Paris School Semiotics: Volume II: Practice
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
John Benjamins Publishing Company
1989
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record. - II. 2. The Circulating Object |
| Beschreibung: | 1 online resource (241 pages) |
| ISBN: | 1283424576 9027278377 9781283424578 9789027278371 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043032167 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151120s1989 |||| o||u| ||||||eng d | ||
| 020 | |a 1283424576 |9 1-283-42457-6 | ||
| 020 | |a 9027278377 |c electronic bk. |9 90-272-7837-7 | ||
| 020 | |a 9781283424578 |9 978-1-283-42457-8 | ||
| 020 | |a 9789027278371 |c electronic bk. |9 978-90-272-7837-1 | ||
| 035 | |a (OCoLC)769344130 | ||
| 035 | |a (DE-599)BVBBV043032167 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 001.51/0944 |2 23 | |
| 100 | 1 | |a Perron, Paul |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Paris School Semiotics |b Volume II: Practice |
| 264 | 1 | |a Amsterdam |b John Benjamins Publishing Company |c 1989 | |
| 300 | |a 1 online resource (241 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Print version record. - II. 2. The Circulating Object | ||
| 505 | 8 | |a PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. | |
| 505 | 8 | |a 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY. | |
| 505 | 8 | |a I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics | |
| 505 | 8 | |a APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public | |
| 505 | 8 | |a II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation | |
| 650 | 7 | |a REFERENCE / Questions & Answers |2 bisacsh | |
| 700 | 1 | |a Collins, Frank |e Sonstige |4 oth | |
| 700 | 1 | |a Collins, Frank H. |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Perron, Paul |t Paris School Semiotics : Volume II: Practice |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028456818 | ||
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175389202841600 |
|---|---|
| any_adam_object | |
| author | Perron, Paul |
| author_facet | Perron, Paul |
| author_role | aut |
| author_sort | Perron, Paul |
| author_variant | p p pp |
| building | Verbundindex |
| bvnumber | BV043032167 |
| collection | ZDB-4-EBA |
| contents | PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY. I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation |
| ctrlnum | (OCoLC)769344130 (DE-599)BVBBV043032167 |
| dewey-full | 001.51/0944 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 001 - Knowledge |
| dewey-raw | 001.51/0944 |
| dewey-search | 001.51/0944 |
| dewey-sort | 11.51 3944 |
| dewey-tens | 000 - Computer science, information, general works |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04769nmm a2200469zc 4500</leader><controlfield tag="001">BV043032167</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151120s1989 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1283424576</subfield><subfield code="9">1-283-42457-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9027278377</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">90-272-7837-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781283424578</subfield><subfield code="9">978-1-283-42457-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789027278371</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-90-272-7837-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)769344130</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043032167</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">001.51/0944</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Perron, Paul</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Paris School Semiotics</subfield><subfield code="b">Volume II: Practice</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">John Benjamins Publishing Company</subfield><subfield code="c">1989</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (241 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Print version record. - II. 2. The Circulating Object</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">REFERENCE / Questions & Answers</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Collins, Frank</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Collins, Frank H.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Perron, Paul</subfield><subfield code="t">Paris School Semiotics : Volume II: Practice</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028456818</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043032167 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:30Z |
| institution | BVB |
| isbn | 1283424576 9027278377 9781283424578 9789027278371 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028456818 |
| oclc_num | 769344130 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (241 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 1989 |
| publishDateSearch | 1989 |
| publishDateSort | 1989 |
| publisher | John Benjamins Publishing Company |
| record_format | marc |
| spelling | Perron, Paul Verfasser aut Paris School Semiotics Volume II: Practice Amsterdam John Benjamins Publishing Company 1989 1 online resource (241 pages) txt rdacontent c rdamedia cr rdacarrier Print version record. - II. 2. The Circulating Object PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY. I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation REFERENCE / Questions & Answers bisacsh Collins, Frank Sonstige oth Collins, Frank H. Sonstige oth Erscheint auch als Druck-Ausgabe Perron, Paul Paris School Semiotics : Volume II: Practice http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 Aggregator Volltext |
| spellingShingle | Perron, Paul Paris School Semiotics Volume II: Practice PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY. I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation REFERENCE / Questions & Answers bisacsh |
| title | Paris School Semiotics Volume II: Practice |
| title_auth | Paris School Semiotics Volume II: Practice |
| title_exact_search | Paris School Semiotics Volume II: Practice |
| title_full | Paris School Semiotics Volume II: Practice |
| title_fullStr | Paris School Semiotics Volume II: Practice |
| title_full_unstemmed | Paris School Semiotics Volume II: Practice |
| title_short | Paris School Semiotics |
| title_sort | paris school semiotics volume ii practice |
| title_sub | Volume II: Practice |
| topic | REFERENCE / Questions & Answers bisacsh |
| topic_facet | REFERENCE / Questions & Answers |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 |
| work_keys_str_mv | AT perronpaul parisschoolsemioticsvolumeiipractice AT collinsfrank parisschoolsemioticsvolumeiipractice AT collinsfrankh parisschoolsemioticsvolumeiipractice |