Perform, repeat, record: live art in history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bristol
Intellect
2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record. - Chapter 42: Every House Has a Door |
| Beschreibung: | 1 Online Resource (656 Seiten) |
| ISBN: | 1783204362 9781783204366 |
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| 245 | 1 | 0 | |a Perform, repeat, record |b live art in history |c edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood |
| 264 | 1 | |a Bristol |b Intellect |c 2012 | |
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| 505 | 8 | |a FrontCover; Half-title; Title; Copyright; Contents; INTRODUCTIONS; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; THEORIES AND HISTORIES; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation | |
| 505 | 8 | |a Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; DOCUMENTS; Introduction; Chapter 14: A Text on 20 years with 66 footnotes | |
| 505 | 8 | |a Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: T he Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology | |
| 505 | 8 | |a Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance/Installation Nexus | |
| 505 | 8 | |a Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDIALOGUES; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist | |
| 505 | 8 | |a Bringing together contributors from dance, theatre, visual studies, and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history | |
| 650 | 4 | |a Motion pictures / History | |
| 650 | 4 | |a Performance art / History | |
| 650 | 4 | |a Projection art / History | |
| 650 | 7 | |a ART / History / General |2 bisacsh | |
| 650 | 7 | |a Performance art |2 fast | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Performance art |x History | |
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| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Jones, Amelia |t Perform, Repeat, Record : Live Art in History |
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Datensatz im Suchindex
| _version_ | 1804175393529266176 |
|---|---|
| any_adam_object | |
| author | Heathfield, Adrian ca. 20. Jh |
| author2 | Jones, Amelia 1961- |
| author2_role | edt |
| author2_variant | a j aj |
| author_GND | (DE-588)122492838 (DE-588)188378707 |
| author_facet | Heathfield, Adrian ca. 20. Jh Jones, Amelia 1961- |
| author_role | aut |
| author_sort | Heathfield, Adrian ca. 20. Jh |
| author_variant | a h ah |
| building | Verbundindex |
| bvnumber | BV043034565 |
| collection | ZDB-4-EBA |
| contents | FrontCover; Half-title; Title; Copyright; Contents; INTRODUCTIONS; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; THEORIES AND HISTORIES; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; DOCUMENTS; Introduction; Chapter 14: A Text on 20 years with 66 footnotes Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: T he Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance/Installation Nexus Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDIALOGUES; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist Bringing together contributors from dance, theatre, visual studies, and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history |
| ctrlnum | (OCoLC)881887983 (DE-599)BVBBV043034565 |
| dewey-full | 709.040755 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.040755 |
| dewey-search | 709.040755 |
| dewey-sort | 3709.040755 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| isbn | 1783204362 9781783204366 |
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| spelling | Perform, repeat, record live art in history edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood Bristol Intellect 2012 1 Online Resource (656 Seiten) txt rdacontent c rdamedia cr rdacarrier Print version record. - Chapter 42: Every House Has a Door FrontCover; Half-title; Title; Copyright; Contents; INTRODUCTIONS; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; THEORIES AND HISTORIES; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; DOCUMENTS; Introduction; Chapter 14: A Text on 20 years with 66 footnotes Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: T he Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance/Installation Nexus Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDIALOGUES; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist Bringing together contributors from dance, theatre, visual studies, and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history Motion pictures / History Performance art / History Projection art / History ART / History / General bisacsh Performance art fast Film Geschichte Performance art History Body Art (DE-588)4128962-6 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Performance Künste (DE-588)4173750-7 s Body Art (DE-588)4128962-6 s 2\p DE-604 Jones, Amelia 1961- (DE-588)122492838 edt Heathfield, Adrian ca. 20. Jh. (DE-588)188378707 aut Erscheint auch als Druck-Ausgabe Jones, Amelia Perform, Repeat, Record : Live Art in History http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=802389 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Heathfield, Adrian ca. 20. Jh Perform, repeat, record live art in history FrontCover; Half-title; Title; Copyright; Contents; INTRODUCTIONS; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; THEORIES AND HISTORIES; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; DOCUMENTS; Introduction; Chapter 14: A Text on 20 years with 66 footnotes Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: T he Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance/Installation Nexus Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDIALOGUES; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist Bringing together contributors from dance, theatre, visual studies, and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history Motion pictures / History Performance art / History Projection art / History ART / History / General bisacsh Performance art fast Film Geschichte Performance art History Body Art (DE-588)4128962-6 gnd Performance Künste (DE-588)4173750-7 gnd |
| subject_GND | (DE-588)4128962-6 (DE-588)4173750-7 (DE-588)4143413-4 |
| title | Perform, repeat, record live art in history |
| title_auth | Perform, repeat, record live art in history |
| title_exact_search | Perform, repeat, record live art in history |
| title_full | Perform, repeat, record live art in history edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood |
| title_fullStr | Perform, repeat, record live art in history edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood |
| title_full_unstemmed | Perform, repeat, record live art in history edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood |
| title_short | Perform, repeat, record |
| title_sort | perform repeat record live art in history |
| title_sub | live art in history |
| topic | Motion pictures / History Performance art / History Projection art / History ART / History / General bisacsh Performance art fast Film Geschichte Performance art History Body Art (DE-588)4128962-6 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | Motion pictures / History Performance art / History Projection art / History ART / History / General Performance art Film Geschichte Performance art History Body Art Performance Künste Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=802389 |
| work_keys_str_mv | AT jonesamelia performrepeatrecordliveartinhistory AT heathfieldadrian performrepeatrecordliveartinhistory |