Anthem: social movements and the sound of solidarity in the African diaspora
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
New York University Press
[2014]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xi, 345 pages) illustrations |
| ISBN: | 081477041X 0814770959 0814789323 9780814770412 9780814770955 9780814789322 |
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| 505 | 8 | |a Introduction: Anthem: Toward a Sound Franchise -- 1. From Race to Nation: "Ethiopia" and Pan-African Pageantry in the UNIA -- 2. Extending Diaspora: The NAACP and Up-"Lift" Cultures in the Interwar Black Pacific -- 3. Songs of Free Men: The Sound Migrations of "Ol' Man River" -- 4. Women's Work: "We Shall Overcome" and the Culture of the Picket Line -- 5. Soul Intact: CORE, Conversions, and Covers of "To Be Young, Gifted and Black" -- 6. Sounds of Exile: "Nkosi Sikelel' iAfrika" and ANC Ambassadors -- Conclusion: The Last Anthem: Resonance, Legacy, and Loss at the Close of the Century | |
| 505 | 8 | |a "For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world--from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)--Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation. Shana L. Redmond is Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is a former musician and labor organizer"-- | |
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Datensatz im Suchindex
| _version_ | 1804175391965839360 |
|---|---|
| any_adam_object | |
| author | Redmond, Shana L. |
| author_facet | Redmond, Shana L. |
| author_role | aut |
| author_sort | Redmond, Shana L. |
| author_variant | s l r sl slr |
| building | Verbundindex |
| bvnumber | BV043033707 |
| collection | ZDB-4-EBA |
| contents | Introduction: Anthem: Toward a Sound Franchise -- 1. From Race to Nation: "Ethiopia" and Pan-African Pageantry in the UNIA -- 2. Extending Diaspora: The NAACP and Up-"Lift" Cultures in the Interwar Black Pacific -- 3. Songs of Free Men: The Sound Migrations of "Ol' Man River" -- 4. Women's Work: "We Shall Overcome" and the Culture of the Picket Line -- 5. Soul Intact: CORE, Conversions, and Covers of "To Be Young, Gifted and Black" -- 6. Sounds of Exile: "Nkosi Sikelel' iAfrika" and ANC Ambassadors -- Conclusion: The Last Anthem: Resonance, Legacy, and Loss at the Close of the Century "For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world--from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)--Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation. Shana L. Redmond is Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is a former musician and labor organizer"-- |
| ctrlnum | (OCoLC)861200076 (DE-599)BVBBV043033707 |
| dewey-full | 782.42089/96 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.42089/96 |
| dewey-search | 782.42089/96 |
| dewey-sort | 3782.42089 296 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1954-1968 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1954-1968 |
| format | Electronic eBook |
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| geographic_facet | USA |
| id | DE-604.BV043033707 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:33Z |
| institution | BVB |
| isbn | 081477041X 0814770959 0814789323 9780814770412 9780814770955 9780814789322 |
| language | English |
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| physical | 1 online resource (xi, 345 pages) illustrations |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | New York University Press |
| record_format | marc |
| spelling | Redmond, Shana L. Verfasser aut Anthem social movements and the sound of solidarity in the African diaspora Shana L. Redmond New York New York University Press [2014] © 2014 1 online resource (xi, 345 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Print version record Introduction: Anthem: Toward a Sound Franchise -- 1. From Race to Nation: "Ethiopia" and Pan-African Pageantry in the UNIA -- 2. Extending Diaspora: The NAACP and Up-"Lift" Cultures in the Interwar Black Pacific -- 3. Songs of Free Men: The Sound Migrations of "Ol' Man River" -- 4. Women's Work: "We Shall Overcome" and the Culture of the Picket Line -- 5. Soul Intact: CORE, Conversions, and Covers of "To Be Young, Gifted and Black" -- 6. Sounds of Exile: "Nkosi Sikelel' iAfrika" and ANC Ambassadors -- Conclusion: The Last Anthem: Resonance, Legacy, and Loss at the Close of the Century "For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world--from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)--Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation. Shana L. Redmond is Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is a former musician and labor organizer"-- Geschichte 1900-2000 Geschichte 1954-1968 gnd rswk-swf SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh HISTORY / General bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Geschichte Musik Politik Schwarze. USA African Americans Music Political aspects Anthems Political aspects Civil rights movements History 20th century Music Political aspects United States Schwarze (DE-588)4116433-7 gnd rswk-swf Bürgerrechtsbewegung (DE-588)4146878-8 gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Anthem (DE-588)4142618-6 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Bürgerrechtsbewegung (DE-588)4146878-8 s Anthem (DE-588)4142618-6 s Politik (DE-588)4046514-7 s Musiksoziologie (DE-588)4040869-3 s Geschichte 1954-1968 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Redmond, Shana L . Anthem http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=652349 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Redmond, Shana L. Anthem social movements and the sound of solidarity in the African diaspora Introduction: Anthem: Toward a Sound Franchise -- 1. From Race to Nation: "Ethiopia" and Pan-African Pageantry in the UNIA -- 2. Extending Diaspora: The NAACP and Up-"Lift" Cultures in the Interwar Black Pacific -- 3. Songs of Free Men: The Sound Migrations of "Ol' Man River" -- 4. Women's Work: "We Shall Overcome" and the Culture of the Picket Line -- 5. Soul Intact: CORE, Conversions, and Covers of "To Be Young, Gifted and Black" -- 6. Sounds of Exile: "Nkosi Sikelel' iAfrika" and ANC Ambassadors -- Conclusion: The Last Anthem: Resonance, Legacy, and Loss at the Close of the Century "For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world--from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)--Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation. Shana L. Redmond is Assistant Professor of American Studies and Ethnicity at the University of Southern California. She is a former musician and labor organizer"-- SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh HISTORY / General bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Geschichte Musik Politik Schwarze. USA African Americans Music Political aspects Anthems Political aspects Civil rights movements History 20th century Music Political aspects United States Schwarze (DE-588)4116433-7 gnd Bürgerrechtsbewegung (DE-588)4146878-8 gnd Musiksoziologie (DE-588)4040869-3 gnd Politik (DE-588)4046514-7 gnd Anthem (DE-588)4142618-6 gnd |
| subject_GND | (DE-588)4116433-7 (DE-588)4146878-8 (DE-588)4040869-3 (DE-588)4046514-7 (DE-588)4142618-6 (DE-588)4078704-7 |
| title | Anthem social movements and the sound of solidarity in the African diaspora |
| title_auth | Anthem social movements and the sound of solidarity in the African diaspora |
| title_exact_search | Anthem social movements and the sound of solidarity in the African diaspora |
| title_full | Anthem social movements and the sound of solidarity in the African diaspora Shana L. Redmond |
| title_fullStr | Anthem social movements and the sound of solidarity in the African diaspora Shana L. Redmond |
| title_full_unstemmed | Anthem social movements and the sound of solidarity in the African diaspora Shana L. Redmond |
| title_short | Anthem |
| title_sort | anthem social movements and the sound of solidarity in the african diaspora |
| title_sub | social movements and the sound of solidarity in the African diaspora |
| topic | SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh HISTORY / General bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Geschichte Musik Politik Schwarze. USA African Americans Music Political aspects Anthems Political aspects Civil rights movements History 20th century Music Political aspects United States Schwarze (DE-588)4116433-7 gnd Bürgerrechtsbewegung (DE-588)4146878-8 gnd Musiksoziologie (DE-588)4040869-3 gnd Politik (DE-588)4046514-7 gnd Anthem (DE-588)4142618-6 gnd |
| topic_facet | SOCIAL SCIENCE / Ethnic Studies / African American Studies HISTORY / General MUSIC / Instruction & Study / Voice MUSIC / Lyrics MUSIC / Printed Music / Vocal Geschichte Musik Politik Schwarze. USA African Americans Music Political aspects Anthems Political aspects Civil rights movements History 20th century Music Political aspects United States Schwarze Bürgerrechtsbewegung Musiksoziologie Anthem USA |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=652349 |
| work_keys_str_mv | AT redmondshanal anthemsocialmovementsandthesoundofsolidarityintheafricandiaspora |