131958372 (DE-588)13639387X (DE-588)135991617 |
author_facet | Remes, Outi MacCulloch, Laura Leino, Marika |
building | Verbundindex |
bvnumber | BV043034981 |
collection | ZDB-4-EBA ZDB-30-PQE |
contents | Cover; Contents; Illustrations; Outi Remes Introduction; Part I Art History and its Challenged Position to Performative Encounters; Mary Oliver 1 Lies, Lies, It's All Lies I Tell You!; Pip Laurenson and Vivian van Saaze 2 Collecting Performance-Based Art: New Challenges and Shifting; Maria Chatzichristodoulou [aka Maria X] 3 Exhibiting Performance, Staging Experience; Beryl Graham 4 Histories of Interaction and Participation: Critical Systems from New Media Art; Eva Fotiadi 5 From Event to Archive and to Event Again; Part II From Curator to Viewer Kaija Kaitavuori 6 Participation in the Gallery: (Re)negotiating ContractsAmy Mechowski 7 Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum; Lee Campbell 8 Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool; Leah Lovett 9 Crowd Control: Encountering Art's Audiences; Part III Curating Participation in the Gallery: Case Studies; Outi Remes and Cally Trench 10 At Play: Curatorial Notes about Playfulness; Sophia Yadong Hao 11 Attending the Gallery; Helen Sloan 12 Like Shadows: A Celebration of Shyness Claudia Marion Stemberger 13 South African Live Art and the Representation of its Residue: On GabriNotes on Contributors; Index |
ctrlnum | (ZDB-30-PQE)pqe1632487 (OCoLC)875370767 (DE-599)BVBBV043034981 |
dewey-full | 709.04/0755 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.04/0755 |
dewey-search | 709.04/0755 |
dewey-sort | 3709.04 3755 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Electronic eBook |
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illustrated | Not Illustrated |
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isbn | 9783035305616 9783034309660 |
language | English |
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series | Cultural interactions |
series2 | Cultural interactions |
spelling | Performativity in the gallery staging interactive encounters Outi Remes, Laura MacCulloch and Marika Leino (eds.) Bern, Switzerland Peter Lang AG, International Academic Publishers 2014 1 online resource (x, 247 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Cultural interactions Volume 31 Description based on online resource; title from digital title page (viewed on Mar. 24, 2014) Cover; Contents; Illustrations; Outi Remes Introduction; Part I Art History and its Challenged Position to Performative Encounters; Mary Oliver 1 Lies, Lies, It's All Lies I Tell You!; Pip Laurenson and Vivian van Saaze 2 Collecting Performance-Based Art: New Challenges and Shifting; Maria Chatzichristodoulou [aka Maria X] 3 Exhibiting Performance, Staging Experience; Beryl Graham 4 Histories of Interaction and Participation: Critical Systems from New Media Art; Eva Fotiadi 5 From Event to Archive and to Event Again; Part II From Curator to Viewer Kaija Kaitavuori 6 Participation in the Gallery: (Re)negotiating ContractsAmy Mechowski 7 Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum; Lee Campbell 8 Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool; Leah Lovett 9 Crowd Control: Encountering Art's Audiences; Part III Curating Participation in the Gallery: Case Studies; Outi Remes and Cally Trench 10 At Play: Curatorial Notes about Playfulness; Sophia Yadong Hao 11 Attending the Gallery; Helen Sloan 12 Like Shadows: A Celebration of Shyness Claudia Marion Stemberger 13 South African Live Art and the Representation of its Residue: On GabriNotes on Contributors; Index Geschichte 1900-2000 ART / History / General bisacsh Geschichte Performance art History 20th century Interaktive Kunst (DE-588)4557518-6 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Kunstgalerie (DE-588)4166030-4 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 2012 Milton Keynes gnd-content Performance Künste (DE-588)4173750-7 s Interaktive Kunst (DE-588)4557518-6 s Kunstausstellung (DE-588)4033628-1 s Kunstgalerie (DE-588)4166030-4 s 2\p DE-604 Remes, Outi (DE-588)131958372 edt MacCulloch, Laura (DE-588)13639387X edt Leino, Marika (DE-588)135991617 edt Erscheint auch als Druck-Ausgabe Remes, Outi Performativity in the Gallery : Staging Interactive Encounters Cultural interactions 31 (DE-604)BV023265967 31 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=705092 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Performativity in the gallery staging interactive encounters Cultural interactions Cover; Contents; Illustrations; Outi Remes Introduction; Part I Art History and its Challenged Position to Performative Encounters; Mary Oliver 1 Lies, Lies, It's All Lies I Tell You!; Pip Laurenson and Vivian van Saaze 2 Collecting Performance-Based Art: New Challenges and Shifting; Maria Chatzichristodoulou [aka Maria X] 3 Exhibiting Performance, Staging Experience; Beryl Graham 4 Histories of Interaction and Participation: Critical Systems from New Media Art; Eva Fotiadi 5 From Event to Archive and to Event Again; Part II From Curator to Viewer Kaija Kaitavuori 6 Participation in the Gallery: (Re)negotiating ContractsAmy Mechowski 7 Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum; Lee Campbell 8 Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool; Leah Lovett 9 Crowd Control: Encountering Art's Audiences; Part III Curating Participation in the Gallery: Case Studies; Outi Remes and Cally Trench 10 At Play: Curatorial Notes about Playfulness; Sophia Yadong Hao 11 Attending the Gallery; Helen Sloan 12 Like Shadows: A Celebration of Shyness Claudia Marion Stemberger 13 South African Live Art and the Representation of its Residue: On GabriNotes on Contributors; Index ART / History / General bisacsh Geschichte Performance art History 20th century Interaktive Kunst (DE-588)4557518-6 gnd Kunstausstellung (DE-588)4033628-1 gnd Kunstgalerie (DE-588)4166030-4 gnd Performance Künste (DE-588)4173750-7 gnd |
subject_GND | (DE-588)4557518-6 (DE-588)4033628-1 (DE-588)4166030-4 (DE-588)4173750-7 (DE-588)1071861417 |
title | Performativity in the gallery staging interactive encounters |
title_auth | Performativity in the gallery staging interactive encounters |
title_exact_search | Performativity in the gallery staging interactive encounters |
title_full | Performativity in the gallery staging interactive encounters Outi Remes, Laura MacCulloch and Marika Leino (eds.) |
title_fullStr | Performativity in the gallery staging interactive encounters Outi Remes, Laura MacCulloch and Marika Leino (eds.) |
title_full_unstemmed | Performativity in the gallery staging interactive encounters Outi Remes, Laura MacCulloch and Marika Leino (eds.) |
title_short | Performativity in the gallery |
title_sort | performativity in the gallery staging interactive encounters |
title_sub | staging interactive encounters |
topic | ART / History / General bisacsh Geschichte Performance art History 20th century Interaktive Kunst (DE-588)4557518-6 gnd Kunstausstellung (DE-588)4033628-1 gnd Kunstgalerie (DE-588)4166030-4 gnd Performance Künste (DE-588)4173750-7 gnd |
topic_facet | ART / History / General Geschichte Performance art History 20th century Interaktive Kunst Kunstausstellung Kunstgalerie Performance Künste Konferenzschrift 2012 Milton Keynes |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=705092 |
volume_link | (DE-604)BV023265967 |
work_keys_str_mv | AT remesouti performativityinthegallerystaginginteractiveencounters AT maccullochlaura performativityinthegallerystaginginteractiveencounters AT leinomarika performativityinthegallerystaginginteractiveencounters |