The madness of vision: on baroque aesthetics
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| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Athens, Ohio
Ohio University Press
©2013
|
| Schriftenreihe: | Series in Continental thought
no. 44 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xxii, 172 pages) illustrations |
| ISBN: | 0821420194 0821444379 9780821420195 9780821444375 |
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| 505 | 8 | |a "Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self-portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Criticn̤; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"-- | |
| 505 | 8 | |a Prelude : a "Je ne Sais Quoi -- " -- The stage of vision -- The work of the gaze -- Seeingness; or, The eye of the phantasm -- The rhetorical telescope I : Il Mirabile, il Furore -- The rhetorical telescope II : figures of nothingness -- Palimpsests of the ungazeable -- Finale : the burning of vision | |
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| 650 | 7 | |a ART / History / General |2 bisacsh | |
| 650 | 7 | |a Aesthetics, Modern |2 fast | |
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| 650 | 4 | |a Ästhetik | |
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Datensatz im Suchindex
| _version_ | 1804175393844887552 |
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| any_adam_object | |
| author | Buci-Glucksmann, Christine |
| author2 | Baker, Dorothy Zayatz |
| author2_role | trl |
| author2_variant | d z b dz dzb |
| author_facet | Buci-Glucksmann, Christine Baker, Dorothy Zayatz |
| author_role | aut |
| author_sort | Buci-Glucksmann, Christine |
| author_variant | c b g cbg |
| building | Verbundindex |
| bvnumber | BV043034733 |
| collection | ZDB-4-EBA |
| contents | "Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self-portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Criticn̤; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"-- Prelude : a "Je ne Sais Quoi -- " -- The stage of vision -- The work of the gaze -- Seeingness; or, The eye of the phantasm -- The rhetorical telescope I : Il Mirabile, il Furore -- The rhetorical telescope II : figures of nothingness -- Palimpsests of the ungazeable -- Finale : the burning of vision |
| ctrlnum | (OCoLC)827842016 (DE-599)BVBBV043034733 |
| dewey-full | 709.03/201 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.03/201 |
| dewey-search | 709.03/201 |
| dewey-sort | 3709.03 3201 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 1600 - 1699 fast Geschichte 1600-1700 Geschichte 1550-1700 gnd |
| era_facet | 1600 - 1699 Geschichte 1600-1700 Geschichte 1550-1700 |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:35Z |
| institution | BVB |
| isbn | 0821420194 0821444379 9780821420195 9780821444375 |
| language | English |
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| series2 | Series in Continental thought |
| spelling | Buci-Glucksmann, Christine Verfasser aut Folie du voir The madness of vision on baroque aesthetics Christine Buci-Glucksmann ; translated by Dorothy Z. Baker Athens, Ohio Ohio University Press ©2013 1 online resource (xxii, 172 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Series in Continental thought no. 44 Print version record "Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self-portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Criticn̤; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"-- Prelude : a "Je ne Sais Quoi -- " -- The stage of vision -- The work of the gaze -- Seeingness; or, The eye of the phantasm -- The rhetorical telescope I : Il Mirabile, il Furore -- The rhetorical telescope II : figures of nothingness -- Palimpsests of the ungazeable -- Finale : the burning of vision Text in English; translated from the French 1600 - 1699 fast Geschichte 1600-1700 Geschichte 1550-1700 gnd rswk-swf PHILOSOPHY / Aesthetics bisacsh PHILOSOPHY / Movements / Phenomenology bisacsh PHILOSOPHY / Essays bisacsh PHILOSOPHY / General bisacsh ART / History / General bisacsh Aesthetics, Modern fast Geschichte Ästhetik Aesthetics, Modern 17th century Phänomenologie (DE-588)4045660-2 gnd rswk-swf Barock (DE-588)4004541-9 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Barock (DE-588)4004541-9 s Phänomenologie (DE-588)4045660-2 s Ästhetik (DE-588)4000626-8 s 1\p DE-604 Geschichte 1550-1700 z 2\p DE-604 Baker, Dorothy Zayatz trl Erscheint auch als Druck-Ausgabe Buci-Glucksmann, Christine Madness of vision http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=818122 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Buci-Glucksmann, Christine The madness of vision on baroque aesthetics "Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self-portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Criticn̤; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"-- Prelude : a "Je ne Sais Quoi -- " -- The stage of vision -- The work of the gaze -- Seeingness; or, The eye of the phantasm -- The rhetorical telescope I : Il Mirabile, il Furore -- The rhetorical telescope II : figures of nothingness -- Palimpsests of the ungazeable -- Finale : the burning of vision PHILOSOPHY / Aesthetics bisacsh PHILOSOPHY / Movements / Phenomenology bisacsh PHILOSOPHY / Essays bisacsh PHILOSOPHY / General bisacsh ART / History / General bisacsh Aesthetics, Modern fast Geschichte Ästhetik Aesthetics, Modern 17th century Phänomenologie (DE-588)4045660-2 gnd Barock (DE-588)4004541-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4045660-2 (DE-588)4004541-9 (DE-588)4000626-8 |
| title | The madness of vision on baroque aesthetics |
| title_alt | Folie du voir |
| title_auth | The madness of vision on baroque aesthetics |
| title_exact_search | The madness of vision on baroque aesthetics |
| title_full | The madness of vision on baroque aesthetics Christine Buci-Glucksmann ; translated by Dorothy Z. Baker |
| title_fullStr | The madness of vision on baroque aesthetics Christine Buci-Glucksmann ; translated by Dorothy Z. Baker |
| title_full_unstemmed | The madness of vision on baroque aesthetics Christine Buci-Glucksmann ; translated by Dorothy Z. Baker |
| title_short | The madness of vision |
| title_sort | the madness of vision on baroque aesthetics |
| title_sub | on baroque aesthetics |
| topic | PHILOSOPHY / Aesthetics bisacsh PHILOSOPHY / Movements / Phenomenology bisacsh PHILOSOPHY / Essays bisacsh PHILOSOPHY / General bisacsh ART / History / General bisacsh Aesthetics, Modern fast Geschichte Ästhetik Aesthetics, Modern 17th century Phänomenologie (DE-588)4045660-2 gnd Barock (DE-588)4004541-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | PHILOSOPHY / Aesthetics PHILOSOPHY / Movements / Phenomenology PHILOSOPHY / Essays PHILOSOPHY / General ART / History / General Aesthetics, Modern Geschichte Ästhetik Aesthetics, Modern 17th century Phänomenologie Barock |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=818122 |
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