From Madrigal to Opera: Monteverdi's Staging of the Self
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley
University of California Press
2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (343 pages) |
| ISBN: | 0520267680 0520951522 1280108746 9780520267688 9780520951525 9781280108747 |
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| 505 | 8 | |a PART ONE. LA MUSICA AND ORFEO; 1. Text, Context, Performance; Performing Nobility; Authorizing Performance; The Work of Opera; 2. Liminality, Deixis, Subjectivity; Prologues as Paratexts; "I am Music"; The Prologue of Orfeo as Performance; Dialogic Subjectivity; Subject-Effects; 3. Performing the Dialogic Self; Music's Touch; Echoes; PART TWO. CONSTRUCTING THE NARRATOR; 4. From Petrarch to Petrarchism: A Rhetoric of Voice and Address; Voi ch'ascoltate; Appropriating the Self; Lyric Modes; Equivocality | |
| 505 | 8 | |a 5. In Search of Voice: Musical Petrarchism in the Sixteenth-Century MadrigalTheatricality and Temporal Perspective; Diffracting the Self; Who is Speaking? From Soggetto to Dialogo; The Madrigal Book as Canzoniere; PART THREE. STAGING THE SELF; 6. Monteverdi, Narrator; From Narration to Focalization; Combattimento between Page and Stage; 7. The Possibility of Opera; The Aesthetics of Nothing: Monteverdi, Marino, and the Incogniti; Focalization in Poppea; Epilogue: Subjectivity, Theatricality, Multimediality; Appendix 1: Tables of Contents of the Madrigal Books | |
| 505 | 8 | |a Appendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translation; Notes; Index | |
| 505 | 8 | |a This pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch's love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultural history, the book demonstrates that the birth of opera relied on an important feature of the madrigalian tradition: the role of the composer as a narrative agent enabling performers to become characters and hold a specific point of view | |
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| _version_ | 1804175392362201088 |
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| author | Calcagno, Mauro |
| author_facet | Calcagno, Mauro |
| author_role | aut |
| author_sort | Calcagno, Mauro |
| author_variant | m c mc |
| building | Verbundindex |
| bvnumber | BV043033927 |
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| contents | PART ONE. LA MUSICA AND ORFEO; 1. Text, Context, Performance; Performing Nobility; Authorizing Performance; The Work of Opera; 2. Liminality, Deixis, Subjectivity; Prologues as Paratexts; "I am Music"; The Prologue of Orfeo as Performance; Dialogic Subjectivity; Subject-Effects; 3. Performing the Dialogic Self; Music's Touch; Echoes; PART TWO. CONSTRUCTING THE NARRATOR; 4. From Petrarch to Petrarchism: A Rhetoric of Voice and Address; Voi ch'ascoltate; Appropriating the Self; Lyric Modes; Equivocality 5. In Search of Voice: Musical Petrarchism in the Sixteenth-Century MadrigalTheatricality and Temporal Perspective; Diffracting the Self; Who is Speaking? From Soggetto to Dialogo; The Madrigal Book as Canzoniere; PART THREE. STAGING THE SELF; 6. Monteverdi, Narrator; From Narration to Focalization; Combattimento between Page and Stage; 7. The Possibility of Opera; The Aesthetics of Nothing: Monteverdi, Marino, and the Incogniti; Focalization in Poppea; Epilogue: Subjectivity, Theatricality, Multimediality; Appendix 1: Tables of Contents of the Madrigal Books Appendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translation; Notes; Index This pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch's love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultural history, the book demonstrates that the birth of opera relied on an important feature of the madrigalian tradition: the role of the composer as a narrative agent enabling performers to become characters and hold a specific point of view |
| ctrlnum | (OCoLC)782879943 (DE-599)BVBBV043033927 |
| dewey-full | 782.0092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.0092 |
| dewey-search | 782.0092 |
| dewey-sort | 3782.0092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043033927 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:33Z |
| institution | BVB |
| isbn | 0520267680 0520951522 1280108746 9780520267688 9780520951525 9781280108747 |
| language | English |
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| publisher | University of California Press |
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| spelling | Calcagno, Mauro Verfasser aut From Madrigal to Opera Monteverdi's Staging of the Self Berkeley University of California Press 2012 1 online resource (343 pages) txt rdacontent c rdamedia cr rdacarrier Print version record PART ONE. LA MUSICA AND ORFEO; 1. Text, Context, Performance; Performing Nobility; Authorizing Performance; The Work of Opera; 2. Liminality, Deixis, Subjectivity; Prologues as Paratexts; "I am Music"; The Prologue of Orfeo as Performance; Dialogic Subjectivity; Subject-Effects; 3. Performing the Dialogic Self; Music's Touch; Echoes; PART TWO. CONSTRUCTING THE NARRATOR; 4. From Petrarch to Petrarchism: A Rhetoric of Voice and Address; Voi ch'ascoltate; Appropriating the Self; Lyric Modes; Equivocality 5. In Search of Voice: Musical Petrarchism in the Sixteenth-Century MadrigalTheatricality and Temporal Perspective; Diffracting the Self; Who is Speaking? From Soggetto to Dialogo; The Madrigal Book as Canzoniere; PART THREE. STAGING THE SELF; 6. Monteverdi, Narrator; From Narration to Focalization; Combattimento between Page and Stage; 7. The Possibility of Opera; The Aesthetics of Nothing: Monteverdi, Marino, and the Incogniti; Focalization in Poppea; Epilogue: Subjectivity, Theatricality, Multimediality; Appendix 1: Tables of Contents of the Madrigal Books Appendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translation; Notes; Index This pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch's love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultural history, the book demonstrates that the birth of opera relied on an important feature of the madrigalian tradition: the role of the composer as a narrative agent enabling performers to become characters and hold a specific point of view Monteverdi, Claudio 1567-1643 Operas Monteverdi, Claudio 1567-1643 Madrigals Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd rswk-swf Monteverdi, Claudio / 1567-1643 / Madrigals Monteverdi, Claudio / 1567-1643 / Operas MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh MUSIC / Genres & Styles / Classical bisacsh Madrigals (Monteverdi, Claudio) fast Operas (Monteverdi, Claudio) fast Petrarchism fast Petrarchism Madrigal (DE-588)4168452-7 gnd rswk-swf Petrarkismus (DE-588)4173956-5 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Subjektivismus (DE-588)4183908-0 gnd rswk-swf Monteverdi, Claudio 1567-1643 (DE-588)118583700 p Oper (DE-588)4043582-9 s Madrigal (DE-588)4168452-7 s Petrarkismus (DE-588)4173956-5 s Subjektivismus (DE-588)4183908-0 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Calcagno, Mauro From Madrigal to Opera : Monteverdi's Staging of the Self http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=443035 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Calcagno, Mauro From Madrigal to Opera Monteverdi's Staging of the Self PART ONE. LA MUSICA AND ORFEO; 1. Text, Context, Performance; Performing Nobility; Authorizing Performance; The Work of Opera; 2. Liminality, Deixis, Subjectivity; Prologues as Paratexts; "I am Music"; The Prologue of Orfeo as Performance; Dialogic Subjectivity; Subject-Effects; 3. Performing the Dialogic Self; Music's Touch; Echoes; PART TWO. CONSTRUCTING THE NARRATOR; 4. From Petrarch to Petrarchism: A Rhetoric of Voice and Address; Voi ch'ascoltate; Appropriating the Self; Lyric Modes; Equivocality 5. In Search of Voice: Musical Petrarchism in the Sixteenth-Century MadrigalTheatricality and Temporal Perspective; Diffracting the Self; Who is Speaking? From Soggetto to Dialogo; The Madrigal Book as Canzoniere; PART THREE. STAGING THE SELF; 6. Monteverdi, Narrator; From Narration to Focalization; Combattimento between Page and Stage; 7. The Possibility of Opera; The Aesthetics of Nothing: Monteverdi, Marino, and the Incogniti; Focalization in Poppea; Epilogue: Subjectivity, Theatricality, Multimediality; Appendix 1: Tables of Contents of the Madrigal Books Appendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translation; Notes; Index This pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch's love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultural history, the book demonstrates that the birth of opera relied on an important feature of the madrigalian tradition: the role of the composer as a narrative agent enabling performers to become characters and hold a specific point of view Monteverdi, Claudio 1567-1643 Operas Monteverdi, Claudio 1567-1643 Madrigals Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd Monteverdi, Claudio / 1567-1643 / Madrigals Monteverdi, Claudio / 1567-1643 / Operas MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh MUSIC / Genres & Styles / Classical bisacsh Madrigals (Monteverdi, Claudio) fast Operas (Monteverdi, Claudio) fast Petrarchism fast Petrarchism Madrigal (DE-588)4168452-7 gnd Petrarkismus (DE-588)4173956-5 gnd Oper (DE-588)4043582-9 gnd Subjektivismus (DE-588)4183908-0 gnd |
| subject_GND | (DE-588)118583700 (DE-588)4168452-7 (DE-588)4173956-5 (DE-588)4043582-9 (DE-588)4183908-0 |
| title | From Madrigal to Opera Monteverdi's Staging of the Self |
| title_auth | From Madrigal to Opera Monteverdi's Staging of the Self |
| title_exact_search | From Madrigal to Opera Monteverdi's Staging of the Self |
| title_full | From Madrigal to Opera Monteverdi's Staging of the Self |
| title_fullStr | From Madrigal to Opera Monteverdi's Staging of the Self |
| title_full_unstemmed | From Madrigal to Opera Monteverdi's Staging of the Self |
| title_short | From Madrigal to Opera |
| title_sort | from madrigal to opera monteverdi s staging of the self |
| title_sub | Monteverdi's Staging of the Self |
| topic | Monteverdi, Claudio 1567-1643 Operas Monteverdi, Claudio 1567-1643 Madrigals Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd Monteverdi, Claudio / 1567-1643 / Madrigals Monteverdi, Claudio / 1567-1643 / Operas MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh MUSIC / Genres & Styles / Classical bisacsh Madrigals (Monteverdi, Claudio) fast Operas (Monteverdi, Claudio) fast Petrarchism fast Petrarchism Madrigal (DE-588)4168452-7 gnd Petrarkismus (DE-588)4173956-5 gnd Oper (DE-588)4043582-9 gnd Subjektivismus (DE-588)4183908-0 gnd |
| topic_facet | Monteverdi, Claudio 1567-1643 Operas Monteverdi, Claudio 1567-1643 Madrigals Monteverdi, Claudio 1567-1643 Monteverdi, Claudio / 1567-1643 / Madrigals Monteverdi, Claudio / 1567-1643 / Operas MUSIC / Instruction & Study / Voice MUSIC / Lyrics MUSIC / Printed Music / Vocal MUSIC / Genres & Styles / Classical Madrigals (Monteverdi, Claudio) Operas (Monteverdi, Claudio) Petrarchism Madrigal Petrarkismus Oper Subjektivismus |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=443035 |
| work_keys_str_mv | AT calcagnomauro frommadrigaltooperamonteverdisstagingoftheself |