Sites of disquiet: the non-space in Spanish American short narratives and their cinematic transformations
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
West Lafayette, Indiana
Purdue University Press
[2013]
|
| Schriftenreihe: | Purdue studies in Romance literatures
v. 58 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (xvi, 169 pages) illustrations |
| ISBN: | 1557536546 1612492878 1612492886 9781557536549 9781612492872 9781612492889 |
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| 245 | 1 | 0 | |a Sites of disquiet |b the non-space in Spanish American short narratives and their cinematic transformations |c Ilka Kressner |
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| 490 | 0 | |a Purdue studies in Romance literatures |v v. 58 | |
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| 505 | 8 | |a Introduction: Spotting the non-space -- Into spatial vagueness: Jorge Luis Borges's and Miguel Picazo's Hombre de la esquina Rosada -- The power of staging: spaces of emulation in Jorge Luis Borges's "Tema del traidor y del heroe" and Bernardo Bertolucci's Strategia del ragno -- Screening the void: Julio Cortazar's "cartas de mama" and Manuel Antin's and Miguel Picazo's filmic translations -- Echoes in the dark: Pedro Paramo on the page and on the screen -- Toward amor vacui: Gabriel Garcia Marquez's and Ruy Guerra's erendiras -- Epilogue: The non-space revisited | |
| 505 | 8 | |a Some of the most important writers of the twentieth century, including Borges, Cortázar, Rulfo, and García Márquez, have explored ambiguous sites of a disquieting nature. Their characters face merging perspectives, deferral, darkness, or emptiness. Such a space is neither a site of projection (as utopia or dystopia) nor a neutral setting (as the topos). For the characters, it is real and active, at once elusive and transforming. Despite the challenges of visualizing such slippery spaces, filmic experimentations in Spanish American cinema since the 1960s have sought to adapt these texts to the screen. Ilka Kressner's Sites of Disquiet examines these representations of alternative dimensions in Spanish American short narratives and their transformations to the cinematic screen. The study is informed by contemporary critical approaches to spatiality, especially the concepts of atopos (non-space), spaces of mobility, sites of différance, of a self-effacing presence, and sonic spaces. Kressner's comparative study of textual and cinematic constructions of non-spaces highlights the potential and limits of inter-arts adaptation. Film not only portrays the sites in ways that are intrinsic to the medium, but during the cinematic translation, it further develops the textual presentations of space. Text and film illuminate each other in their renderings of echoes, gaps, absences, and radical openness. The shared focus of the two media on precarious spaces highlights their awareness of the physical and situational conditions in the works. Therefore, it vindicates the import of space and dwelling, and the often underestimated impact of surroundings on the human body and mind. Despite their heterogeneity, the artistic elaborations of these ambivalent atopoi all share a liberating impulse: they assert creative and open-ended interactions with space where volatility ceases to be a negative term | |
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| author | Kressner, Ilka 1975- |
| author_facet | Kressner, Ilka 1975- |
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| contents | Introduction: Spotting the non-space -- Into spatial vagueness: Jorge Luis Borges's and Miguel Picazo's Hombre de la esquina Rosada -- The power of staging: spaces of emulation in Jorge Luis Borges's "Tema del traidor y del heroe" and Bernardo Bertolucci's Strategia del ragno -- Screening the void: Julio Cortazar's "cartas de mama" and Manuel Antin's and Miguel Picazo's filmic translations -- Echoes in the dark: Pedro Paramo on the page and on the screen -- Toward amor vacui: Gabriel Garcia Marquez's and Ruy Guerra's erendiras -- Epilogue: The non-space revisited Some of the most important writers of the twentieth century, including Borges, Cortázar, Rulfo, and García Márquez, have explored ambiguous sites of a disquieting nature. Their characters face merging perspectives, deferral, darkness, or emptiness. Such a space is neither a site of projection (as utopia or dystopia) nor a neutral setting (as the topos). For the characters, it is real and active, at once elusive and transforming. Despite the challenges of visualizing such slippery spaces, filmic experimentations in Spanish American cinema since the 1960s have sought to adapt these texts to the screen. Ilka Kressner's Sites of Disquiet examines these representations of alternative dimensions in Spanish American short narratives and their transformations to the cinematic screen. The study is informed by contemporary critical approaches to spatiality, especially the concepts of atopos (non-space), spaces of mobility, sites of différance, of a self-effacing presence, and sonic spaces. Kressner's comparative study of textual and cinematic constructions of non-spaces highlights the potential and limits of inter-arts adaptation. Film not only portrays the sites in ways that are intrinsic to the medium, but during the cinematic translation, it further develops the textual presentations of space. Text and film illuminate each other in their renderings of echoes, gaps, absences, and radical openness. The shared focus of the two media on precarious spaces highlights their awareness of the physical and situational conditions in the works. Therefore, it vindicates the import of space and dwelling, and the often underestimated impact of surroundings on the human body and mind. Despite their heterogeneity, the artistic elaborations of these ambivalent atopoi all share a liberating impulse: they assert creative and open-ended interactions with space where volatility ceases to be a negative term |
| ctrlnum | (OCoLC)867772904 (DE-599)BVBBV043034611 |
| dewey-full | 863/.60998 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 863 - Spanish fiction |
| dewey-raw | 863/.60998 |
| dewey-search | 863/.60998 |
| dewey-sort | 3863 560998 |
| dewey-tens | 860 - Spanish & Portuguese literatures |
| discipline | Romanistik |
| era | 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1960-2010 gnd |
| era_facet | 1900 - 1999 Geschichte 1900-2000 Geschichte 1960-2010 |
| format | Electronic eBook |
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| geographic_facet | USA |
| id | DE-604.BV043034611 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:35Z |
| institution | BVB |
| isbn | 1557536546 1612492878 1612492886 9781557536549 9781612492872 9781612492889 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028459261 |
| oclc_num | 867772904 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (xvi, 169 pages) illustrations |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Purdue University Press |
| record_format | marc |
| series2 | Purdue studies in Romance literatures |
| spelling | Kressner, Ilka 1975- Verfasser aut Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations Ilka Kressner West Lafayette, Indiana Purdue University Press [2013] 1 online resource (xvi, 169 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Purdue studies in Romance literatures v. 58 Description based on print version record Introduction: Spotting the non-space -- Into spatial vagueness: Jorge Luis Borges's and Miguel Picazo's Hombre de la esquina Rosada -- The power of staging: spaces of emulation in Jorge Luis Borges's "Tema del traidor y del heroe" and Bernardo Bertolucci's Strategia del ragno -- Screening the void: Julio Cortazar's "cartas de mama" and Manuel Antin's and Miguel Picazo's filmic translations -- Echoes in the dark: Pedro Paramo on the page and on the screen -- Toward amor vacui: Gabriel Garcia Marquez's and Ruy Guerra's erendiras -- Epilogue: The non-space revisited Some of the most important writers of the twentieth century, including Borges, Cortázar, Rulfo, and García Márquez, have explored ambiguous sites of a disquieting nature. Their characters face merging perspectives, deferral, darkness, or emptiness. Such a space is neither a site of projection (as utopia or dystopia) nor a neutral setting (as the topos). For the characters, it is real and active, at once elusive and transforming. Despite the challenges of visualizing such slippery spaces, filmic experimentations in Spanish American cinema since the 1960s have sought to adapt these texts to the screen. Ilka Kressner's Sites of Disquiet examines these representations of alternative dimensions in Spanish American short narratives and their transformations to the cinematic screen. The study is informed by contemporary critical approaches to spatiality, especially the concepts of atopos (non-space), spaces of mobility, sites of différance, of a self-effacing presence, and sonic spaces. Kressner's comparative study of textual and cinematic constructions of non-spaces highlights the potential and limits of inter-arts adaptation. Film not only portrays the sites in ways that are intrinsic to the medium, but during the cinematic translation, it further develops the textual presentations of space. Text and film illuminate each other in their renderings of echoes, gaps, absences, and radical openness. The shared focus of the two media on precarious spaces highlights their awareness of the physical and situational conditions in the works. Therefore, it vindicates the import of space and dwelling, and the often underestimated impact of surroundings on the human body and mind. Despite their heterogeneity, the artistic elaborations of these ambivalent atopoi all share a liberating impulse: they assert creative and open-ended interactions with space where volatility ceases to be a negative term 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1960-2010 gnd rswk-swf LITERARY CRITICISM / Caribbean & Latin American bisacsh Personal space in literature fast Sacred space in literature fast Space and time in literature fast Space (Architecture) in literature fast Spanish American fiction fast Spanish American literature fast PERFORMING ARTS / Film & Video / History & Criticism bisacsh Spanish American fiction 20th century History and criticism Spanish American literature Film adaptations Personal space in literature Space and time in literature Sacred space in literature Space (Architecture) in literature Raum Motiv (DE-588)4225698-7 gnd rswk-swf Adaption Literatur (DE-588)102289935X gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Privatsphäre Motiv (DE-588)7551200-2 gnd rswk-swf Spanisch (DE-588)4077640-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Spanisch (DE-588)4077640-2 s Literatur (DE-588)4035964-5 s Raum Motiv (DE-588)4225698-7 s Privatsphäre Motiv (DE-588)7551200-2 s Adaption Literatur (DE-588)102289935X s Film (DE-588)4017102-4 s Geschichte 1960-2010 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Kressner, Ilka, 1975- Sites of disquiet http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=664521 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kressner, Ilka 1975- Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations Introduction: Spotting the non-space -- Into spatial vagueness: Jorge Luis Borges's and Miguel Picazo's Hombre de la esquina Rosada -- The power of staging: spaces of emulation in Jorge Luis Borges's "Tema del traidor y del heroe" and Bernardo Bertolucci's Strategia del ragno -- Screening the void: Julio Cortazar's "cartas de mama" and Manuel Antin's and Miguel Picazo's filmic translations -- Echoes in the dark: Pedro Paramo on the page and on the screen -- Toward amor vacui: Gabriel Garcia Marquez's and Ruy Guerra's erendiras -- Epilogue: The non-space revisited Some of the most important writers of the twentieth century, including Borges, Cortázar, Rulfo, and García Márquez, have explored ambiguous sites of a disquieting nature. Their characters face merging perspectives, deferral, darkness, or emptiness. Such a space is neither a site of projection (as utopia or dystopia) nor a neutral setting (as the topos). For the characters, it is real and active, at once elusive and transforming. Despite the challenges of visualizing such slippery spaces, filmic experimentations in Spanish American cinema since the 1960s have sought to adapt these texts to the screen. Ilka Kressner's Sites of Disquiet examines these representations of alternative dimensions in Spanish American short narratives and their transformations to the cinematic screen. The study is informed by contemporary critical approaches to spatiality, especially the concepts of atopos (non-space), spaces of mobility, sites of différance, of a self-effacing presence, and sonic spaces. Kressner's comparative study of textual and cinematic constructions of non-spaces highlights the potential and limits of inter-arts adaptation. Film not only portrays the sites in ways that are intrinsic to the medium, but during the cinematic translation, it further develops the textual presentations of space. Text and film illuminate each other in their renderings of echoes, gaps, absences, and radical openness. The shared focus of the two media on precarious spaces highlights their awareness of the physical and situational conditions in the works. Therefore, it vindicates the import of space and dwelling, and the often underestimated impact of surroundings on the human body and mind. Despite their heterogeneity, the artistic elaborations of these ambivalent atopoi all share a liberating impulse: they assert creative and open-ended interactions with space where volatility ceases to be a negative term LITERARY CRITICISM / Caribbean & Latin American bisacsh Personal space in literature fast Sacred space in literature fast Space and time in literature fast Space (Architecture) in literature fast Spanish American fiction fast Spanish American literature fast PERFORMING ARTS / Film & Video / History & Criticism bisacsh Spanish American fiction 20th century History and criticism Spanish American literature Film adaptations Personal space in literature Space and time in literature Sacred space in literature Space (Architecture) in literature Raum Motiv (DE-588)4225698-7 gnd Adaption Literatur (DE-588)102289935X gnd Film (DE-588)4017102-4 gnd Literatur (DE-588)4035964-5 gnd Privatsphäre Motiv (DE-588)7551200-2 gnd Spanisch (DE-588)4077640-2 gnd |
| subject_GND | (DE-588)4225698-7 (DE-588)102289935X (DE-588)4017102-4 (DE-588)4035964-5 (DE-588)7551200-2 (DE-588)4077640-2 (DE-588)4078704-7 |
| title | Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations |
| title_auth | Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations |
| title_exact_search | Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations |
| title_full | Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations Ilka Kressner |
| title_fullStr | Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations Ilka Kressner |
| title_full_unstemmed | Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations Ilka Kressner |
| title_short | Sites of disquiet |
| title_sort | sites of disquiet the non space in spanish american short narratives and their cinematic transformations |
| title_sub | the non-space in Spanish American short narratives and their cinematic transformations |
| topic | LITERARY CRITICISM / Caribbean & Latin American bisacsh Personal space in literature fast Sacred space in literature fast Space and time in literature fast Space (Architecture) in literature fast Spanish American fiction fast Spanish American literature fast PERFORMING ARTS / Film & Video / History & Criticism bisacsh Spanish American fiction 20th century History and criticism Spanish American literature Film adaptations Personal space in literature Space and time in literature Sacred space in literature Space (Architecture) in literature Raum Motiv (DE-588)4225698-7 gnd Adaption Literatur (DE-588)102289935X gnd Film (DE-588)4017102-4 gnd Literatur (DE-588)4035964-5 gnd Privatsphäre Motiv (DE-588)7551200-2 gnd Spanisch (DE-588)4077640-2 gnd |
| topic_facet | LITERARY CRITICISM / Caribbean & Latin American Personal space in literature Sacred space in literature Space and time in literature Space (Architecture) in literature Spanish American fiction Spanish American literature PERFORMING ARTS / Film & Video / History & Criticism Spanish American fiction 20th century History and criticism Spanish American literature Film adaptations Raum Motiv Adaption Literatur Film Literatur Privatsphäre Motiv Spanisch USA |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=664521 |
| work_keys_str_mv | AT kressnerilka sitesofdisquietthenonspaceinspanishamericanshortnarrativesandtheircinematictransformations |