Semiotics of Drama and Theatre: New Perspectives in the Theory of Drama and Theatre
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam/Philadelphia
John Benjamins Pub. Co.
1985
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | 2. L'espace scénique dans les 'Sei personaggi in cerca d'autore' de Pirandello Print version record |
| Beschreibung: | 1 online resource (556 pages) |
| ISBN: | 1283328623 9027279675 9781283328623 9789027279675 |
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| 505 | 8 | |a SEMIOTICS OF DRAMA AND THEATRE; Editorial page; Title page; Copyright page; Table of contents; Introduction; NEW PERSPECTIVES IN THE THEORY OF DRAMA AND THEATRE; AN INTRODUCTION; 1. Introduction; 2. The present reader; 3. Conclusion; References; 1. Fundamentals of Theatre Research; THEATRE AND DRAMA RESEARCH; AN ANALYTICAL PROPOSITION* TO CARLOS; 1. Introduction; 2. A science in need for a methodology; 3. Two ways of doing science; 4. Conclusion; II. A FRAMEWORK FOR THEATRE RESEARCH; 1. Introduction; 2. State of affairs within Theatre Research; 2.1. Hermeneutic Theatre Research | |
| 505 | 8 | |a 2.2. 'Imitative' Theatre Research3. Analytical Theatre Research; 3.1. Introduction; 3.2. Analytical Theory of Science; 3.3. The contents of an Analytical Science of Theatre; 4. Conclusion; References; II. Theory of Drama and Theatre; THE ALGEBRA OF SCENIC SITUATIONS; 1. Definitions; 2. Moore-Brainerd closure. Scenic domination; 3. Peculiar families of scenic configurations; 4. Groups of scenic configurations; References; EVIDENCES ET STRATEGIESDE L'ANALYSE THEATRALE; Notes; Références; ON THE NATURE OF DRAMATIC TEXT; Notes; References | |
| 505 | 8 | |a COHERENCE AND FOCALITY. A CONTRIBUTION TO THE ANALYSABILITY OF THEATRE DISCOURSENotes; References; III. DESCRIPTIVE THEATRE RESEARCH; THE DRAMATIC DIALOGUE -- ORAL OR LITERARY COMMUNICATION?; 1. Introduction; 2. Four types of dramatic dialogue; 2.1. The Literary dramatic dialogue; 2.2. The Theatrical dramatic dialogue; 3. Conclusion; Notes; References; MUSIC AS THEME AND AS STRUCTURAL MODEL IN CHEKHOV'S THREE SISTERS; 1. Introduction: Potential-Realization Ralationships as Underlying Structural Principle in Chekhov's Later Work; 2. Music in 'Three Sisters': Theme, Sound and Technique | |
| 505 | 8 | |a 2.1. Music as Theme: Communicative Potentials and (Non- ) Realizations2.1.1. Introduction; 2.1.2. Music and the Prozorovs; 2.1.3. The Lost Key to the Precious Piano; 2.2. Music as Sound: Preliminary Remarks; 2.3. Music as Structural Model; Notes; References; DIE STRATEGIE DER PARADOXIE. ZUR LOGIK DER KONVERSATION IM DANDYISMUS AM BEISPIEL OSCAR WILDES; 1 Die sprachliche Strategie. Paradoxie als questio inter disciplinas; 2. Die historische Situation. Paradoxie als stilistischer Ausdruck des New Spirit der Yellow Nineties (Ein Zwischenspiel); 3. Das Ziel der Attacke.; 4. Das logische Spiel | |
| 505 | 8 | |a 5. Die konservative Inquisition. 6. Dandy, Camp und fin du globe; Anmerkungen; Literaturhinweise; THE THEATRICAL THEATRE -- EVREINOV'S CONTRIBUTION TO RUSSIAN MODERNISM. AN ANALYSIS OF VESELAJA SMERT'; 1. The Object; 2. Methodology; 3. The historical background; 4. Evreinov's concept of theatricality; 5. Veselaja smert'; 6. Veselaja smert' and commedia dell'arte; 7. Veselaja smert' and symbolism; 8. Conclusion; References; LE ROLE DE L'ESPACE SCENIQUE DANS LA LECTURE DU TEXTE DRAMATIQUE; 0. Prémisses; 1. L'espace scénique dans un 'modèle' du genre dramatique | |
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Datensatz im Suchindex
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| contents | SEMIOTICS OF DRAMA AND THEATRE; Editorial page; Title page; Copyright page; Table of contents; Introduction; NEW PERSPECTIVES IN THE THEORY OF DRAMA AND THEATRE; AN INTRODUCTION; 1. Introduction; 2. The present reader; 3. Conclusion; References; 1. Fundamentals of Theatre Research; THEATRE AND DRAMA RESEARCH; AN ANALYTICAL PROPOSITION* TO CARLOS; 1. Introduction; 2. A science in need for a methodology; 3. Two ways of doing science; 4. Conclusion; II. A FRAMEWORK FOR THEATRE RESEARCH; 1. Introduction; 2. State of affairs within Theatre Research; 2.1. Hermeneutic Theatre Research 2.2. 'Imitative' Theatre Research3. Analytical Theatre Research; 3.1. Introduction; 3.2. Analytical Theory of Science; 3.3. The contents of an Analytical Science of Theatre; 4. Conclusion; References; II. Theory of Drama and Theatre; THE ALGEBRA OF SCENIC SITUATIONS; 1. Definitions; 2. Moore-Brainerd closure. Scenic domination; 3. Peculiar families of scenic configurations; 4. Groups of scenic configurations; References; EVIDENCES ET STRATEGIESDE L'ANALYSE THEATRALE; Notes; Références; ON THE NATURE OF DRAMATIC TEXT; Notes; References COHERENCE AND FOCALITY. A CONTRIBUTION TO THE ANALYSABILITY OF THEATRE DISCOURSENotes; References; III. DESCRIPTIVE THEATRE RESEARCH; THE DRAMATIC DIALOGUE -- ORAL OR LITERARY COMMUNICATION?; 1. Introduction; 2. Four types of dramatic dialogue; 2.1. The Literary dramatic dialogue; 2.2. The Theatrical dramatic dialogue; 3. Conclusion; Notes; References; MUSIC AS THEME AND AS STRUCTURAL MODEL IN CHEKHOV'S THREE SISTERS; 1. Introduction: Potential-Realization Ralationships as Underlying Structural Principle in Chekhov's Later Work; 2. Music in 'Three Sisters': Theme, Sound and Technique 2.1. Music as Theme: Communicative Potentials and (Non- ) Realizations2.1.1. Introduction; 2.1.2. Music and the Prozorovs; 2.1.3. The Lost Key to the Precious Piano; 2.2. Music as Sound: Preliminary Remarks; 2.3. Music as Structural Model; Notes; References; DIE STRATEGIE DER PARADOXIE. ZUR LOGIK DER KONVERSATION IM DANDYISMUS AM BEISPIEL OSCAR WILDES; 1 Die sprachliche Strategie. Paradoxie als questio inter disciplinas; 2. Die historische Situation. Paradoxie als stilistischer Ausdruck des New Spirit der Yellow Nineties (Ein Zwischenspiel); 3. Das Ziel der Attacke.; 4. Das logische Spiel 5. Die konservative Inquisition. 6. Dandy, Camp und fin du globe; Anmerkungen; Literaturhinweise; THE THEATRICAL THEATRE -- EVREINOV'S CONTRIBUTION TO RUSSIAN MODERNISM. AN ANALYSIS OF VESELAJA SMERT'; 1. The Object; 2. Methodology; 3. The historical background; 4. Evreinov's concept of theatricality; 5. Veselaja smert'; 6. Veselaja smert' and commedia dell'arte; 7. Veselaja smert' and symbolism; 8. Conclusion; References; LE ROLE DE L'ESPACE SCENIQUE DANS LA LECTURE DU TEXTE DRAMATIQUE; 0. Prémisses; 1. L'espace scénique dans un 'modèle' du genre dramatique |
| ctrlnum | (OCoLC)769341916 (DE-599)BVBBV043032945 |
| dewey-full | 792.01/41 800 |
| dewey-hundreds | 700 - The arts 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 792 - Stage presentations 800 - Literature (Belles-lettres) and rhetoric |
| dewey-raw | 792.01/41 800 |
| dewey-search | 792.01/41 800 |
| dewey-sort | 3792.01 241 |
| dewey-tens | 790 - Recreational and performing arts 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Allgemeines Literaturwissenschaft |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:15:32Z |
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| isbn | 1283328623 9027279675 9781283328623 9789027279675 |
| language | English |
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| publisher | John Benjamins Pub. Co. |
| record_format | marc |
| spelling | Semiotics of Drama and Theatre New Perspectives in the Theory of Drama and Theatre edited by Herta Schmid and Aloysius Van Kesteren Amsterdam/Philadelphia John Benjamins Pub. Co. 1985 1 online resource (556 pages) txt rdacontent c rdamedia cr rdacarrier 2. L'espace scénique dans les 'Sei personaggi in cerca d'autore' de Pirandello Print version record SEMIOTICS OF DRAMA AND THEATRE; Editorial page; Title page; Copyright page; Table of contents; Introduction; NEW PERSPECTIVES IN THE THEORY OF DRAMA AND THEATRE; AN INTRODUCTION; 1. Introduction; 2. The present reader; 3. Conclusion; References; 1. Fundamentals of Theatre Research; THEATRE AND DRAMA RESEARCH; AN ANALYTICAL PROPOSITION* TO CARLOS; 1. Introduction; 2. A science in need for a methodology; 3. Two ways of doing science; 4. Conclusion; II. A FRAMEWORK FOR THEATRE RESEARCH; 1. Introduction; 2. State of affairs within Theatre Research; 2.1. Hermeneutic Theatre Research 2.2. 'Imitative' Theatre Research3. Analytical Theatre Research; 3.1. Introduction; 3.2. Analytical Theory of Science; 3.3. The contents of an Analytical Science of Theatre; 4. Conclusion; References; II. Theory of Drama and Theatre; THE ALGEBRA OF SCENIC SITUATIONS; 1. Definitions; 2. Moore-Brainerd closure. Scenic domination; 3. Peculiar families of scenic configurations; 4. Groups of scenic configurations; References; EVIDENCES ET STRATEGIESDE L'ANALYSE THEATRALE; Notes; Références; ON THE NATURE OF DRAMATIC TEXT; Notes; References COHERENCE AND FOCALITY. A CONTRIBUTION TO THE ANALYSABILITY OF THEATRE DISCOURSENotes; References; III. DESCRIPTIVE THEATRE RESEARCH; THE DRAMATIC DIALOGUE -- ORAL OR LITERARY COMMUNICATION?; 1. Introduction; 2. Four types of dramatic dialogue; 2.1. The Literary dramatic dialogue; 2.2. The Theatrical dramatic dialogue; 3. Conclusion; Notes; References; MUSIC AS THEME AND AS STRUCTURAL MODEL IN CHEKHOV'S THREE SISTERS; 1. Introduction: Potential-Realization Ralationships as Underlying Structural Principle in Chekhov's Later Work; 2. Music in 'Three Sisters': Theme, Sound and Technique 2.1. Music as Theme: Communicative Potentials and (Non- ) Realizations2.1.1. Introduction; 2.1.2. Music and the Prozorovs; 2.1.3. The Lost Key to the Precious Piano; 2.2. Music as Sound: Preliminary Remarks; 2.3. Music as Structural Model; Notes; References; DIE STRATEGIE DER PARADOXIE. ZUR LOGIK DER KONVERSATION IM DANDYISMUS AM BEISPIEL OSCAR WILDES; 1 Die sprachliche Strategie. Paradoxie als questio inter disciplinas; 2. Die historische Situation. Paradoxie als stilistischer Ausdruck des New Spirit der Yellow Nineties (Ein Zwischenspiel); 3. Das Ziel der Attacke.; 4. Das logische Spiel 5. Die konservative Inquisition. 6. Dandy, Camp und fin du globe; Anmerkungen; Literaturhinweise; THE THEATRICAL THEATRE -- EVREINOV'S CONTRIBUTION TO RUSSIAN MODERNISM. AN ANALYSIS OF VESELAJA SMERT'; 1. The Object; 2. Methodology; 3. The historical background; 4. Evreinov's concept of theatricality; 5. Veselaja smert'; 6. Veselaja smert' and commedia dell'arte; 7. Veselaja smert' and symbolism; 8. Conclusion; References; LE ROLE DE L'ESPACE SCENIQUE DANS LA LECTURE DU TEXTE DRAMATIQUE; 0. Prémisses; 1. L'espace scénique dans un 'modèle' du genre dramatique Theater Literature Fine Arts PERFORMING ARTS / Theater / History & Criticism bisacsh Drama fast Semiotics fast Literatur Drama Semiotics Drama (DE-588)4012899-4 gnd rswk-swf Semiotik (DE-588)4054498-9 gnd rswk-swf Theatersemiotik (DE-588)4204590-3 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Drama (DE-588)4012899-4 s Semiotik (DE-588)4054498-9 s 2\p DE-604 Theatersemiotik (DE-588)4204590-3 s 3\p DE-604 Schmid, Herta Sonstige oth Van Kesteren, Aloysius Sonstige oth Erscheint auch als Druck-Ausgabe Schmid, Herta Semiotics of Drama and Theatre : New Perspectives in the Theory of Drama and Theatre http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=405543 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Semiotics of Drama and Theatre New Perspectives in the Theory of Drama and Theatre SEMIOTICS OF DRAMA AND THEATRE; Editorial page; Title page; Copyright page; Table of contents; Introduction; NEW PERSPECTIVES IN THE THEORY OF DRAMA AND THEATRE; AN INTRODUCTION; 1. Introduction; 2. The present reader; 3. Conclusion; References; 1. Fundamentals of Theatre Research; THEATRE AND DRAMA RESEARCH; AN ANALYTICAL PROPOSITION* TO CARLOS; 1. Introduction; 2. A science in need for a methodology; 3. Two ways of doing science; 4. Conclusion; II. A FRAMEWORK FOR THEATRE RESEARCH; 1. Introduction; 2. State of affairs within Theatre Research; 2.1. Hermeneutic Theatre Research 2.2. 'Imitative' Theatre Research3. Analytical Theatre Research; 3.1. Introduction; 3.2. Analytical Theory of Science; 3.3. The contents of an Analytical Science of Theatre; 4. Conclusion; References; II. Theory of Drama and Theatre; THE ALGEBRA OF SCENIC SITUATIONS; 1. Definitions; 2. Moore-Brainerd closure. Scenic domination; 3. Peculiar families of scenic configurations; 4. Groups of scenic configurations; References; EVIDENCES ET STRATEGIESDE L'ANALYSE THEATRALE; Notes; Références; ON THE NATURE OF DRAMATIC TEXT; Notes; References COHERENCE AND FOCALITY. A CONTRIBUTION TO THE ANALYSABILITY OF THEATRE DISCOURSENotes; References; III. DESCRIPTIVE THEATRE RESEARCH; THE DRAMATIC DIALOGUE -- ORAL OR LITERARY COMMUNICATION?; 1. Introduction; 2. Four types of dramatic dialogue; 2.1. The Literary dramatic dialogue; 2.2. The Theatrical dramatic dialogue; 3. Conclusion; Notes; References; MUSIC AS THEME AND AS STRUCTURAL MODEL IN CHEKHOV'S THREE SISTERS; 1. Introduction: Potential-Realization Ralationships as Underlying Structural Principle in Chekhov's Later Work; 2. Music in 'Three Sisters': Theme, Sound and Technique 2.1. Music as Theme: Communicative Potentials and (Non- ) Realizations2.1.1. Introduction; 2.1.2. Music and the Prozorovs; 2.1.3. The Lost Key to the Precious Piano; 2.2. Music as Sound: Preliminary Remarks; 2.3. Music as Structural Model; Notes; References; DIE STRATEGIE DER PARADOXIE. ZUR LOGIK DER KONVERSATION IM DANDYISMUS AM BEISPIEL OSCAR WILDES; 1 Die sprachliche Strategie. Paradoxie als questio inter disciplinas; 2. Die historische Situation. Paradoxie als stilistischer Ausdruck des New Spirit der Yellow Nineties (Ein Zwischenspiel); 3. Das Ziel der Attacke.; 4. Das logische Spiel 5. Die konservative Inquisition. 6. Dandy, Camp und fin du globe; Anmerkungen; Literaturhinweise; THE THEATRICAL THEATRE -- EVREINOV'S CONTRIBUTION TO RUSSIAN MODERNISM. AN ANALYSIS OF VESELAJA SMERT'; 1. The Object; 2. Methodology; 3. The historical background; 4. Evreinov's concept of theatricality; 5. Veselaja smert'; 6. Veselaja smert' and commedia dell'arte; 7. Veselaja smert' and symbolism; 8. Conclusion; References; LE ROLE DE L'ESPACE SCENIQUE DANS LA LECTURE DU TEXTE DRAMATIQUE; 0. Prémisses; 1. L'espace scénique dans un 'modèle' du genre dramatique Theater Literature Fine Arts PERFORMING ARTS / Theater / History & Criticism bisacsh Drama fast Semiotics fast Literatur Drama Semiotics Drama (DE-588)4012899-4 gnd Semiotik (DE-588)4054498-9 gnd Theatersemiotik (DE-588)4204590-3 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4054498-9 (DE-588)4204590-3 (DE-588)4143413-4 |
| title | Semiotics of Drama and Theatre New Perspectives in the Theory of Drama and Theatre |
| title_auth | Semiotics of Drama and Theatre New Perspectives in the Theory of Drama and Theatre |
| title_exact_search | Semiotics of Drama and Theatre New Perspectives in the Theory of Drama and Theatre |
| title_full | Semiotics of Drama and Theatre New Perspectives in the Theory of Drama and Theatre edited by Herta Schmid and Aloysius Van Kesteren |
| title_fullStr | Semiotics of Drama and Theatre New Perspectives in the Theory of Drama and Theatre edited by Herta Schmid and Aloysius Van Kesteren |
| title_full_unstemmed | Semiotics of Drama and Theatre New Perspectives in the Theory of Drama and Theatre edited by Herta Schmid and Aloysius Van Kesteren |
| title_short | Semiotics of Drama and Theatre |
| title_sort | semiotics of drama and theatre new perspectives in the theory of drama and theatre |
| title_sub | New Perspectives in the Theory of Drama and Theatre |
| topic | Theater Literature Fine Arts PERFORMING ARTS / Theater / History & Criticism bisacsh Drama fast Semiotics fast Literatur Drama Semiotics Drama (DE-588)4012899-4 gnd Semiotik (DE-588)4054498-9 gnd Theatersemiotik (DE-588)4204590-3 gnd |
| topic_facet | Theater Literature Fine Arts PERFORMING ARTS / Theater / History & Criticism Drama Semiotics Literatur Semiotik Theatersemiotik Aufsatzsammlung |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=405543 |
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