Performing Authorship: Self-Inscription and Corporeality in the Cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
I.B. Tauris
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (208 pages) |
| ISBN: | 0857722875 1306069602 1780760051 178076006X 9780857722874 9781306069601 9781780760056 9781780760063 |
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| 245 | 1 | 0 | |a Performing Authorship |b Self-Inscription and Corporeality in the Cinema |
| 264 | 1 | |a London |b I.B. Tauris |c 2013 | |
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| 505 | 8 | |a List of Illustrations; Acknowledgements; Introduction; 1. Performance, Corporeality and the Borders of the film; 2. The Author and the frame: Writing, painting and the essay film; 3. The Author in the World: Trance, presence and documentary Filmmaking; 4. The Author In-Between: fools, stand-ups and fictional narratives; Conclusion; Filmography; Notes; Bibliography; Index | |
| 505 | 8 | |a The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on t | |
| 650 | 4 | |a Auteur theory (Motion pictures) | |
| 650 | 4 | |a Film industry | |
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| 650 | 7 | |a Auteur theory (Motion pictures) |2 fast | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Auteur theory (Motion pictures) | |
| 650 | 4 | |a Motion picture industry | |
| 650 | 4 | |a Motion pictures |x History | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Sayad, Cecilia |t Performing Authorship : Self-Inscription and Corporeality in the Cinema |
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Datensatz im Suchindex
| _version_ | 1804175392721862656 |
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| any_adam_object | |
| author | Sayad, Cecilia |
| author_facet | Sayad, Cecilia |
| author_role | aut |
| author_sort | Sayad, Cecilia |
| author_variant | c s cs |
| building | Verbundindex |
| bvnumber | BV043034115 |
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| contents | List of Illustrations; Acknowledgements; Introduction; 1. Performance, Corporeality and the Borders of the film; 2. The Author and the frame: Writing, painting and the essay film; 3. The Author in the World: Trance, presence and documentary Filmmaking; 4. The Author In-Between: fools, stand-ups and fictional narratives; Conclusion; Filmography; Notes; Bibliography; Index The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on t |
| ctrlnum | (OCoLC)862050259 (DE-599)BVBBV043034115 |
| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| language | English |
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| spelling | Sayad, Cecilia Verfasser aut Performing Authorship Self-Inscription and Corporeality in the Cinema London I.B. Tauris 2013 1 online resource (208 pages) txt rdacontent c rdamedia cr rdacarrier Print version record List of Illustrations; Acknowledgements; Introduction; 1. Performance, Corporeality and the Borders of the film; 2. The Author and the frame: Writing, painting and the essay film; 3. The Author in the World: Trance, presence and documentary Filmmaking; 4. The Author In-Between: fools, stand-ups and fictional narratives; Conclusion; Filmography; Notes; Bibliography; Index The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on t Auteur theory (Motion pictures) Film industry Motion pictures / History Auteur theory (Motion pictures) fast Motion picture industry fast Motion pictures fast PERFORMING ARTS / Reference bisacsh Film Geschichte Motion picture industry Motion pictures History Erscheint auch als Druck-Ausgabe Sayad, Cecilia Performing Authorship : Self-Inscription and Corporeality in the Cinema http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=656379 Aggregator Volltext |
| spellingShingle | Sayad, Cecilia Performing Authorship Self-Inscription and Corporeality in the Cinema List of Illustrations; Acknowledgements; Introduction; 1. Performance, Corporeality and the Borders of the film; 2. The Author and the frame: Writing, painting and the essay film; 3. The Author in the World: Trance, presence and documentary Filmmaking; 4. The Author In-Between: fools, stand-ups and fictional narratives; Conclusion; Filmography; Notes; Bibliography; Index The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on t Auteur theory (Motion pictures) Film industry Motion pictures / History Auteur theory (Motion pictures) fast Motion picture industry fast Motion pictures fast PERFORMING ARTS / Reference bisacsh Film Geschichte Motion picture industry Motion pictures History |
| title | Performing Authorship Self-Inscription and Corporeality in the Cinema |
| title_auth | Performing Authorship Self-Inscription and Corporeality in the Cinema |
| title_exact_search | Performing Authorship Self-Inscription and Corporeality in the Cinema |
| title_full | Performing Authorship Self-Inscription and Corporeality in the Cinema |
| title_fullStr | Performing Authorship Self-Inscription and Corporeality in the Cinema |
| title_full_unstemmed | Performing Authorship Self-Inscription and Corporeality in the Cinema |
| title_short | Performing Authorship |
| title_sort | performing authorship self inscription and corporeality in the cinema |
| title_sub | Self-Inscription and Corporeality in the Cinema |
| topic | Auteur theory (Motion pictures) Film industry Motion pictures / History Auteur theory (Motion pictures) fast Motion picture industry fast Motion pictures fast PERFORMING ARTS / Reference bisacsh Film Geschichte Motion picture industry Motion pictures History |
| topic_facet | Auteur theory (Motion pictures) Film industry Motion pictures / History Motion picture industry Motion pictures PERFORMING ARTS / Reference Film Geschichte Motion pictures History |
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