Banding Together: How Communities Create Genres in Popular Music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton
Princeton University Press
2012
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xii, 242 pages) |
| ISBN: | 0691150761 1400840457 9780691150765 9781400840458 |
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| 505 | 8 | |a Cover; Banding Together; Title; Copyright; Dedication; Contents; Acknowledgments; Chapter 1: Music Genres; What Is a Theory of Sociocultural Classification?; What Are Genre Forms and How Are They Identified?; Organizations and Money; Genre Ideals and Style; What Genres Are Not; Outline of the Book; Chapter 2: Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz; Avant-garde Genres; Scene-based Genres; Industry-based Genres; Traditionalist Genres; After the Tradition; Conclusion; Chapter 3: Music Trajectories; Two Genre Trajectories; Scene-based Origins; IST Trajectories | |
| 505 | 8 | |a On Genre TrajectoriesInhibiting Factors on Musical Trajectories; Absorption into Other Musics, Other Streams; Niche Music; The Racist Organization of Musical Production; Conclusion; Chapter 4: The Government-purposed Genre; Attributes of Government-purposed Genres; China; Chile; Nigeria; Serbia; Conclusion; Chapter 5: On Classification Systems; Classification in Music; Toward a Model of Classification Systems; On Science, Markets, and Memory; The Future of Music; In Closing; Notes; References; Index | |
| 505 | 8 | |a Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music. What are the common economic, organizational, ideological | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Lena, Jennifer C. |
| author_facet | Lena, Jennifer C. |
| author_role | aut |
| author_sort | Lena, Jennifer C. |
| author_variant | j c l jc jcl |
| building | Verbundindex |
| bvnumber | BV043032021 |
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| contents | Cover; Banding Together; Title; Copyright; Dedication; Contents; Acknowledgments; Chapter 1: Music Genres; What Is a Theory of Sociocultural Classification?; What Are Genre Forms and How Are They Identified?; Organizations and Money; Genre Ideals and Style; What Genres Are Not; Outline of the Book; Chapter 2: Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz; Avant-garde Genres; Scene-based Genres; Industry-based Genres; Traditionalist Genres; After the Tradition; Conclusion; Chapter 3: Music Trajectories; Two Genre Trajectories; Scene-based Origins; IST Trajectories On Genre TrajectoriesInhibiting Factors on Musical Trajectories; Absorption into Other Musics, Other Streams; Niche Music; The Racist Organization of Musical Production; Conclusion; Chapter 4: The Government-purposed Genre; Attributes of Government-purposed Genres; China; Chile; Nigeria; Serbia; Conclusion; Chapter 5: On Classification Systems; Classification in Music; Toward a Model of Classification Systems; On Science, Markets, and Memory; The Future of Music; In Closing; Notes; References; Index Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music. What are the common economic, organizational, ideological |
| ctrlnum | (OCoLC)767502420 (DE-599)BVBBV043032021 |
| dewey-full | 781.64 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64 |
| dewey-search | 781.64 |
| dewey-sort | 3781.64 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Sozialgeschichte 1900-2012 gnd Geschichte 1949-2012 gnd |
| era_facet | Sozialgeschichte 1900-2012 Geschichte 1949-2012 |
| format | Electronic eBook |
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| geographic_facet | USA Chile Nigeria China Serbien |
| id | DE-604.BV043032021 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:30Z |
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| isbn | 0691150761 1400840457 9780691150765 9781400840458 |
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| publisher | Princeton University Press |
| record_format | marc |
| spelling | Lena, Jennifer C. Verfasser aut Banding Together How Communities Create Genres in Popular Music Princeton Princeton University Press 2012 1 online resource (xii, 242 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Cover; Banding Together; Title; Copyright; Dedication; Contents; Acknowledgments; Chapter 1: Music Genres; What Is a Theory of Sociocultural Classification?; What Are Genre Forms and How Are They Identified?; Organizations and Money; Genre Ideals and Style; What Genres Are Not; Outline of the Book; Chapter 2: Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz; Avant-garde Genres; Scene-based Genres; Industry-based Genres; Traditionalist Genres; After the Tradition; Conclusion; Chapter 3: Music Trajectories; Two Genre Trajectories; Scene-based Origins; IST Trajectories On Genre TrajectoriesInhibiting Factors on Musical Trajectories; Absorption into Other Musics, Other Streams; Niche Music; The Racist Organization of Musical Production; Conclusion; Chapter 4: The Government-purposed Genre; Attributes of Government-purposed Genres; China; Chile; Nigeria; Serbia; Conclusion; Chapter 5: On Classification Systems; Classification in Music; Toward a Model of Classification Systems; On Science, Markets, and Memory; The Future of Music; In Closing; Notes; References; Index Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music. What are the common economic, organizational, ideological Sozialgeschichte 1900-2012 gnd rswk-swf Geschichte 1949-2012 gnd rswk-swf Popular music / Social aspects Fine Arts MUSIC / Genres & Styles / Pop Vocal bisacsh MUSIC / General bisacsh Popular music fast Popular music genres fast Popular music / Social aspects fast Gesellschaft Popular music Social aspects Popular music genres Popular music Musikgattung (DE-588)4170824-6 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Regierung (DE-588)4049012-9 gnd rswk-swf Einflussnahme (DE-588)4131701-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Chile (DE-588)4009929-5 gnd rswk-swf Nigeria (DE-588)4042300-1 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Serbien (DE-588)4054598-2 gnd rswk-swf China (DE-588)4009937-4 g Chile (DE-588)4009929-5 g Nigeria (DE-588)4042300-1 g Serbien (DE-588)4054598-2 g Popmusik (DE-588)4046781-8 s Regierung (DE-588)4049012-9 s Einflussnahme (DE-588)4131701-4 s Geschichte 1949-2012 z 1\p DE-604 USA (DE-588)4078704-7 g Musikgattung (DE-588)4170824-6 s Sozialgeschichte 1900-2012 z 2\p DE-604 Erscheint auch als Druck-Ausgabe Lena, Jennifer C . Banding Together : How Communities Create Genres in Popular Music http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=408427 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lena, Jennifer C. Banding Together How Communities Create Genres in Popular Music Cover; Banding Together; Title; Copyright; Dedication; Contents; Acknowledgments; Chapter 1: Music Genres; What Is a Theory of Sociocultural Classification?; What Are Genre Forms and How Are They Identified?; Organizations and Money; Genre Ideals and Style; What Genres Are Not; Outline of the Book; Chapter 2: Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz; Avant-garde Genres; Scene-based Genres; Industry-based Genres; Traditionalist Genres; After the Tradition; Conclusion; Chapter 3: Music Trajectories; Two Genre Trajectories; Scene-based Origins; IST Trajectories On Genre TrajectoriesInhibiting Factors on Musical Trajectories; Absorption into Other Musics, Other Streams; Niche Music; The Racist Organization of Musical Production; Conclusion; Chapter 4: The Government-purposed Genre; Attributes of Government-purposed Genres; China; Chile; Nigeria; Serbia; Conclusion; Chapter 5: On Classification Systems; Classification in Music; Toward a Model of Classification Systems; On Science, Markets, and Memory; The Future of Music; In Closing; Notes; References; Index Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music. What are the common economic, organizational, ideological Popular music / Social aspects Fine Arts MUSIC / Genres & Styles / Pop Vocal bisacsh MUSIC / General bisacsh Popular music fast Popular music genres fast Popular music / Social aspects fast Gesellschaft Popular music Social aspects Popular music genres Popular music Musikgattung (DE-588)4170824-6 gnd Popmusik (DE-588)4046781-8 gnd Regierung (DE-588)4049012-9 gnd Einflussnahme (DE-588)4131701-4 gnd |
| subject_GND | (DE-588)4170824-6 (DE-588)4046781-8 (DE-588)4049012-9 (DE-588)4131701-4 (DE-588)4078704-7 (DE-588)4009929-5 (DE-588)4042300-1 (DE-588)4009937-4 (DE-588)4054598-2 |
| title | Banding Together How Communities Create Genres in Popular Music |
| title_auth | Banding Together How Communities Create Genres in Popular Music |
| title_exact_search | Banding Together How Communities Create Genres in Popular Music |
| title_full | Banding Together How Communities Create Genres in Popular Music |
| title_fullStr | Banding Together How Communities Create Genres in Popular Music |
| title_full_unstemmed | Banding Together How Communities Create Genres in Popular Music |
| title_short | Banding Together |
| title_sort | banding together how communities create genres in popular music |
| title_sub | How Communities Create Genres in Popular Music |
| topic | Popular music / Social aspects Fine Arts MUSIC / Genres & Styles / Pop Vocal bisacsh MUSIC / General bisacsh Popular music fast Popular music genres fast Popular music / Social aspects fast Gesellschaft Popular music Social aspects Popular music genres Popular music Musikgattung (DE-588)4170824-6 gnd Popmusik (DE-588)4046781-8 gnd Regierung (DE-588)4049012-9 gnd Einflussnahme (DE-588)4131701-4 gnd |
| topic_facet | Popular music / Social aspects Fine Arts MUSIC / Genres & Styles / Pop Vocal MUSIC / General Popular music Popular music genres Gesellschaft Popular music Social aspects Musikgattung Popmusik Regierung Einflussnahme USA Chile Nigeria China Serbien |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=408427 |
| work_keys_str_mv | AT lenajenniferc bandingtogetherhowcommunitiescreategenresinpopularmusic |