The women of country music: a reader
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Lexington
The University Press of Kentucky
c2003
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 |
| Beschreibung: | 1 online resource illustrations |
| ISBN: | 0813122805 0813157730 9780813122809 9780813157733 |
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| 245 | 1 | 0 | |a The women of country music |b a reader |c edited by Charles K. Wolfe and James E. Akenson |
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| 505 | 8 | |a Cover; Half-title; Title; Copyright; Contents; Introduction; Polly Jenkins and Her Musical Plowboys: A Vaudeville Valedictory; Notes; ""And No Man Shall Control Me"": The Strange Case of Roba Stanley, Country's First Woman Recording Star; ""Do You Want Mustard?"" ""Yup!"": First Lady of Banjo Roni Stoneman; Notes; Getting the Word Out: The Country of Bronwen Wallace and Emmylou Harris; Conclusion; Notes; Works Cited; Rose Lee Maphis and Working on Barn Dance Radio, 1930-1960; Notes; ""Reconsider Me"": Margaret Lewis Warwick and the Louisiana Hayride; Notes | |
| 505 | 8 | |a Home to Renfro Valley: John Lair and the Women o fthe Barn DanceNotes; The Voice Behind the Song: Faith Hill, Country Music, and Reflexive Identity; Introduction; Biography and Artistic Identity; The Singer's ""Voice""; The Collection of Songs; Faith Hill and Reflexive Identity; Echoes of the Country; ""Who I Am""; Notes; The Cow That's Ugly Has the Sweetest Milk; Works Cited; Women in Texas Music: A Conversation with the Texana Dames; Women in Texas Music: A Conversation with the Texana Dames; Note; If You're Not in It for Love: Canadian Women in Country Music; Introduction; Methodology | |
| 505 | 8 | |a Defining Country MusicThe Subculture of Country Music; Being a Woman Country Music Singer; Working Lives; The Role of Radio; Conclusion; Works Cited; The Yodeling Cowgirls: Australian Women and Country Music; Notes; Teaching About Women in Country Music; Introduction; Language Arts and Teaching About Women; Women's Issues and Country Music; Women and Geography; A Collegiate Course; Conclusion; Works Cited; Contributors | |
| 505 | 8 | |a Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians |2 bisacsh | |
| 650 | 7 | |a MUSIC / Instruction & Study / Voice |2 bisacsh | |
| 650 | 7 | |a MUSIC / Lyrics |2 bisacsh | |
| 650 | 7 | |a MUSIC / Printed Music / Vocal |2 bisacsh | |
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| 650 | 7 | |a Countrymusic |2 swd | |
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| 650 | 7 | |a Women country musicians |2 fast | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts |2 bisacsh | |
| 650 | 4 | |a Women country musicians |v Biography | |
| 650 | 4 | |a Country music |x History and criticism | |
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| 700 | 1 | |a Wolfe, Charles K. |e Sonstige |4 oth | |
| 700 | 1 | |a Akenson, James Edward |d 1943- |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Wolfe, Charles K |t . Women of Country Music : A Reader |
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| contents | Cover; Half-title; Title; Copyright; Contents; Introduction; Polly Jenkins and Her Musical Plowboys: A Vaudeville Valedictory; Notes; ""And No Man Shall Control Me"": The Strange Case of Roba Stanley, Country's First Woman Recording Star; ""Do You Want Mustard?"" ""Yup!"": First Lady of Banjo Roni Stoneman; Notes; Getting the Word Out: The Country of Bronwen Wallace and Emmylou Harris; Conclusion; Notes; Works Cited; Rose Lee Maphis and Working on Barn Dance Radio, 1930-1960; Notes; ""Reconsider Me"": Margaret Lewis Warwick and the Louisiana Hayride; Notes Home to Renfro Valley: John Lair and the Women o fthe Barn DanceNotes; The Voice Behind the Song: Faith Hill, Country Music, and Reflexive Identity; Introduction; Biography and Artistic Identity; The Singer's ""Voice""; The Collection of Songs; Faith Hill and Reflexive Identity; Echoes of the Country; ""Who I Am""; Notes; The Cow That's Ugly Has the Sweetest Milk; Works Cited; Women in Texas Music: A Conversation with the Texana Dames; Women in Texas Music: A Conversation with the Texana Dames; Note; If You're Not in It for Love: Canadian Women in Country Music; Introduction; Methodology Defining Country MusicThe Subculture of Country Music; Being a Woman Country Music Singer; Working Lives; The Role of Radio; Conclusion; Works Cited; The Yodeling Cowgirls: Australian Women and Country Music; Notes; Teaching About Women in Country Music; Introduction; Language Arts and Teaching About Women; Women's Issues and Country Music; Women and Geography; A Collegiate Course; Conclusion; Works Cited; Contributors Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more |
| ctrlnum | (OCoLC)900344872 (DE-599)BVBBV043029516 |
| dewey-full | 782.421642/082 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.421642/082 |
| dewey-search | 782.421642/082 |
| dewey-sort | 3782.421642 282 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| isbn | 0813122805 0813157730 9780813122809 9780813157733 |
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| spelling | The women of country music a reader edited by Charles K. Wolfe and James E. Akenson Lexington The University Press of Kentucky c2003 1 online resource illustrations txt rdacontent c rdamedia cr rdacarrier Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Cover; Half-title; Title; Copyright; Contents; Introduction; Polly Jenkins and Her Musical Plowboys: A Vaudeville Valedictory; Notes; ""And No Man Shall Control Me"": The Strange Case of Roba Stanley, Country's First Woman Recording Star; ""Do You Want Mustard?"" ""Yup!"": First Lady of Banjo Roni Stoneman; Notes; Getting the Word Out: The Country of Bronwen Wallace and Emmylou Harris; Conclusion; Notes; Works Cited; Rose Lee Maphis and Working on Barn Dance Radio, 1930-1960; Notes; ""Reconsider Me"": Margaret Lewis Warwick and the Louisiana Hayride; Notes Home to Renfro Valley: John Lair and the Women o fthe Barn DanceNotes; The Voice Behind the Song: Faith Hill, Country Music, and Reflexive Identity; Introduction; Biography and Artistic Identity; The Singer's ""Voice""; The Collection of Songs; Faith Hill and Reflexive Identity; Echoes of the Country; ""Who I Am""; Notes; The Cow That's Ugly Has the Sweetest Milk; Works Cited; Women in Texas Music: A Conversation with the Texana Dames; Women in Texas Music: A Conversation with the Texana Dames; Note; If You're Not in It for Love: Canadian Women in Country Music; Introduction; Methodology Defining Country MusicThe Subculture of Country Music; Being a Woman Country Music Singer; Working Lives; The Role of Radio; Conclusion; Works Cited; The Yodeling Cowgirls: Australian Women and Country Music; Notes; Teaching About Women in Country Music; Introduction; Language Arts and Teaching About Women; Women's Issues and Country Music; Women and Geography; A Collegiate Course; Conclusion; Works Cited; Contributors Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Frau swd Countrymusic swd Country music fast Women country musicians fast BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh Women country musicians Biography Country music History and criticism Country-Musikerin (DE-588)4337120-6 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Country-Musikerin (DE-588)4337120-6 s 1\p DE-604 Wolfe, Charles K. Sonstige oth Akenson, James Edward 1943- Sonstige oth Erscheint auch als Druck-Ausgabe Wolfe, Charles K . Women of Country Music : A Reader http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=938439 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | The women of country music a reader Cover; Half-title; Title; Copyright; Contents; Introduction; Polly Jenkins and Her Musical Plowboys: A Vaudeville Valedictory; Notes; ""And No Man Shall Control Me"": The Strange Case of Roba Stanley, Country's First Woman Recording Star; ""Do You Want Mustard?"" ""Yup!"": First Lady of Banjo Roni Stoneman; Notes; Getting the Word Out: The Country of Bronwen Wallace and Emmylou Harris; Conclusion; Notes; Works Cited; Rose Lee Maphis and Working on Barn Dance Radio, 1930-1960; Notes; ""Reconsider Me"": Margaret Lewis Warwick and the Louisiana Hayride; Notes Home to Renfro Valley: John Lair and the Women o fthe Barn DanceNotes; The Voice Behind the Song: Faith Hill, Country Music, and Reflexive Identity; Introduction; Biography and Artistic Identity; The Singer's ""Voice""; The Collection of Songs; Faith Hill and Reflexive Identity; Echoes of the Country; ""Who I Am""; Notes; The Cow That's Ugly Has the Sweetest Milk; Works Cited; Women in Texas Music: A Conversation with the Texana Dames; Women in Texas Music: A Conversation with the Texana Dames; Note; If You're Not in It for Love: Canadian Women in Country Music; Introduction; Methodology Defining Country MusicThe Subculture of Country Music; Being a Woman Country Music Singer; Working Lives; The Role of Radio; Conclusion; Works Cited; The Yodeling Cowgirls: Australian Women and Country Music; Notes; Teaching About Women in Country Music; Introduction; Language Arts and Teaching About Women; Women's Issues and Country Music; Women and Geography; A Collegiate Course; Conclusion; Works Cited; Contributors Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Frau swd Countrymusic swd Country music fast Women country musicians fast BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh Women country musicians Biography Country music History and criticism Country-Musikerin (DE-588)4337120-6 gnd |
| subject_GND | (DE-588)4337120-6 (DE-588)4006804-3 |
| title | The women of country music a reader |
| title_auth | The women of country music a reader |
| title_exact_search | The women of country music a reader |
| title_full | The women of country music a reader edited by Charles K. Wolfe and James E. Akenson |
| title_fullStr | The women of country music a reader edited by Charles K. Wolfe and James E. Akenson |
| title_full_unstemmed | The women of country music a reader edited by Charles K. Wolfe and James E. Akenson |
| title_short | The women of country music |
| title_sort | the women of country music a reader |
| title_sub | a reader |
| topic | BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh MUSIC / Instruction & Study / Voice bisacsh MUSIC / Lyrics bisacsh MUSIC / Printed Music / Vocal bisacsh Frau swd Countrymusic swd Country music fast Women country musicians fast BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh Women country musicians Biography Country music History and criticism Country-Musikerin (DE-588)4337120-6 gnd |
| topic_facet | BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians MUSIC / Instruction & Study / Voice MUSIC / Lyrics MUSIC / Printed Music / Vocal Frau Countrymusic Country music Women country musicians BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts Women country musicians Biography Country music History and criticism Country-Musikerin Biografie |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=938439 |
| work_keys_str_mv | AT wolfecharlesk thewomenofcountrymusicareader AT akensonjamesedward thewomenofcountrymusicareader |