Sovereign Feminine: Music and Gender in Eighteenth-Century Germany
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley
University of California Press
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (351 pages) |
| ISBN: | 0520954769 1299444415 9780520954762 9781299444416 |
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| 505 | 8 | |a Cover; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; Introduction: Fictions of Female Ascendance; 1 Europe's Living Muses: Women, Music, and Modernity in Burney's History and Tours; 2 ""If the pretty little hand won't stretch"": Music for the Fair Sex; 3 Charlotte (""Minna"") Brandes and the Beautiful Dead; 4 An Evening in Tiefurt: Corona Schröter's Die Fischerin and Vegetable Genius; 5 Sophie Westenholz and the Eclipse of the Female Sign; 6 Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont; Conclusion | |
| 505 | 8 | |a Appendix: Johann Friedrich Reichardt, Two Prefaces to the Fair SexNotes; Bibliography; Index | |
| 505 | 8 | |a In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity--a newly emerging and primarily bourgeois ideal--linked women and music under the valorized signs of refinement, sensibility | |
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Datensatz im Suchindex
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| author | Head, Matthew |
| author_facet | Head, Matthew |
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| contents | Cover; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; Introduction: Fictions of Female Ascendance; 1 Europe's Living Muses: Women, Music, and Modernity in Burney's History and Tours; 2 ""If the pretty little hand won't stretch"": Music for the Fair Sex; 3 Charlotte (""Minna"") Brandes and the Beautiful Dead; 4 An Evening in Tiefurt: Corona Schröter's Die Fischerin and Vegetable Genius; 5 Sophie Westenholz and the Eclipse of the Female Sign; 6 Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont; Conclusion Appendix: Johann Friedrich Reichardt, Two Prefaces to the Fair SexNotes; Bibliography; Index In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity--a newly emerging and primarily bourgeois ideal--linked women and music under the valorized signs of refinement, sensibility |
| ctrlnum | (OCoLC)836401269 (DE-599)BVBBV043032780 |
| dewey-full | 780.82 780.820943 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.82 780.820943 |
| dewey-search | 780.82 780.820943 |
| dewey-sort | 3780.82 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1700 - 1799 fast Geschichte 1700-1800 Geschichte gnd |
| era_facet | 1700 - 1799 Geschichte 1700-1800 Geschichte |
| format | Electronic eBook |
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| spelling | Head, Matthew Verfasser aut Sovereign Feminine Music and Gender in Eighteenth-Century Germany Berkeley University of California Press 2013 1 online resource (351 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Cover; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; Introduction: Fictions of Female Ascendance; 1 Europe's Living Muses: Women, Music, and Modernity in Burney's History and Tours; 2 ""If the pretty little hand won't stretch"": Music for the Fair Sex; 3 Charlotte (""Minna"") Brandes and the Beautiful Dead; 4 An Evening in Tiefurt: Corona Schröter's Die Fischerin and Vegetable Genius; 5 Sophie Westenholz and the Eclipse of the Female Sign; 6 Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont; Conclusion Appendix: Johann Friedrich Reichardt, Two Prefaces to the Fair SexNotes; Bibliography; Index In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity--a newly emerging and primarily bourgeois ideal--linked women and music under the valorized signs of refinement, sensibility 1700 - 1799 fast Geschichte 1700-1800 Geschichte gnd rswk-swf Music / Germany / 18th century / History and criticism Music / Social aspects / Germany / History / 18th century Women musicians / Germany / History / 18th century MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Gender identity in music fast Music fast Music / Social aspects fast Women musicians fast Geschichte Gesellschaft Musik Gender identity in music Women musicians Germany History 18th century Music Social aspects Germany History 18th century Music Germany 18th century History and criticism Musikpflege (DE-588)4128827-0 gnd rswk-swf Musikerin (DE-588)4170818-0 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Musikpflege (DE-588)4128827-0 s Musikerin (DE-588)4170818-0 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe Head, Matthew Sovereign Feminine : Music and Gender in Eighteenth-Century Germany http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=562940 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Head, Matthew Sovereign Feminine Music and Gender in Eighteenth-Century Germany Cover; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; Introduction: Fictions of Female Ascendance; 1 Europe's Living Muses: Women, Music, and Modernity in Burney's History and Tours; 2 ""If the pretty little hand won't stretch"": Music for the Fair Sex; 3 Charlotte (""Minna"") Brandes and the Beautiful Dead; 4 An Evening in Tiefurt: Corona Schröter's Die Fischerin and Vegetable Genius; 5 Sophie Westenholz and the Eclipse of the Female Sign; 6 Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont; Conclusion Appendix: Johann Friedrich Reichardt, Two Prefaces to the Fair SexNotes; Bibliography; Index In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity--a newly emerging and primarily bourgeois ideal--linked women and music under the valorized signs of refinement, sensibility Music / Germany / 18th century / History and criticism Music / Social aspects / Germany / History / 18th century Women musicians / Germany / History / 18th century MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Gender identity in music fast Music fast Music / Social aspects fast Women musicians fast Geschichte Gesellschaft Musik Gender identity in music Women musicians Germany History 18th century Music Social aspects Germany History 18th century Music Germany 18th century History and criticism Musikpflege (DE-588)4128827-0 gnd Musikerin (DE-588)4170818-0 gnd |
| subject_GND | (DE-588)4128827-0 (DE-588)4170818-0 (DE-588)4011882-4 |
| title | Sovereign Feminine Music and Gender in Eighteenth-Century Germany |
| title_auth | Sovereign Feminine Music and Gender in Eighteenth-Century Germany |
| title_exact_search | Sovereign Feminine Music and Gender in Eighteenth-Century Germany |
| title_full | Sovereign Feminine Music and Gender in Eighteenth-Century Germany |
| title_fullStr | Sovereign Feminine Music and Gender in Eighteenth-Century Germany |
| title_full_unstemmed | Sovereign Feminine Music and Gender in Eighteenth-Century Germany |
| title_short | Sovereign Feminine |
| title_sort | sovereign feminine music and gender in eighteenth century germany |
| title_sub | Music and Gender in Eighteenth-Century Germany |
| topic | Music / Germany / 18th century / History and criticism Music / Social aspects / Germany / History / 18th century Women musicians / Germany / History / 18th century MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Gender identity in music fast Music fast Music / Social aspects fast Women musicians fast Geschichte Gesellschaft Musik Gender identity in music Women musicians Germany History 18th century Music Social aspects Germany History 18th century Music Germany 18th century History and criticism Musikpflege (DE-588)4128827-0 gnd Musikerin (DE-588)4170818-0 gnd |
| topic_facet | Music / Germany / 18th century / History and criticism Music / Social aspects / Germany / History / 18th century Women musicians / Germany / History / 18th century MUSIC / Genres & Styles / Classical MUSIC / Reference Gender identity in music Music Music / Social aspects Women musicians Geschichte Gesellschaft Musik Women musicians Germany History 18th century Music Social aspects Germany History 18th century Music Germany 18th century History and criticism Musikpflege Musikerin Deutschland |
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