Sounding New Media: Immersion and Embodiment in the Arts and Culture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
CA
University of California Press
2009
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (260 pages) |
| ISBN: | 0520944844 9780520944848 |
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| 505 | 8 | |a Cover; Contents; Illustrations; Acknowledgments; Introduction; 1. Ethereal Transmissions: The "Tele" of Pho-ne-; 2. Celestial Telegraphies; 3. Aural Objects, Recording Devices, and the Proximate Apparatus; 4. Death, Silence, and the Tape Recorder; 5. Immersion; 6. Embodying Technology: From Sound Effect to Body Effect; 7. Atmospheres; Conclusion: Music and Noise; Notes; References; Index | |
| 505 | 8 | |a Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about em | |
| 650 | 4 | |a Social Science | |
| 650 | 4 | |a Philosophy | |
| 650 | 4 | |a Fine Arts | |
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| 650 | 7 | |a ART / Reference |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
| 650 | 7 | |a MUSIC / General |2 bisacsh | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Virtual reality |x Philosophy | |
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Datensatz im Suchindex
| _version_ | 1804175392459718656 |
|---|---|
| any_adam_object | |
| author | Dyson, Frances |
| author_facet | Dyson, Frances |
| author_role | aut |
| author_sort | Dyson, Frances |
| author_variant | f d fd |
| building | Verbundindex |
| bvnumber | BV043033973 |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; Illustrations; Acknowledgments; Introduction; 1. Ethereal Transmissions: The "Tele" of Pho-ne-; 2. Celestial Telegraphies; 3. Aural Objects, Recording Devices, and the Proximate Apparatus; 4. Death, Silence, and the Tape Recorder; 5. Immersion; 6. Embodying Technology: From Sound Effect to Body Effect; 7. Atmospheres; Conclusion: Music and Noise; Notes; References; Index Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about em |
| ctrlnum | (OCoLC)616367159 (DE-599)BVBBV043033973 |
| dewey-full | 700 302.23 |
| dewey-hundreds | 700 - The arts 300 - Social sciences |
| dewey-ones | 700 - The arts 302 - Social interaction |
| dewey-raw | 700 302.23 |
| dewey-search | 700 302.23 |
| dewey-sort | 3700 |
| dewey-tens | 700 - The arts 300 - Social sciences |
| discipline | Kunstgeschichte Soziologie |
| format | Electronic eBook |
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| isbn | 0520944844 9780520944848 |
| language | English |
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| spelling | Dyson, Frances Verfasser aut Sounding New Media Immersion and Embodiment in the Arts and Culture CA University of California Press 2009 1 online resource (260 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Cover; Contents; Illustrations; Acknowledgments; Introduction; 1. Ethereal Transmissions: The "Tele" of Pho-ne-; 2. Celestial Telegraphies; 3. Aural Objects, Recording Devices, and the Proximate Apparatus; 4. Death, Silence, and the Tape Recorder; 5. Immersion; 6. Embodying Technology: From Sound Effect to Body Effect; 7. Atmospheres; Conclusion: Music and Noise; Notes; References; Index Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about em Social Science Philosophy Fine Arts ART / Performance bisacsh ART / Reference bisacsh SOCIAL SCIENCE / Media Studies bisacsh MUSIC / General bisacsh Philosophie Virtual reality Philosophy Sounds Mixed media (DE-588)4245379-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Klang (DE-588)4030933-2 gnd rswk-swf Mixed media (DE-588)4245379-3 s Klang (DE-588)4030933-2 s Kultur (DE-588)4125698-0 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Dyson, Frances Sounding New Media : Immersion and Embodiment in the Arts and Culture http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=306050 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dyson, Frances Sounding New Media Immersion and Embodiment in the Arts and Culture Cover; Contents; Illustrations; Acknowledgments; Introduction; 1. Ethereal Transmissions: The "Tele" of Pho-ne-; 2. Celestial Telegraphies; 3. Aural Objects, Recording Devices, and the Proximate Apparatus; 4. Death, Silence, and the Tape Recorder; 5. Immersion; 6. Embodying Technology: From Sound Effect to Body Effect; 7. Atmospheres; Conclusion: Music and Noise; Notes; References; Index Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about em Social Science Philosophy Fine Arts ART / Performance bisacsh ART / Reference bisacsh SOCIAL SCIENCE / Media Studies bisacsh MUSIC / General bisacsh Philosophie Virtual reality Philosophy Sounds Mixed media (DE-588)4245379-3 gnd Kultur (DE-588)4125698-0 gnd Klang (DE-588)4030933-2 gnd |
| subject_GND | (DE-588)4245379-3 (DE-588)4125698-0 (DE-588)4030933-2 |
| title | Sounding New Media Immersion and Embodiment in the Arts and Culture |
| title_auth | Sounding New Media Immersion and Embodiment in the Arts and Culture |
| title_exact_search | Sounding New Media Immersion and Embodiment in the Arts and Culture |
| title_full | Sounding New Media Immersion and Embodiment in the Arts and Culture |
| title_fullStr | Sounding New Media Immersion and Embodiment in the Arts and Culture |
| title_full_unstemmed | Sounding New Media Immersion and Embodiment in the Arts and Culture |
| title_short | Sounding New Media |
| title_sort | sounding new media immersion and embodiment in the arts and culture |
| title_sub | Immersion and Embodiment in the Arts and Culture |
| topic | Social Science Philosophy Fine Arts ART / Performance bisacsh ART / Reference bisacsh SOCIAL SCIENCE / Media Studies bisacsh MUSIC / General bisacsh Philosophie Virtual reality Philosophy Sounds Mixed media (DE-588)4245379-3 gnd Kultur (DE-588)4125698-0 gnd Klang (DE-588)4030933-2 gnd |
| topic_facet | Social Science Philosophy Fine Arts ART / Performance ART / Reference SOCIAL SCIENCE / Media Studies MUSIC / General Philosophie Virtual reality Philosophy Sounds Mixed media Kultur Klang |
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