Mo Yan in context: Nobel laureate and global storyteller
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
West Lafayette, Indiana
Purdue University Press
[2014]
|
| Schriftenreihe: | Comparative cultural studies
|
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (ix, 228 pages) |
| ISBN: | 9781612493442 1612493440 9781612493435 1612493432 9781557536815 1557536813 |
| DOI: | 10.26530/OAPEN_626983 |
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| 505 | 8 | |a "This is the first English-language study of the Chinese writer's work and influence, featuring essays from scholars in a range of disciplines, from both China and the United States. Its introduction, twelve articles, and epilogue aim to deepen and widen critical discussions of both a specific literary author and the globalization of Chinese literature more generally. The book takes the "root-seeking" movement with which Mo Yan's works are associated as a metaphor for its organizational structure. The four articles of "Part I: Leaves" focus on Mo Yan's works as world literature, exploring the long shadow his works have cast globally. Howard Goldblatt, Mo Yan's English translator, explores the difficulties and rewards of interpreting his work, while subsequent articles cover issues such as censorship and the "performativity" associated with being a global author. "Part II: Trunk" explores the nativist core of Mo Yan's works. Through careful comparative treatment of related historical events, the five articles in this section show how specific literary works intermingle with China's national and international politics, its mid-twentieth-century visual culture, and its rich religious and literary conventions, including humor. The three articles in "Part III: Roots" delve into the theoretical and practical extensions of Mo Yan's works, uncovering the vibrant critical and cultural systems that ground Eastern and Western literatures and cultures. Mo Yan in Context concludes with an epilogue by sociologist Fenggang Yang, offering a personal and globally aware reflection on the recognition Mo Yan's works have received at this historical juncture"-- | |
| 505 | 8 | |a Introduction to Mo Yan in context : Nobel Laureate and Global Storyteller / Angelica Duran and Yuhan Huang -- A mutually rewarding yet uneasy and sometimes fragile relationship between author and translator / Howard Goldblatt -- The Censorship of Mo Yans The Garlic Ballads / Thomas Chen -- Representations of China and Japan in Mo Yans, Hayashis and Naruse's texts / Noriko J. Horiguchi -- Abortion in Faulkner's The Wild Palms and Mo Yan's Frog / Lanlan Du -- Rural Chineseness Mo Yan's Work and World Literature / Chengzhou He -- The Realpolitik of Mo Yans Fiction / Sabina Knight -- Mo Yans Life and Death Are Wearing Me Out in a cultural and visual context / Yuhan Huang -- Mo Yan's The Garlic Ballads and Lide and Death Are Wearing Me Out in the Context of Religious and Chinese Literary Conventions / Chi-ying Alice Wang -- Religious Elements in Mo Yans and Yan Lianke's Works / Jinghui Wang -- Mo Yans work and the politics of literary humor / Alexa Huang and Angelica Duran -- Cosmopolitanism and the internationalization of Chinese literature / Ning Wang -- Variation study in Western and Chinese comparative literature / Shunqing Cao and Miaomiao Wang -- Soul Searching in Contemporary Chinese Literature and Society / Fenggang Yang | |
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| contents | "This is the first English-language study of the Chinese writer's work and influence, featuring essays from scholars in a range of disciplines, from both China and the United States. Its introduction, twelve articles, and epilogue aim to deepen and widen critical discussions of both a specific literary author and the globalization of Chinese literature more generally. The book takes the "root-seeking" movement with which Mo Yan's works are associated as a metaphor for its organizational structure. The four articles of "Part I: Leaves" focus on Mo Yan's works as world literature, exploring the long shadow his works have cast globally. Howard Goldblatt, Mo Yan's English translator, explores the difficulties and rewards of interpreting his work, while subsequent articles cover issues such as censorship and the "performativity" associated with being a global author. "Part II: Trunk" explores the nativist core of Mo Yan's works. Through careful comparative treatment of related historical events, the five articles in this section show how specific literary works intermingle with China's national and international politics, its mid-twentieth-century visual culture, and its rich religious and literary conventions, including humor. The three articles in "Part III: Roots" delve into the theoretical and practical extensions of Mo Yan's works, uncovering the vibrant critical and cultural systems that ground Eastern and Western literatures and cultures. Mo Yan in Context concludes with an epilogue by sociologist Fenggang Yang, offering a personal and globally aware reflection on the recognition Mo Yan's works have received at this historical juncture"-- Introduction to Mo Yan in context : Nobel Laureate and Global Storyteller / Angelica Duran and Yuhan Huang -- A mutually rewarding yet uneasy and sometimes fragile relationship between author and translator / Howard Goldblatt -- The Censorship of Mo Yans The Garlic Ballads / Thomas Chen -- Representations of China and Japan in Mo Yans, Hayashis and Naruse's texts / Noriko J. Horiguchi -- Abortion in Faulkner's The Wild Palms and Mo Yan's Frog / Lanlan Du -- Rural Chineseness Mo Yan's Work and World Literature / Chengzhou He -- The Realpolitik of Mo Yans Fiction / Sabina Knight -- Mo Yans Life and Death Are Wearing Me Out in a cultural and visual context / Yuhan Huang -- Mo Yan's The Garlic Ballads and Lide and Death Are Wearing Me Out in the Context of Religious and Chinese Literary Conventions / Chi-ying Alice Wang -- Religious Elements in Mo Yans and Yan Lianke's Works / Jinghui Wang -- Mo Yans work and the politics of literary humor / Alexa Huang and Angelica Duran -- Cosmopolitanism and the internationalization of Chinese literature / Ning Wang -- Variation study in Western and Chinese comparative literature / Shunqing Cao and Miaomiao Wang -- Soul Searching in Contemporary Chinese Literature and Society / Fenggang Yang |
| ctrlnum | (OCoLC)898177236 (DE-599)BVBBV043031334 |
| dewey-full | 895.13/52 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 895 - Literatures of East and Southeast Asia |
| dewey-raw | 895.13/52 |
| dewey-search | 895.13/52 |
| dewey-sort | 3895.13 252 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Außereuropäische Sprachen und Literaturen |
| doi_str_mv | 10.26530/OAPEN_626983 |
| format | Electronic eBook |
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| indexdate | 2025-01-22T23:01:53Z |
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| isbn | 9781612493442 1612493440 9781612493435 1612493432 9781557536815 1557536813 |
| language | English |
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| physical | 1 online resource (ix, 228 pages) |
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| publishDate | 2014 |
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| publisher | Purdue University Press |
| record_format | marc |
| series2 | Comparative cultural studies |
| spelling | Mo Yan in context Nobel laureate and global storyteller edited by Angelica Duran and Yuhan Huang West Lafayette, Indiana Purdue University Press [2014] 1 online resource (ix, 228 pages) txt rdacontent c rdamedia cr rdacarrier Comparative cultural studies Print version record "This is the first English-language study of the Chinese writer's work and influence, featuring essays from scholars in a range of disciplines, from both China and the United States. Its introduction, twelve articles, and epilogue aim to deepen and widen critical discussions of both a specific literary author and the globalization of Chinese literature more generally. The book takes the "root-seeking" movement with which Mo Yan's works are associated as a metaphor for its organizational structure. The four articles of "Part I: Leaves" focus on Mo Yan's works as world literature, exploring the long shadow his works have cast globally. Howard Goldblatt, Mo Yan's English translator, explores the difficulties and rewards of interpreting his work, while subsequent articles cover issues such as censorship and the "performativity" associated with being a global author. "Part II: Trunk" explores the nativist core of Mo Yan's works. Through careful comparative treatment of related historical events, the five articles in this section show how specific literary works intermingle with China's national and international politics, its mid-twentieth-century visual culture, and its rich religious and literary conventions, including humor. The three articles in "Part III: Roots" delve into the theoretical and practical extensions of Mo Yan's works, uncovering the vibrant critical and cultural systems that ground Eastern and Western literatures and cultures. Mo Yan in Context concludes with an epilogue by sociologist Fenggang Yang, offering a personal and globally aware reflection on the recognition Mo Yan's works have received at this historical juncture"-- Introduction to Mo Yan in context : Nobel Laureate and Global Storyteller / Angelica Duran and Yuhan Huang -- A mutually rewarding yet uneasy and sometimes fragile relationship between author and translator / Howard Goldblatt -- The Censorship of Mo Yans The Garlic Ballads / Thomas Chen -- Representations of China and Japan in Mo Yans, Hayashis and Naruse's texts / Noriko J. Horiguchi -- Abortion in Faulkner's The Wild Palms and Mo Yan's Frog / Lanlan Du -- Rural Chineseness Mo Yan's Work and World Literature / Chengzhou He -- The Realpolitik of Mo Yans Fiction / Sabina Knight -- Mo Yans Life and Death Are Wearing Me Out in a cultural and visual context / Yuhan Huang -- Mo Yan's The Garlic Ballads and Lide and Death Are Wearing Me Out in the Context of Religious and Chinese Literary Conventions / Chi-ying Alice Wang -- Religious Elements in Mo Yans and Yan Lianke's Works / Jinghui Wang -- Mo Yans work and the politics of literary humor / Alexa Huang and Angelica Duran -- Cosmopolitanism and the internationalization of Chinese literature / Ning Wang -- Variation study in Western and Chinese comparative literature / Shunqing Cao and Miaomiao Wang -- Soul Searching in Contemporary Chinese Literature and Society / Fenggang Yang Mo, Yan / 1955- fast Mo, Yan 1955- Criticism and interpretation Mo, Yan 1956- (DE-588)11926689X gnd rswk-swf LITERARY CRITICISM / Asian / Chinese bisacsh LITERARY CRITICISM / Asian / General bisacsh Literatur (DE-588)4035964-5 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Mo, Yan 1956- (DE-588)11926689X p Literatur (DE-588)4035964-5 s 2\p DE-604 Duran, Angelica edt Huang, Yuhan 1988- edt Erscheint auch als Druck-Ausgabe Mo Yan in context https://doi.org/10.26530/OAPEN_626983 Resolving-System kostenfrei Volltext http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=926318 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Mo Yan in context Nobel laureate and global storyteller "This is the first English-language study of the Chinese writer's work and influence, featuring essays from scholars in a range of disciplines, from both China and the United States. Its introduction, twelve articles, and epilogue aim to deepen and widen critical discussions of both a specific literary author and the globalization of Chinese literature more generally. The book takes the "root-seeking" movement with which Mo Yan's works are associated as a metaphor for its organizational structure. The four articles of "Part I: Leaves" focus on Mo Yan's works as world literature, exploring the long shadow his works have cast globally. Howard Goldblatt, Mo Yan's English translator, explores the difficulties and rewards of interpreting his work, while subsequent articles cover issues such as censorship and the "performativity" associated with being a global author. "Part II: Trunk" explores the nativist core of Mo Yan's works. Through careful comparative treatment of related historical events, the five articles in this section show how specific literary works intermingle with China's national and international politics, its mid-twentieth-century visual culture, and its rich religious and literary conventions, including humor. The three articles in "Part III: Roots" delve into the theoretical and practical extensions of Mo Yan's works, uncovering the vibrant critical and cultural systems that ground Eastern and Western literatures and cultures. Mo Yan in Context concludes with an epilogue by sociologist Fenggang Yang, offering a personal and globally aware reflection on the recognition Mo Yan's works have received at this historical juncture"-- Introduction to Mo Yan in context : Nobel Laureate and Global Storyteller / Angelica Duran and Yuhan Huang -- A mutually rewarding yet uneasy and sometimes fragile relationship between author and translator / Howard Goldblatt -- The Censorship of Mo Yans The Garlic Ballads / Thomas Chen -- Representations of China and Japan in Mo Yans, Hayashis and Naruse's texts / Noriko J. Horiguchi -- Abortion in Faulkner's The Wild Palms and Mo Yan's Frog / Lanlan Du -- Rural Chineseness Mo Yan's Work and World Literature / Chengzhou He -- The Realpolitik of Mo Yans Fiction / Sabina Knight -- Mo Yans Life and Death Are Wearing Me Out in a cultural and visual context / Yuhan Huang -- Mo Yan's The Garlic Ballads and Lide and Death Are Wearing Me Out in the Context of Religious and Chinese Literary Conventions / Chi-ying Alice Wang -- Religious Elements in Mo Yans and Yan Lianke's Works / Jinghui Wang -- Mo Yans work and the politics of literary humor / Alexa Huang and Angelica Duran -- Cosmopolitanism and the internationalization of Chinese literature / Ning Wang -- Variation study in Western and Chinese comparative literature / Shunqing Cao and Miaomiao Wang -- Soul Searching in Contemporary Chinese Literature and Society / Fenggang Yang Mo, Yan / 1955- fast Mo, Yan 1955- Criticism and interpretation Mo, Yan 1956- (DE-588)11926689X gnd LITERARY CRITICISM / Asian / Chinese bisacsh LITERARY CRITICISM / Asian / General bisacsh Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)11926689X (DE-588)4035964-5 (DE-588)4143413-4 |
| title | Mo Yan in context Nobel laureate and global storyteller |
| title_auth | Mo Yan in context Nobel laureate and global storyteller |
| title_exact_search | Mo Yan in context Nobel laureate and global storyteller |
| title_full | Mo Yan in context Nobel laureate and global storyteller edited by Angelica Duran and Yuhan Huang |
| title_fullStr | Mo Yan in context Nobel laureate and global storyteller edited by Angelica Duran and Yuhan Huang |
| title_full_unstemmed | Mo Yan in context Nobel laureate and global storyteller edited by Angelica Duran and Yuhan Huang |
| title_short | Mo Yan in context |
| title_sort | mo yan in context nobel laureate and global storyteller |
| title_sub | Nobel laureate and global storyteller |
| topic | Mo, Yan / 1955- fast Mo, Yan 1955- Criticism and interpretation Mo, Yan 1956- (DE-588)11926689X gnd LITERARY CRITICISM / Asian / Chinese bisacsh LITERARY CRITICISM / Asian / General bisacsh Literatur (DE-588)4035964-5 gnd |
| topic_facet | Mo, Yan / 1955- Mo, Yan 1955- Criticism and interpretation Mo, Yan 1956- LITERARY CRITICISM / Asian / Chinese LITERARY CRITICISM / Asian / General Literatur Aufsatzsammlung |
| url | https://doi.org/10.26530/OAPEN_626983 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=926318 |
| work_keys_str_mv | AT duranangelica moyanincontextnobellaureateandglobalstoryteller AT huangyuhan moyanincontextnobellaureateandglobalstoryteller |