Race under reconstruction in German cinema: Robert Stemmle's Toxi
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto
University of Toronto Press
[2011]
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Schriftenreihe: | German and European studies
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Description based on print version record |
Beschreibung: | 1 online resource (x, 283 pages) illustrations |
ISBN: | 1442640081 1442661879 1442670177 9781442640085 9781442661875 9781442670174 |
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505 | 8 | |a "Race Under Reconstruction in German Cinema investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era. The release of Robert Stemmle's Toxi (1952) coincided with the enrolment in West German schools of the first five hundred Afro-German children fathered by African-American occupation soldiers. The didactic plot traces the ideological conflicts that arise among members of a patrician family when they encounter an Afro-German child seeking adoption, herein broaching issues of integration at a time when the American civil rights movement was gaining momentum and encountering violent resistance. Perceptions of 'Blackness' in Toxi demonstrate continuities with those prevailing in Wilhelmine Germany, but also signal the influence of American social science discourse and tropes originating in icons of American popular culture, such as Uncle Tom's Cabin, Birth of a Nation, and several Shirley Temple films. By applying a Cultural Studies approach to individual film sequences, publicity photos, and press reviews, Angelica Fenner relates West German discourses around race and integration to emerging economic and political anxieties, class antagonism, and the reinstatement of conventional gender roles"--Publisher | |
505 | 8 | |a A changing postwar landscape -- Toxi's allegorical narrative : adjoining reality and fantasy -- Genealogy, geography, and the search for origins -- 'Black' market goods, white consumer culture -- The Reterritorialization of enjoyment in the Adenauer Era -- Intertextual echoes -- Conclusion | |
600 | 1 | 4 | |a Stemmle, R. A. / (Robert Adolf) / 1903-1974 / Critique et interprétation |
600 | 1 | 4 | |a Stemmle, Robert Adolf / 1903-1974 |
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Datensatz im Suchindex
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any_adam_object | |
author | Fenner, Angelica |
author_facet | Fenner, Angelica |
author_role | aut |
author_sort | Fenner, Angelica |
author_variant | a f af |
building | Verbundindex |
bvnumber | BV043031962 |
collection | ZDB-4-EBA |
contents | "Race Under Reconstruction in German Cinema investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era. The release of Robert Stemmle's Toxi (1952) coincided with the enrolment in West German schools of the first five hundred Afro-German children fathered by African-American occupation soldiers. The didactic plot traces the ideological conflicts that arise among members of a patrician family when they encounter an Afro-German child seeking adoption, herein broaching issues of integration at a time when the American civil rights movement was gaining momentum and encountering violent resistance. Perceptions of 'Blackness' in Toxi demonstrate continuities with those prevailing in Wilhelmine Germany, but also signal the influence of American social science discourse and tropes originating in icons of American popular culture, such as Uncle Tom's Cabin, Birth of a Nation, and several Shirley Temple films. By applying a Cultural Studies approach to individual film sequences, publicity photos, and press reviews, Angelica Fenner relates West German discourses around race and integration to emerging economic and political anxieties, class antagonism, and the reinstatement of conventional gender roles"--Publisher A changing postwar landscape -- Toxi's allegorical narrative : adjoining reality and fantasy -- Genealogy, geography, and the search for origins -- 'Black' market goods, white consumer culture -- The Reterritorialization of enjoyment in the Adenauer Era -- Intertextual echoes -- Conclusion |
ctrlnum | (OCoLC)868069073 (DE-599)BVBBV043031962 |
dewey-full | 791.43/72 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/72 |
dewey-search | 791.43/72 |
dewey-sort | 3791.43 272 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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geographic | Deutschland |
geographic_facet | Deutschland |
id | DE-604.BV043031962 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:15:30Z |
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isbn | 1442640081 1442661879 1442670177 9781442640085 9781442661875 9781442670174 |
language | English |
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physical | 1 online resource (x, 283 pages) illustrations |
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publisher | University of Toronto Press |
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spelling | Fenner, Angelica Verfasser aut Race under reconstruction in German cinema Robert Stemmle's Toxi Angelica Fenner Toronto University of Toronto Press [2011] © 2011 1 online resource (x, 283 pages) illustrations txt rdacontent c rdamedia cr rdacarrier German and European studies Description based on print version record "Race Under Reconstruction in German Cinema investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era. The release of Robert Stemmle's Toxi (1952) coincided with the enrolment in West German schools of the first five hundred Afro-German children fathered by African-American occupation soldiers. The didactic plot traces the ideological conflicts that arise among members of a patrician family when they encounter an Afro-German child seeking adoption, herein broaching issues of integration at a time when the American civil rights movement was gaining momentum and encountering violent resistance. Perceptions of 'Blackness' in Toxi demonstrate continuities with those prevailing in Wilhelmine Germany, but also signal the influence of American social science discourse and tropes originating in icons of American popular culture, such as Uncle Tom's Cabin, Birth of a Nation, and several Shirley Temple films. By applying a Cultural Studies approach to individual film sequences, publicity photos, and press reviews, Angelica Fenner relates West German discourses around race and integration to emerging economic and political anxieties, class antagonism, and the reinstatement of conventional gender roles"--Publisher A changing postwar landscape -- Toxi's allegorical narrative : adjoining reality and fantasy -- Genealogy, geography, and the search for origins -- 'Black' market goods, white consumer culture -- The Reterritorialization of enjoyment in the Adenauer Era -- Intertextual echoes -- Conclusion Stemmle, R. A. / (Robert Adolf) / 1903-1974 / Critique et interprétation Stemmle, Robert Adolf / 1903-1974 Stemmle, R. A. (Robert Adolf) 1903-1974 Criticism and interpretation Toxi (Motion picture : 1952) Toxi Film (DE-588)7741977-7 gnd rswk-swf Toxi (Film cinématographique : 1952) Cinéma / Allemagne Race au cinéma Noirs / Allemagne / Conditions sociales Toxi (Film) swd Rasse (Motiv) swd PERFORMING ARTS / Reference bisacsh Rasse gnd Film Motion pictures Germany Race in motion pictures Blacks Germany Social conditions Rasse Motiv (DE-588)4254018-5 gnd rswk-swf Deutschland Toxi Film (DE-588)7741977-7 u Rasse Motiv (DE-588)4254018-5 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Fenner, Angelica Race under reconstruction in German cinema http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682612 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Fenner, Angelica Race under reconstruction in German cinema Robert Stemmle's Toxi "Race Under Reconstruction in German Cinema investigates postwar racial formations via a pivotal West German film by one of the most popular and prolific directors of the era. The release of Robert Stemmle's Toxi (1952) coincided with the enrolment in West German schools of the first five hundred Afro-German children fathered by African-American occupation soldiers. The didactic plot traces the ideological conflicts that arise among members of a patrician family when they encounter an Afro-German child seeking adoption, herein broaching issues of integration at a time when the American civil rights movement was gaining momentum and encountering violent resistance. Perceptions of 'Blackness' in Toxi demonstrate continuities with those prevailing in Wilhelmine Germany, but also signal the influence of American social science discourse and tropes originating in icons of American popular culture, such as Uncle Tom's Cabin, Birth of a Nation, and several Shirley Temple films. By applying a Cultural Studies approach to individual film sequences, publicity photos, and press reviews, Angelica Fenner relates West German discourses around race and integration to emerging economic and political anxieties, class antagonism, and the reinstatement of conventional gender roles"--Publisher A changing postwar landscape -- Toxi's allegorical narrative : adjoining reality and fantasy -- Genealogy, geography, and the search for origins -- 'Black' market goods, white consumer culture -- The Reterritorialization of enjoyment in the Adenauer Era -- Intertextual echoes -- Conclusion Stemmle, R. A. / (Robert Adolf) / 1903-1974 / Critique et interprétation Stemmle, Robert Adolf / 1903-1974 Stemmle, R. A. (Robert Adolf) 1903-1974 Criticism and interpretation Toxi (Motion picture : 1952) Toxi Film (DE-588)7741977-7 gnd Toxi (Film cinématographique : 1952) Cinéma / Allemagne Race au cinéma Noirs / Allemagne / Conditions sociales Toxi (Film) swd Rasse (Motiv) swd PERFORMING ARTS / Reference bisacsh Rasse gnd Film Motion pictures Germany Race in motion pictures Blacks Germany Social conditions Rasse Motiv (DE-588)4254018-5 gnd |
subject_GND | (DE-588)7741977-7 (DE-588)4254018-5 |
title | Race under reconstruction in German cinema Robert Stemmle's Toxi |
title_auth | Race under reconstruction in German cinema Robert Stemmle's Toxi |
title_exact_search | Race under reconstruction in German cinema Robert Stemmle's Toxi |
title_full | Race under reconstruction in German cinema Robert Stemmle's Toxi Angelica Fenner |
title_fullStr | Race under reconstruction in German cinema Robert Stemmle's Toxi Angelica Fenner |
title_full_unstemmed | Race under reconstruction in German cinema Robert Stemmle's Toxi Angelica Fenner |
title_short | Race under reconstruction in German cinema |
title_sort | race under reconstruction in german cinema robert stemmle s toxi |
title_sub | Robert Stemmle's Toxi |
topic | Stemmle, R. A. / (Robert Adolf) / 1903-1974 / Critique et interprétation Stemmle, Robert Adolf / 1903-1974 Stemmle, R. A. (Robert Adolf) 1903-1974 Criticism and interpretation Toxi (Motion picture : 1952) Toxi Film (DE-588)7741977-7 gnd Toxi (Film cinématographique : 1952) Cinéma / Allemagne Race au cinéma Noirs / Allemagne / Conditions sociales Toxi (Film) swd Rasse (Motiv) swd PERFORMING ARTS / Reference bisacsh Rasse gnd Film Motion pictures Germany Race in motion pictures Blacks Germany Social conditions Rasse Motiv (DE-588)4254018-5 gnd |
topic_facet | Stemmle, R. A. / (Robert Adolf) / 1903-1974 / Critique et interprétation Stemmle, Robert Adolf / 1903-1974 Stemmle, R. A. (Robert Adolf) 1903-1974 Criticism and interpretation Toxi (Motion picture : 1952) Toxi Film Toxi (Film cinématographique : 1952) Cinéma / Allemagne Race au cinéma Noirs / Allemagne / Conditions sociales Toxi (Film) Rasse (Motiv) PERFORMING ARTS / Reference Rasse Film Motion pictures Germany Race in motion pictures Blacks Germany Social conditions Rasse Motiv Deutschland |
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