Whiting up: whiteface minstrels & stage Europeans in African American performance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
2011
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xiii, 330 pages) illustrations |
| ISBN: | 0807835080 0807869066 1469602431 9780807835081 9780807869062 9781469602431 |
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| 100 | 1 | |a McAllister, Marvin Edward |d 1969- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Whiting up |b whiteface minstrels & stage Europeans in African American performance |c Marvin McAllister |
| 246 | 1 | 3 | |a Whiting up : whiteface minstrels and stage Europeans in African American performance |
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| 505 | 8 | |a In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black actors take on white roles on the conventional stage, in musicals and satires crafted by a variety of African American dramatists, or in one-person shows by artists like Anna Devere Smith, McAllister argues that this form of cross-racial play creates unexpected intercultural alliances even as it inc | |
| 505 | 8 | |a Introduction : whiting up work -- Chapter 1. Liberatory whiteness : early whiteface minstrels, enslaved and free -- Chapter 2. Imitation whiteness : James Hewlett's stage Europeans -- Chapter 3. Low-down whiteness : a trip to coontown -- Chapter 4. Trespassing on whiteness : Negro actors and the Nordic complex -- Chapter 5. Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- Chapter 6. White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up | |
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| 650 | 7 | |a PERFORMING ARTS / Acting & Auditioning |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies |2 bisacsh | |
| 650 | 7 | |a African Americans in the performing arts |2 fast | |
| 650 | 7 | |a Minstrel shows |2 fast | |
| 650 | 4 | |a Geschichte | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | McAllister, Marvin Edward 1969- |
| author_facet | McAllister, Marvin Edward 1969- |
| author_role | aut |
| author_sort | McAllister, Marvin Edward 1969- |
| author_variant | m e m me mem |
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| bvnumber | BV043032664 |
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| contents | In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black actors take on white roles on the conventional stage, in musicals and satires crafted by a variety of African American dramatists, or in one-person shows by artists like Anna Devere Smith, McAllister argues that this form of cross-racial play creates unexpected intercultural alliances even as it inc Introduction : whiting up work -- Chapter 1. Liberatory whiteness : early whiteface minstrels, enslaved and free -- Chapter 2. Imitation whiteness : James Hewlett's stage Europeans -- Chapter 3. Low-down whiteness : a trip to coontown -- Chapter 4. Trespassing on whiteness : Negro actors and the Nordic complex -- Chapter 5. Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- Chapter 6. White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up |
| ctrlnum | (OCoLC)768082798 (DE-599)BVBBV043032664 |
| dewey-full | 792.02808996073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02808996073 |
| dewey-search | 792.02808996073 |
| dewey-sort | 3792.02808996073 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1800-2011 gnd |
| era_facet | Geschichte 1800-2011 |
| format | Electronic eBook |
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| spelling | McAllister, Marvin Edward 1969- Verfasser aut Whiting up whiteface minstrels & stage Europeans in African American performance Marvin McAllister Whiting up : whiteface minstrels and stage Europeans in African American performance Chapel Hill The University of North Carolina Press 2011 1 online resource (xiii, 330 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Print version record In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black actors take on white roles on the conventional stage, in musicals and satires crafted by a variety of African American dramatists, or in one-person shows by artists like Anna Devere Smith, McAllister argues that this form of cross-racial play creates unexpected intercultural alliances even as it inc Introduction : whiting up work -- Chapter 1. Liberatory whiteness : early whiteface minstrels, enslaved and free -- Chapter 2. Imitation whiteness : James Hewlett's stage Europeans -- Chapter 3. Low-down whiteness : a trip to coontown -- Chapter 4. Trespassing on whiteness : Negro actors and the Nordic complex -- Chapter 5. Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- Chapter 6. White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up Geschichte 1800-2011 gnd rswk-swf Fine Arts PERFORMING ARTS / Acting & Auditioning bisacsh SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African Americans in the performing arts fast Minstrel shows fast Geschichte Minstrel shows United States History African Americans in the performing arts History Weiße Motiv (DE-588)4140565-1 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Schauspieler (DE-588)4052154-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Schauspieler (DE-588)4052154-0 s Weiße Motiv (DE-588)4140565-1 s Geschichte 1800-2011 z 1\p DE-604 Erscheint auch als Druck-Ausgabe McAllister, Marvin Whiting Up : Whiteface Minstrels and Stage Europeans in African American Performance http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=365234 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | McAllister, Marvin Edward 1969- Whiting up whiteface minstrels & stage Europeans in African American performance In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black actors take on white roles on the conventional stage, in musicals and satires crafted by a variety of African American dramatists, or in one-person shows by artists like Anna Devere Smith, McAllister argues that this form of cross-racial play creates unexpected intercultural alliances even as it inc Introduction : whiting up work -- Chapter 1. Liberatory whiteness : early whiteface minstrels, enslaved and free -- Chapter 2. Imitation whiteness : James Hewlett's stage Europeans -- Chapter 3. Low-down whiteness : a trip to coontown -- Chapter 4. Trespassing on whiteness : Negro actors and the Nordic complex -- Chapter 5. Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- Chapter 6. White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up Fine Arts PERFORMING ARTS / Acting & Auditioning bisacsh SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African Americans in the performing arts fast Minstrel shows fast Geschichte Minstrel shows United States History African Americans in the performing arts History Weiße Motiv (DE-588)4140565-1 gnd Schwarze (DE-588)4116433-7 gnd Schauspieler (DE-588)4052154-0 gnd |
| subject_GND | (DE-588)4140565-1 (DE-588)4116433-7 (DE-588)4052154-0 (DE-588)4078704-7 |
| title | Whiting up whiteface minstrels & stage Europeans in African American performance |
| title_alt | Whiting up : whiteface minstrels and stage Europeans in African American performance |
| title_auth | Whiting up whiteface minstrels & stage Europeans in African American performance |
| title_exact_search | Whiting up whiteface minstrels & stage Europeans in African American performance |
| title_full | Whiting up whiteface minstrels & stage Europeans in African American performance Marvin McAllister |
| title_fullStr | Whiting up whiteface minstrels & stage Europeans in African American performance Marvin McAllister |
| title_full_unstemmed | Whiting up whiteface minstrels & stage Europeans in African American performance Marvin McAllister |
| title_short | Whiting up |
| title_sort | whiting up whiteface minstrels stage europeans in african american performance |
| title_sub | whiteface minstrels & stage Europeans in African American performance |
| topic | Fine Arts PERFORMING ARTS / Acting & Auditioning bisacsh SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African Americans in the performing arts fast Minstrel shows fast Geschichte Minstrel shows United States History African Americans in the performing arts History Weiße Motiv (DE-588)4140565-1 gnd Schwarze (DE-588)4116433-7 gnd Schauspieler (DE-588)4052154-0 gnd |
| topic_facet | Fine Arts PERFORMING ARTS / Acting & Auditioning SOCIAL SCIENCE / Ethnic Studies / African American Studies African Americans in the performing arts Minstrel shows Geschichte Minstrel shows United States History African Americans in the performing arts History Weiße Motiv Schwarze Schauspieler USA |
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