Luigi Russolo, Futurist: noise, visual arts, and the occult
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley
University of California Press
2012
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1047 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (297 pages) |
| ISBN: | 0520270630 0520951565 1280111321 9780520270633 9780520951563 9781280111327 |
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| 505 | 8 | |a PART ONE. Luigi Russolo from the Formative Years to 1913; 1. Futurism as a Metaphysical Science; 2. Occult Futurism; 3. Spotlight on Russolo; 4. Painting Noise: La musica; 5. Russolo and Synesthesia; 6. Russolo's Metaphysics; PART TWO. The Art of Noises and the Occult; 7. Intonarumori Unveiled; 8. The Spirali di Rumori; 9. The Arte dei "Romori"; 10. Controversial Leonardo; 11. Third Level; Conclusion: Materialist Futurism?; Notes | |
| 505 | 8 | |a Luigi Russolo (1885-1947)--painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement--was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism | |
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Datensatz im Suchindex
| _version_ | 1820165986813214720 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Chessa, Luciano |
| author_facet | Chessa, Luciano |
| author_role | aut |
| author_sort | Chessa, Luciano |
| author_variant | l c lc |
| building | Verbundindex |
| bvnumber | BV043033926 |
| collection | ZDB-4-EBA |
| contents | PART ONE. Luigi Russolo from the Formative Years to 1913; 1. Futurism as a Metaphysical Science; 2. Occult Futurism; 3. Spotlight on Russolo; 4. Painting Noise: La musica; 5. Russolo and Synesthesia; 6. Russolo's Metaphysics; PART TWO. The Art of Noises and the Occult; 7. Intonarumori Unveiled; 8. The Spirali di Rumori; 9. The Arte dei "Romori"; 10. Controversial Leonardo; 11. Third Level; Conclusion: Materialist Futurism?; Notes Luigi Russolo (1885-1947)--painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement--was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism |
| ctrlnum | (OCoLC)782879942 (DE-599)BVBBV043033926 |
| dewey-full | 700.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.92 |
| dewey-search | 700.92 |
| dewey-sort | 3700.92 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | DE-604.BV043033926 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-02T19:19:13Z |
| institution | BVB |
| isbn | 0520270630 0520951565 1280111321 9780520270633 9780520951563 9781280111327 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028458573 |
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| publishDate | 2012 |
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| publisher | University of California Press |
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| spelling | Chessa, Luciano Verfasser aut Luigi Russolo, Futurist noise, visual arts, and the occult Luciano Chessa Berkeley University of California Press 2012 1 online resource (297 pages) txt rdacontent c rdamedia cr rdacarrier Print version record PART ONE. Luigi Russolo from the Formative Years to 1913; 1. Futurism as a Metaphysical Science; 2. Occult Futurism; 3. Spotlight on Russolo; 4. Painting Noise: La musica; 5. Russolo and Synesthesia; 6. Russolo's Metaphysics; PART TWO. The Art of Noises and the Occult; 7. Intonarumori Unveiled; 8. The Spirali di Rumori; 9. The Arte dei "Romori"; 10. Controversial Leonardo; 11. Third Level; Conclusion: Materialist Futurism?; Notes Luigi Russolo (1885-1947)--painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement--was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism Russolo, Luigi fast Russolo, Luigi Criticism and interpretation Russolo, Luigi 1885-1947 (DE-588)118869299 gnd rswk-swf Russolo, Luigi / Criticism and interpretation Visual arts BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Futurism (Music) fast Futurism (Music) Futurismus (DE-588)4019036-5 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Russolo, Luigi 1885-1947 (DE-588)118869299 p Italien (DE-588)4027833-5 g Futurismus (DE-588)4019036-5 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Chessa, Luciano Luigi Russolo, Futurist : Noise, Visual Arts, and the Occult http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=443034 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Chessa, Luciano Luigi Russolo, Futurist noise, visual arts, and the occult PART ONE. Luigi Russolo from the Formative Years to 1913; 1. Futurism as a Metaphysical Science; 2. Occult Futurism; 3. Spotlight on Russolo; 4. Painting Noise: La musica; 5. Russolo and Synesthesia; 6. Russolo's Metaphysics; PART TWO. The Art of Noises and the Occult; 7. Intonarumori Unveiled; 8. The Spirali di Rumori; 9. The Arte dei "Romori"; 10. Controversial Leonardo; 11. Third Level; Conclusion: Materialist Futurism?; Notes Luigi Russolo (1885-1947)--painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement--was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism Russolo, Luigi fast Russolo, Luigi Criticism and interpretation Russolo, Luigi 1885-1947 (DE-588)118869299 gnd Russolo, Luigi / Criticism and interpretation Visual arts BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Futurism (Music) fast Futurism (Music) Futurismus (DE-588)4019036-5 gnd |
| subject_GND | (DE-588)118869299 (DE-588)4019036-5 (DE-588)4027833-5 |
| title | Luigi Russolo, Futurist noise, visual arts, and the occult |
| title_auth | Luigi Russolo, Futurist noise, visual arts, and the occult |
| title_exact_search | Luigi Russolo, Futurist noise, visual arts, and the occult |
| title_full | Luigi Russolo, Futurist noise, visual arts, and the occult Luciano Chessa |
| title_fullStr | Luigi Russolo, Futurist noise, visual arts, and the occult Luciano Chessa |
| title_full_unstemmed | Luigi Russolo, Futurist noise, visual arts, and the occult Luciano Chessa |
| title_short | Luigi Russolo, Futurist |
| title_sort | luigi russolo futurist noise visual arts and the occult |
| title_sub | noise, visual arts, and the occult |
| topic | Russolo, Luigi fast Russolo, Luigi Criticism and interpretation Russolo, Luigi 1885-1947 (DE-588)118869299 gnd Russolo, Luigi / Criticism and interpretation Visual arts BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Futurism (Music) fast Futurism (Music) Futurismus (DE-588)4019036-5 gnd |
| topic_facet | Russolo, Luigi Russolo, Luigi Criticism and interpretation Russolo, Luigi 1885-1947 Russolo, Luigi / Criticism and interpretation Visual arts BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians Futurism (Music) Futurismus Italien |
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