Hitchcock and the Cinema of Sensations: Embodied Film Theory and Cinematic Reception
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
I.B. Tauris
2011
|
| Schriftenreihe: | International library of visual culture
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (248 pages) |
| ISBN: | 0857720287 1283380722 9780857720283 9781283380720 |
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| 245 | 1 | 0 | |a Hitchcock and the Cinema of Sensations |b Embodied Film Theory and Cinematic Reception |
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| 505 | 8 | |a Acknowledgements; Introduction; PART ONE: THE THEORY; 1. Film Theory and Embodiment: New Sensation in Spectatorship; 2. Critical Theory and Embodiment: Refiguring the Corporeal Self; 3. Neuroscience and Embodiment: Exploring the Thinking Flesh; PART TWO: THE FILMS; 4. On Hitchcock; 5. On Taste and Digestion; 6. On Smell; 7. On Hearing; 8. On Touching; Conclusion; Notes; Works Cited; Filmography; Index | |
| 505 | 8 | |a When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shad | |
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Datensatz im Suchindex
| _version_ | 1804175387699183616 |
|---|---|
| any_adam_object | |
| author | Elliott, Paul 1972- |
| author_facet | Elliott, Paul 1972- |
| author_role | aut |
| author_sort | Elliott, Paul 1972- |
| author_variant | p e pe |
| building | Verbundindex |
| bvnumber | BV043031286 |
| collection | ZDB-4-EBA |
| contents | Acknowledgements; Introduction; PART ONE: THE THEORY; 1. Film Theory and Embodiment: New Sensation in Spectatorship; 2. Critical Theory and Embodiment: Refiguring the Corporeal Self; 3. Neuroscience and Embodiment: Exploring the Thinking Flesh; PART TWO: THE FILMS; 4. On Hitchcock; 5. On Taste and Digestion; 6. On Smell; 7. On Hearing; 8. On Touching; Conclusion; Notes; Works Cited; Filmography; Index When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shad |
| ctrlnum | (OCoLC)772844796 (DE-599)BVBBV043031286 |
| dewey-full | 791.430233092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430233092 |
| dewey-search | 791.430233092 |
| dewey-sort | 3791.430233092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV043031286 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:29Z |
| institution | BVB |
| isbn | 0857720287 1283380722 9780857720283 9781283380720 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028455936 |
| oclc_num | 772844796 |
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| owner | DE-1046 DE-1047 |
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| physical | 1 online resource (248 pages) |
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| publishDate | 2011 |
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| publisher | I.B. Tauris |
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| series2 | International library of visual culture |
| spelling | Elliott, Paul 1972- Verfasser aut Hitchcock and the Cinema of Sensations Embodied Film Theory and Cinematic Reception London I.B. Tauris 2011 1 online resource (248 pages) txt rdacontent c rdamedia cr rdacarrier International library of visual culture Print version record Acknowledgements; Introduction; PART ONE: THE THEORY; 1. Film Theory and Embodiment: New Sensation in Spectatorship; 2. Critical Theory and Embodiment: Refiguring the Corporeal Self; 3. Neuroscience and Embodiment: Exploring the Thinking Flesh; PART TWO: THE FILMS; 4. On Hitchcock; 5. On Taste and Digestion; 6. On Smell; 7. On Hearing; 8. On Touching; Conclusion; Notes; Works Cited; Filmography; Index When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shad Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd rswk-swf Hitchcock, Alfred, 1899-1980 / Criticism and interpretation Hitchcock, Alfred, 1899-1980 Fine Arts PERFORMING ARTS / Film & Video / Direction & Production bisacsh Senses and sensation in motion pictures fast Senses and sensation in motion pictures Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Filmanalyse (DE-588)4140882-2 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmtechnik (DE-588)4017144-9 gnd rswk-swf Hitchcock, Alfred 1899-1980 (DE-588)118551647 p Wahrnehmung (DE-588)4064317-7 s Filmanalyse (DE-588)4140882-2 s Filmtechnik (DE-588)4017144-9 s Filmtheorie (DE-588)4071216-3 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Elliott, Paul Hitchcock and the Cinema of Sensations : Embodied Film Theory and Cinematic Reception http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=399805 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Elliott, Paul 1972- Hitchcock and the Cinema of Sensations Embodied Film Theory and Cinematic Reception Acknowledgements; Introduction; PART ONE: THE THEORY; 1. Film Theory and Embodiment: New Sensation in Spectatorship; 2. Critical Theory and Embodiment: Refiguring the Corporeal Self; 3. Neuroscience and Embodiment: Exploring the Thinking Flesh; PART TWO: THE FILMS; 4. On Hitchcock; 5. On Taste and Digestion; 6. On Smell; 7. On Hearing; 8. On Touching; Conclusion; Notes; Works Cited; Filmography; Index When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understand what we see on screen, we rely as much on non-visual senses as we do on sight. This new book rethinks the body in the cinema seat, charting the emergence of embodied film theory and drawing on developments in philosophy, neuroscience, body politics and film theory. Through the prism of Alfred Hitchcock's films, we explore how our bodies and sensual memory enable us to quite literally 'flesh out' what we see on screen: the trope of nausea in "Frenzy", pollution and smell in "Shad Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Hitchcock, Alfred, 1899-1980 / Criticism and interpretation Hitchcock, Alfred, 1899-1980 Fine Arts PERFORMING ARTS / Film & Video / Direction & Production bisacsh Senses and sensation in motion pictures fast Senses and sensation in motion pictures Wahrnehmung (DE-588)4064317-7 gnd Filmanalyse (DE-588)4140882-2 gnd Filmtheorie (DE-588)4071216-3 gnd Filmtechnik (DE-588)4017144-9 gnd |
| subject_GND | (DE-588)118551647 (DE-588)4064317-7 (DE-588)4140882-2 (DE-588)4071216-3 (DE-588)4017144-9 |
| title | Hitchcock and the Cinema of Sensations Embodied Film Theory and Cinematic Reception |
| title_auth | Hitchcock and the Cinema of Sensations Embodied Film Theory and Cinematic Reception |
| title_exact_search | Hitchcock and the Cinema of Sensations Embodied Film Theory and Cinematic Reception |
| title_full | Hitchcock and the Cinema of Sensations Embodied Film Theory and Cinematic Reception |
| title_fullStr | Hitchcock and the Cinema of Sensations Embodied Film Theory and Cinematic Reception |
| title_full_unstemmed | Hitchcock and the Cinema of Sensations Embodied Film Theory and Cinematic Reception |
| title_short | Hitchcock and the Cinema of Sensations |
| title_sort | hitchcock and the cinema of sensations embodied film theory and cinematic reception |
| title_sub | Embodied Film Theory and Cinematic Reception |
| topic | Hitchcock, Alfred / 1899-1980 fast Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Hitchcock, Alfred, 1899-1980 / Criticism and interpretation Hitchcock, Alfred, 1899-1980 Fine Arts PERFORMING ARTS / Film & Video / Direction & Production bisacsh Senses and sensation in motion pictures fast Senses and sensation in motion pictures Wahrnehmung (DE-588)4064317-7 gnd Filmanalyse (DE-588)4140882-2 gnd Filmtheorie (DE-588)4071216-3 gnd Filmtechnik (DE-588)4017144-9 gnd |
| topic_facet | Hitchcock, Alfred / 1899-1980 Hitchcock, Alfred 1899-1980 Criticism and interpretation Hitchcock, Alfred 1899-1980 Hitchcock, Alfred, 1899-1980 / Criticism and interpretation Hitchcock, Alfred, 1899-1980 Fine Arts PERFORMING ARTS / Film & Video / Direction & Production Senses and sensation in motion pictures Wahrnehmung Filmanalyse Filmtheorie Filmtechnik |
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