Creativity and the Agile Mind: a Multi-Disciplinary Study of a Multi-Faceted Phenomenon
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin
De Gruyter
2013
|
| Schriftenreihe: | Applications of Cognitive Linguistics ACL.
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (380 pages) |
| ISBN: | 311029348X 3110295296 311029530X 9783110293487 9783110295290 9783110295306 |
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| 245 | 1 | 0 | |a Creativity and the Agile Mind |b a Multi-Disciplinary Study of a Multi-Faceted Phenomenon |c ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville |
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| 505 | 8 | |a Part I: Introduction; 1 Creativity and the Agile Mind; Introducing The Agile Mind; Understanding The Agile Mind: A Journey; Conceptual Agility in an Abstract Space; Collecting The Agile Mind: A Bird's Eye View; Parting Thoughts; References; 2 E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound; Agile Interpretation and Creative Duality; Agile Imagery; Agile Sounds; Agile Words; CRIME: An Agile Framework for Producers and Consumers; Conclusions; References; Part II: Computers and Creativity; 3 Computers and Creativity; Introduction | |
| 505 | 8 | |a What do we mean by 'creativity': Some examplesCognitive mechanisms of creativity; Computational modeling of creativity; Computer-based creativity-support systems; Conclusions and future research; References; 4 Gravital: natural language processing for computer graphics; Introduction; Computer graphics and user interfaces; Graphics Language Processor; Perception; Node-based interface; Acknowledgements; References; 5 Talking Points in Linguistic Creativity; Introduction; Related Work and Ideas; Acquiring Conceptual Talking Points; Building a Slipnet of Talking Points; Empirical Evaluation | |
| 505 | 8 | |a ConclusionsReferences; Part III: Verbal Communication; 6 Creatively Exploiting Linguistic Norms; Introduction; What is an exploitation?; The Creative Continuum; Are all rhetorical tropes exploitations?; Summary and Conclusions; References; 7 Online semantic creativity in parliamentary debates; Introduction; Theoretical background; Case-study: creativity and perspectivation in interactional discourse; Conclusions and outlook; References; 8 Yo, who be the main gangsta in our phat gang? -- Linguistic creativity and the construction of hyperpersonal identity; Introduction | |
| 505 | 8 | |a Three perspectives on relating onlineAn example of hyperpersonal communication -- Creative gangstas on the net; Blending Theory and the creation of hyperpersonal identity; The creation of hyperpersonal identity as a joint process of action layering; The role of the medium; Conclusions; References; 9 Resonating humour -- A corpus-based approach to creative parallelism in dialogue; Introduction; Theoretical background; The dataset: semi-automatic retrieval from the Corinth corpus; Resonating humour in the Corinth corpus; Conclusion; References; 10 A Cognitive Grammar of Creativity; Introduction | |
| 505 | 8 | |a Cognitive LinguisticsAnalysing Creativity; Conclusions; References; Part IV: Visual Communication; 11 Creativity in the forms and functions of spontaneous gestures with speech; Introduction; Formal characteristics of creative gestures; Creativity in the functions of coverbal gestures; Discussion and Conclusions; Acknowledgements; References; 12 Creative visual duality in comics balloons; Introduction; Blending Theory, Emergent Structure, and Creativity; Blending, Emergent Structure, and Creativity in Comics Balloons; Blending and Creativity in Balloons: Concluding Remarks; Acknowledgments | |
| 505 | 8 | |a Creativity is a highly-prized quality in almost any domain of human endeavor, whether one is crafting tangible objects from physical materials, or mental objects from concepts, words, pictures and musical notes. It is a diverse, multi-faceted phenomenon that demands a diverse, multi-disciplinary perspective. By bringing together a wide range of creative producers and consumers, in domains as diverse as cognition, language, music, gesture, image and computation, this volume offers the student of creativity a new and exciting perspective whose many facets form a comprehensive and coherent whole | |
| 650 | 7 | |a PSYCHOLOGY / Creative Ability |2 bisacsh | |
| 650 | 7 | |a SELF-HELP / Creativity |2 bisacsh | |
| 650 | 7 | |a Cognitive grammar |2 fast | |
| 650 | 7 | |a Creativity (Linguistics) |2 fast | |
| 650 | 7 | |a Grammar, Comparative and general / Coordinate constructions |2 fast | |
| 650 | 4 | |a Grammatik | |
| 650 | 4 | |a Creativity (Linguistics) | |
| 650 | 4 | |a Cognitive grammar | |
| 650 | 4 | |a Grammar, Comparative and general |x Coordinate constructions | |
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Datensatz im Suchindex
| _version_ | 1804175392446087168 |
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| any_adam_object | |
| author | Forceville, Ch, (Charles) |
| author_facet | Forceville, Ch, (Charles) |
| author_role | aut |
| author_sort | Forceville, Ch, (Charles) |
| author_variant | c c f cc ccf |
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| bvnumber | BV043033960 |
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| contents | Part I: Introduction; 1 Creativity and the Agile Mind; Introducing The Agile Mind; Understanding The Agile Mind: A Journey; Conceptual Agility in an Abstract Space; Collecting The Agile Mind: A Bird's Eye View; Parting Thoughts; References; 2 E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound; Agile Interpretation and Creative Duality; Agile Imagery; Agile Sounds; Agile Words; CRIME: An Agile Framework for Producers and Consumers; Conclusions; References; Part II: Computers and Creativity; 3 Computers and Creativity; Introduction What do we mean by 'creativity': Some examplesCognitive mechanisms of creativity; Computational modeling of creativity; Computer-based creativity-support systems; Conclusions and future research; References; 4 Gravital: natural language processing for computer graphics; Introduction; Computer graphics and user interfaces; Graphics Language Processor; Perception; Node-based interface; Acknowledgements; References; 5 Talking Points in Linguistic Creativity; Introduction; Related Work and Ideas; Acquiring Conceptual Talking Points; Building a Slipnet of Talking Points; Empirical Evaluation ConclusionsReferences; Part III: Verbal Communication; 6 Creatively Exploiting Linguistic Norms; Introduction; What is an exploitation?; The Creative Continuum; Are all rhetorical tropes exploitations?; Summary and Conclusions; References; 7 Online semantic creativity in parliamentary debates; Introduction; Theoretical background; Case-study: creativity and perspectivation in interactional discourse; Conclusions and outlook; References; 8 Yo, who be the main gangsta in our phat gang? -- Linguistic creativity and the construction of hyperpersonal identity; Introduction Three perspectives on relating onlineAn example of hyperpersonal communication -- Creative gangstas on the net; Blending Theory and the creation of hyperpersonal identity; The creation of hyperpersonal identity as a joint process of action layering; The role of the medium; Conclusions; References; 9 Resonating humour -- A corpus-based approach to creative parallelism in dialogue; Introduction; Theoretical background; The dataset: semi-automatic retrieval from the Corinth corpus; Resonating humour in the Corinth corpus; Conclusion; References; 10 A Cognitive Grammar of Creativity; Introduction Cognitive LinguisticsAnalysing Creativity; Conclusions; References; Part IV: Visual Communication; 11 Creativity in the forms and functions of spontaneous gestures with speech; Introduction; Formal characteristics of creative gestures; Creativity in the functions of coverbal gestures; Discussion and Conclusions; Acknowledgements; References; 12 Creative visual duality in comics balloons; Introduction; Blending Theory, Emergent Structure, and Creativity; Blending, Emergent Structure, and Creativity in Comics Balloons; Blending and Creativity in Balloons: Concluding Remarks; Acknowledgments Creativity is a highly-prized quality in almost any domain of human endeavor, whether one is crafting tangible objects from physical materials, or mental objects from concepts, words, pictures and musical notes. It is a diverse, multi-faceted phenomenon that demands a diverse, multi-disciplinary perspective. By bringing together a wide range of creative producers and consumers, in domains as diverse as cognition, language, music, gesture, image and computation, this volume offers the student of creativity a new and exciting perspective whose many facets form a comprehensive and coherent whole |
| ctrlnum | (OCoLC)851970203 (DE-599)BVBBV043033960 |
| dewey-full | 153.3/5 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 153 - Conscious mental processes & intelligence |
| dewey-raw | 153.3/5 |
| dewey-search | 153.3/5 |
| dewey-sort | 3153.3 15 |
| dewey-tens | 150 - Psychology |
| discipline | Psychologie |
| format | Electronic eBook |
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| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043033960 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:33Z |
| institution | BVB |
| isbn | 311029348X 3110295296 311029530X 9783110293487 9783110295290 9783110295306 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028458608 |
| oclc_num | 851970203 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (380 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | De Gruyter |
| record_format | marc |
| series2 | Applications of Cognitive Linguistics ACL. |
| spelling | Forceville, Ch, (Charles) Verfasser aut Creativity and the Agile Mind a Multi-Disciplinary Study of a Multi-Faceted Phenomenon ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville Berlin De Gruyter 2013 1 online resource (380 pages) txt rdacontent c rdamedia cr rdacarrier Applications of Cognitive Linguistics ACL. Print version record Part I: Introduction; 1 Creativity and the Agile Mind; Introducing The Agile Mind; Understanding The Agile Mind: A Journey; Conceptual Agility in an Abstract Space; Collecting The Agile Mind: A Bird's Eye View; Parting Thoughts; References; 2 E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound; Agile Interpretation and Creative Duality; Agile Imagery; Agile Sounds; Agile Words; CRIME: An Agile Framework for Producers and Consumers; Conclusions; References; Part II: Computers and Creativity; 3 Computers and Creativity; Introduction What do we mean by 'creativity': Some examplesCognitive mechanisms of creativity; Computational modeling of creativity; Computer-based creativity-support systems; Conclusions and future research; References; 4 Gravital: natural language processing for computer graphics; Introduction; Computer graphics and user interfaces; Graphics Language Processor; Perception; Node-based interface; Acknowledgements; References; 5 Talking Points in Linguistic Creativity; Introduction; Related Work and Ideas; Acquiring Conceptual Talking Points; Building a Slipnet of Talking Points; Empirical Evaluation ConclusionsReferences; Part III: Verbal Communication; 6 Creatively Exploiting Linguistic Norms; Introduction; What is an exploitation?; The Creative Continuum; Are all rhetorical tropes exploitations?; Summary and Conclusions; References; 7 Online semantic creativity in parliamentary debates; Introduction; Theoretical background; Case-study: creativity and perspectivation in interactional discourse; Conclusions and outlook; References; 8 Yo, who be the main gangsta in our phat gang? -- Linguistic creativity and the construction of hyperpersonal identity; Introduction Three perspectives on relating onlineAn example of hyperpersonal communication -- Creative gangstas on the net; Blending Theory and the creation of hyperpersonal identity; The creation of hyperpersonal identity as a joint process of action layering; The role of the medium; Conclusions; References; 9 Resonating humour -- A corpus-based approach to creative parallelism in dialogue; Introduction; Theoretical background; The dataset: semi-automatic retrieval from the Corinth corpus; Resonating humour in the Corinth corpus; Conclusion; References; 10 A Cognitive Grammar of Creativity; Introduction Cognitive LinguisticsAnalysing Creativity; Conclusions; References; Part IV: Visual Communication; 11 Creativity in the forms and functions of spontaneous gestures with speech; Introduction; Formal characteristics of creative gestures; Creativity in the functions of coverbal gestures; Discussion and Conclusions; Acknowledgements; References; 12 Creative visual duality in comics balloons; Introduction; Blending Theory, Emergent Structure, and Creativity; Blending, Emergent Structure, and Creativity in Comics Balloons; Blending and Creativity in Balloons: Concluding Remarks; Acknowledgments Creativity is a highly-prized quality in almost any domain of human endeavor, whether one is crafting tangible objects from physical materials, or mental objects from concepts, words, pictures and musical notes. It is a diverse, multi-faceted phenomenon that demands a diverse, multi-disciplinary perspective. By bringing together a wide range of creative producers and consumers, in domains as diverse as cognition, language, music, gesture, image and computation, this volume offers the student of creativity a new and exciting perspective whose many facets form a comprehensive and coherent whole PSYCHOLOGY / Creative Ability bisacsh SELF-HELP / Creativity bisacsh Cognitive grammar fast Creativity (Linguistics) fast Grammar, Comparative and general / Coordinate constructions fast Grammatik Creativity (Linguistics) Cognitive grammar Grammar, Comparative and general Coordinate constructions Sprache (DE-588)4056449-6 gnd rswk-swf Kreativität (DE-588)4032903-3 gnd rswk-swf Kreatives Denken (DE-588)4165549-7 gnd rswk-swf Kognitive Linguistik (DE-588)4246269-1 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Kognitive Linguistik (DE-588)4246269-1 s Kreatives Denken (DE-588)4165549-7 s 2\p DE-604 Sprache (DE-588)4056449-6 s Kreativität (DE-588)4032903-3 s 3\p DE-604 Feyaerts, Kurt Sonstige oth Veale, Tony Sonstige oth Erscheint auch als Druck-Ausgabe Forceville, Charles Creativity and the Agile Mind : A Multi-Disciplinary Study of a Multi-Faceted Phenomenon http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=604203 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Forceville, Ch, (Charles) Creativity and the Agile Mind a Multi-Disciplinary Study of a Multi-Faceted Phenomenon Part I: Introduction; 1 Creativity and the Agile Mind; Introducing The Agile Mind; Understanding The Agile Mind: A Journey; Conceptual Agility in an Abstract Space; Collecting The Agile Mind: A Bird's Eye View; Parting Thoughts; References; 2 E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound; Agile Interpretation and Creative Duality; Agile Imagery; Agile Sounds; Agile Words; CRIME: An Agile Framework for Producers and Consumers; Conclusions; References; Part II: Computers and Creativity; 3 Computers and Creativity; Introduction What do we mean by 'creativity': Some examplesCognitive mechanisms of creativity; Computational modeling of creativity; Computer-based creativity-support systems; Conclusions and future research; References; 4 Gravital: natural language processing for computer graphics; Introduction; Computer graphics and user interfaces; Graphics Language Processor; Perception; Node-based interface; Acknowledgements; References; 5 Talking Points in Linguistic Creativity; Introduction; Related Work and Ideas; Acquiring Conceptual Talking Points; Building a Slipnet of Talking Points; Empirical Evaluation ConclusionsReferences; Part III: Verbal Communication; 6 Creatively Exploiting Linguistic Norms; Introduction; What is an exploitation?; The Creative Continuum; Are all rhetorical tropes exploitations?; Summary and Conclusions; References; 7 Online semantic creativity in parliamentary debates; Introduction; Theoretical background; Case-study: creativity and perspectivation in interactional discourse; Conclusions and outlook; References; 8 Yo, who be the main gangsta in our phat gang? -- Linguistic creativity and the construction of hyperpersonal identity; Introduction Three perspectives on relating onlineAn example of hyperpersonal communication -- Creative gangstas on the net; Blending Theory and the creation of hyperpersonal identity; The creation of hyperpersonal identity as a joint process of action layering; The role of the medium; Conclusions; References; 9 Resonating humour -- A corpus-based approach to creative parallelism in dialogue; Introduction; Theoretical background; The dataset: semi-automatic retrieval from the Corinth corpus; Resonating humour in the Corinth corpus; Conclusion; References; 10 A Cognitive Grammar of Creativity; Introduction Cognitive LinguisticsAnalysing Creativity; Conclusions; References; Part IV: Visual Communication; 11 Creativity in the forms and functions of spontaneous gestures with speech; Introduction; Formal characteristics of creative gestures; Creativity in the functions of coverbal gestures; Discussion and Conclusions; Acknowledgements; References; 12 Creative visual duality in comics balloons; Introduction; Blending Theory, Emergent Structure, and Creativity; Blending, Emergent Structure, and Creativity in Comics Balloons; Blending and Creativity in Balloons: Concluding Remarks; Acknowledgments Creativity is a highly-prized quality in almost any domain of human endeavor, whether one is crafting tangible objects from physical materials, or mental objects from concepts, words, pictures and musical notes. It is a diverse, multi-faceted phenomenon that demands a diverse, multi-disciplinary perspective. By bringing together a wide range of creative producers and consumers, in domains as diverse as cognition, language, music, gesture, image and computation, this volume offers the student of creativity a new and exciting perspective whose many facets form a comprehensive and coherent whole PSYCHOLOGY / Creative Ability bisacsh SELF-HELP / Creativity bisacsh Cognitive grammar fast Creativity (Linguistics) fast Grammar, Comparative and general / Coordinate constructions fast Grammatik Creativity (Linguistics) Cognitive grammar Grammar, Comparative and general Coordinate constructions Sprache (DE-588)4056449-6 gnd Kreativität (DE-588)4032903-3 gnd Kreatives Denken (DE-588)4165549-7 gnd Kognitive Linguistik (DE-588)4246269-1 gnd |
| subject_GND | (DE-588)4056449-6 (DE-588)4032903-3 (DE-588)4165549-7 (DE-588)4246269-1 (DE-588)4143413-4 |
| title | Creativity and the Agile Mind a Multi-Disciplinary Study of a Multi-Faceted Phenomenon |
| title_auth | Creativity and the Agile Mind a Multi-Disciplinary Study of a Multi-Faceted Phenomenon |
| title_exact_search | Creativity and the Agile Mind a Multi-Disciplinary Study of a Multi-Faceted Phenomenon |
| title_full | Creativity and the Agile Mind a Multi-Disciplinary Study of a Multi-Faceted Phenomenon ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville |
| title_fullStr | Creativity and the Agile Mind a Multi-Disciplinary Study of a Multi-Faceted Phenomenon ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville |
| title_full_unstemmed | Creativity and the Agile Mind a Multi-Disciplinary Study of a Multi-Faceted Phenomenon ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville |
| title_short | Creativity and the Agile Mind |
| title_sort | creativity and the agile mind a multi disciplinary study of a multi faceted phenomenon |
| title_sub | a Multi-Disciplinary Study of a Multi-Faceted Phenomenon |
| topic | PSYCHOLOGY / Creative Ability bisacsh SELF-HELP / Creativity bisacsh Cognitive grammar fast Creativity (Linguistics) fast Grammar, Comparative and general / Coordinate constructions fast Grammatik Creativity (Linguistics) Cognitive grammar Grammar, Comparative and general Coordinate constructions Sprache (DE-588)4056449-6 gnd Kreativität (DE-588)4032903-3 gnd Kreatives Denken (DE-588)4165549-7 gnd Kognitive Linguistik (DE-588)4246269-1 gnd |
| topic_facet | PSYCHOLOGY / Creative Ability SELF-HELP / Creativity Cognitive grammar Creativity (Linguistics) Grammar, Comparative and general / Coordinate constructions Grammatik Grammar, Comparative and general Coordinate constructions Sprache Kreativität Kreatives Denken Kognitive Linguistik Aufsatzsammlung |
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