Theatre Symposium, V 19: Theatre and Film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa
University of Alabama Press
2011
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (153 pages) |
| ISBN: | 0817385916 9780817385910 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043032284 | ||
| 003 | DE-604 | ||
| 005 | 20230105 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151120s2011 |||| o||u| ||||||eng d | ||
| 020 | |a 0817385916 |c electronic bk. |9 0-8173-8591-6 | ||
| 020 | |a 9780817385910 |c electronic bk. |9 978-0-8173-8591-0 | ||
| 035 | |a (OCoLC)772845410 | ||
| 035 | |a (DE-599)BVBBV043032284 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 792.05 | |
| 100 | 1 | |a Curry, J. K. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Theatre Symposium, V 19 |b Theatre and Film |
| 264 | 1 | |a Tuscaloosa |b University of Alabama Press |c 2011 | |
| 300 | |a 1 online resource (153 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Print version record | ||
| 505 | 8 | |a Introduction; Melodramatic Borrowings: Life, Stage, Screen; Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams; Frank Castorf at the Volksbühne am Rosa Luxembourg Platz: Alienation Techniques and the Use of Mediated Material on the Live Stage; The London Theatre Goes Digital: Divergent Responses to the New Media; Nollywood: Film and Home Video, or the Death of Nigerian Theatre; The Performative Nature of Filmed Reproductions of Live Performance; Play- within- a- Play or Theatre- in- Film? : Ingmar Bergman's 'Through a Glass Darkly' | |
| 505 | 8 | |a Montage and Theatricality as Sources of Estrangement: A Tendency in Contemporary Brechtian CinemaTheatre and Film in Evolutionary Perspective; Contributors | |
| 505 | 8 | |a Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the sam | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Theatre / History | |
| 650 | 4 | |a Theatre | |
| 650 | 4 | |a Fine Arts | |
| 650 | 7 | |a PERFORMING ARTS / Theater / General |2 bisacsh | |
| 650 | 7 | |a Motion pictures and theater |2 fast | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Motion pictures and theater | |
| 700 | 1 | |a Becker, Becky |e Sonstige |4 oth | |
| 700 | 1 | |a Earnest, Steve |e Sonstige |4 oth | |
| 700 | 1 | |a Hostetter, Anthony |e Sonstige |4 oth | |
| 700 | 1 | |a Hostetter, Elisabeth |e Sonstige |4 oth | |
| 700 | 1 | |a Jovanovic, Nenad |e Sonstige |4 oth | |
| 700 | 1 | |a McConachie, Bruce A. |d 1944- |e Sonstige |0 (DE-588)129334995 |4 oth | |
| 700 | 1 | |a Smith, Lawrence D. |e Sonstige |4 oth | |
| 700 | 1 | |a Steele, Erin Bone |e Sonstige |4 oth | |
| 700 | 1 | |a Stith, Nathan |e Sonstige |4 oth | |
| 700 | 1 | |a Wade, Leslie A. |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Curry, J K |t . Theatre Symposium, V 19 : Theatre and Film |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028456935 | ||
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175389467082752 |
|---|---|
| any_adam_object | |
| author | Curry, J. K. |
| author_GND | (DE-588)129334995 |
| author_facet | Curry, J. K. |
| author_role | aut |
| author_sort | Curry, J. K. |
| author_variant | j k c jk jkc |
| building | Verbundindex |
| bvnumber | BV043032284 |
| collection | ZDB-4-EBA |
| contents | Introduction; Melodramatic Borrowings: Life, Stage, Screen; Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams; Frank Castorf at the Volksbühne am Rosa Luxembourg Platz: Alienation Techniques and the Use of Mediated Material on the Live Stage; The London Theatre Goes Digital: Divergent Responses to the New Media; Nollywood: Film and Home Video, or the Death of Nigerian Theatre; The Performative Nature of Filmed Reproductions of Live Performance; Play- within- a- Play or Theatre- in- Film? : Ingmar Bergman's 'Through a Glass Darkly' Montage and Theatricality as Sources of Estrangement: A Tendency in Contemporary Brechtian CinemaTheatre and Film in Evolutionary Perspective; Contributors Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the sam |
| ctrlnum | (OCoLC)772845410 (DE-599)BVBBV043032284 |
| dewey-full | 792.05 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.05 |
| dewey-search | 792.05 |
| dewey-sort | 3792.05 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03609nmm a2200601zc 4500</leader><controlfield tag="001">BV043032284</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230105 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151120s2011 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0817385916</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-8173-8591-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780817385910</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-8173-8591-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)772845410</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043032284</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.05</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Curry, J. K.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Theatre Symposium, V 19</subfield><subfield code="b">Theatre and Film</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Tuscaloosa</subfield><subfield code="b">University of Alabama Press</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (153 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Print version record</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction; Melodramatic Borrowings: Life, Stage, Screen; Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams; Frank Castorf at the Volksbühne am Rosa Luxembourg Platz: Alienation Techniques and the Use of Mediated Material on the Live Stage; The London Theatre Goes Digital: Divergent Responses to the New Media; Nollywood: Film and Home Video, or the Death of Nigerian Theatre; The Performative Nature of Filmed Reproductions of Live Performance; Play- within- a- Play or Theatre- in- Film? : Ingmar Bergman's 'Through a Glass Darkly'</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Montage and Theatricality as Sources of Estrangement: A Tendency in Contemporary Brechtian CinemaTheatre and Film in Evolutionary Perspective; Contributors</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the sam</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theatre / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theatre</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fine Arts</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Theater / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures and theater</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures and theater</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Becker, Becky</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Earnest, Steve</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hostetter, Anthony</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hostetter, Elisabeth</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jovanovic, Nenad</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McConachie, Bruce A.</subfield><subfield code="d">1944-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)129334995</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Smith, Lawrence D.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Steele, Erin Bone</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Stith, Nathan</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wade, Leslie A.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Curry, J K</subfield><subfield code="t">. Theatre Symposium, V 19 : Theatre and Film</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028456935</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043032284 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:31Z |
| institution | BVB |
| isbn | 0817385916 9780817385910 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028456935 |
| oclc_num | 772845410 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (153 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | University of Alabama Press |
| record_format | marc |
| spelling | Curry, J. K. Verfasser aut Theatre Symposium, V 19 Theatre and Film Tuscaloosa University of Alabama Press 2011 1 online resource (153 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Introduction; Melodramatic Borrowings: Life, Stage, Screen; Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams; Frank Castorf at the Volksbühne am Rosa Luxembourg Platz: Alienation Techniques and the Use of Mediated Material on the Live Stage; The London Theatre Goes Digital: Divergent Responses to the New Media; Nollywood: Film and Home Video, or the Death of Nigerian Theatre; The Performative Nature of Filmed Reproductions of Live Performance; Play- within- a- Play or Theatre- in- Film? : Ingmar Bergman's 'Through a Glass Darkly' Montage and Theatricality as Sources of Estrangement: A Tendency in Contemporary Brechtian CinemaTheatre and Film in Evolutionary Perspective; Contributors Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the sam Film Theatre / History Theatre Fine Arts PERFORMING ARTS / Theater / General bisacsh Motion pictures and theater fast Geschichte Motion pictures and theater Becker, Becky Sonstige oth Earnest, Steve Sonstige oth Hostetter, Anthony Sonstige oth Hostetter, Elisabeth Sonstige oth Jovanovic, Nenad Sonstige oth McConachie, Bruce A. 1944- Sonstige (DE-588)129334995 oth Smith, Lawrence D. Sonstige oth Steele, Erin Bone Sonstige oth Stith, Nathan Sonstige oth Wade, Leslie A. Sonstige oth Erscheint auch als Druck-Ausgabe Curry, J K . Theatre Symposium, V 19 : Theatre and Film http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373 Aggregator Volltext |
| spellingShingle | Curry, J. K. Theatre Symposium, V 19 Theatre and Film Introduction; Melodramatic Borrowings: Life, Stage, Screen; Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams; Frank Castorf at the Volksbühne am Rosa Luxembourg Platz: Alienation Techniques and the Use of Mediated Material on the Live Stage; The London Theatre Goes Digital: Divergent Responses to the New Media; Nollywood: Film and Home Video, or the Death of Nigerian Theatre; The Performative Nature of Filmed Reproductions of Live Performance; Play- within- a- Play or Theatre- in- Film? : Ingmar Bergman's 'Through a Glass Darkly' Montage and Theatricality as Sources of Estrangement: A Tendency in Contemporary Brechtian CinemaTheatre and Film in Evolutionary Perspective; Contributors Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the sam Film Theatre / History Theatre Fine Arts PERFORMING ARTS / Theater / General bisacsh Motion pictures and theater fast Geschichte Motion pictures and theater |
| title | Theatre Symposium, V 19 Theatre and Film |
| title_auth | Theatre Symposium, V 19 Theatre and Film |
| title_exact_search | Theatre Symposium, V 19 Theatre and Film |
| title_full | Theatre Symposium, V 19 Theatre and Film |
| title_fullStr | Theatre Symposium, V 19 Theatre and Film |
| title_full_unstemmed | Theatre Symposium, V 19 Theatre and Film |
| title_short | Theatre Symposium, V 19 |
| title_sort | theatre symposium v 19 theatre and film |
| title_sub | Theatre and Film |
| topic | Film Theatre / History Theatre Fine Arts PERFORMING ARTS / Theater / General bisacsh Motion pictures and theater fast Geschichte Motion pictures and theater |
| topic_facet | Film Theatre / History Theatre Fine Arts PERFORMING ARTS / Theater / General Motion pictures and theater Geschichte |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=420373 |
| work_keys_str_mv | AT curryjk theatresymposiumv19theatreandfilm AT beckerbecky theatresymposiumv19theatreandfilm AT earneststeve theatresymposiumv19theatreandfilm AT hostetteranthony theatresymposiumv19theatreandfilm AT hostetterelisabeth theatresymposiumv19theatreandfilm AT jovanovicnenad theatresymposiumv19theatreandfilm AT mcconachiebrucea theatresymposiumv19theatreandfilm AT smithlawrenced theatresymposiumv19theatreandfilm AT steeleerinbone theatresymposiumv19theatreandfilm AT stithnathan theatresymposiumv19theatreandfilm AT wadelesliea theatresymposiumv19theatreandfilm |