Choreography and the specific image: nineteen essays and a workbook
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Pittsburgh, Pennsylvania
University of Pittsburgh Press
2001
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 Volltext |
Beschreibung: | Print version record |
Beschreibung: | 1 online resource (289 pages) illustrations, tables |
ISBN: | 0822972255 1306641799 9780822941477 9780822972259 9781306641791 |
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505 | 8 | |a Acknowledgments; Introduction; The Essays; 1. Helen Tamiris and Her Teaching of Choreography; 2. A Method of Teaching Choreography; 3. Choreography and the Specific Image; 4. Improvisation as a Tool for Choreography; 5. ""Rules"" for Choreography in No Particular Order; 6. The Play of Metaphor; 7. Modern Dance Choreography-Ballet Choreography; 8. Choreography for the Solo Dancer, Choreography for a Group: The Problems and Differences; 9. Abstract Dance versus What?; 10. Music; 11. Words and Song Lyrics; 12. Virtuosity; 13. Direction | |
505 | 8 | |a 14. The Stage: The Costumes, The Lights, The Sets, The Sound15. Choreography for the Theatre, Musical Comedy and Opera; 16. Mindsets; 17. The Criticism of Choreography; 18. Anecdotal Material; 19. The Ethics of Aesthetics; The Workbook; Workbook Introduction and Outline; 1. Warming Up; Gifts; Medicine Ball; Outrageous Travel; Goldfish Bowl; Blind Journey; 2. The Rhythm Series; Breath Rhythm; Pulse Rhythm; Inner Rhythm; Dedicate Your Motion; Go Visiting; Spinning; True Repetition; Evolving Repetition; 3. Uncovering Sources of Movement: The First Steps; Circles; Each Alone; Backdoor | |
505 | 8 | |a Hub MeditationVisualization; Gesture Permutations; Gesture Rondo; 4. Metaphor; 5. Sense Memory Sources; Faces; Using Music for Improvisation; The Obstacle; Becoming Words; Passing through a Physical Object; Slalom; 6. Sources of Movement Material; The Mind-Wash; Not Naming; The Other; A Duet; The Duet as a Structure; 7. Finding Gold in ""Bad"" Habits; Cliché Rondo; Your Familiar; Possessed by a Mannerism; 8. Music Sources of Movement; Ambient Sound; Rhythm Circle; Before, After and On; Who or What Is Alive in the Music?; Riff Cactus; 9. Words and Movement; Words; Creating Words | |
505 | 8 | |a Being Created by WordsPrison; Poems; 10. More; Why Do You Dance?; Props Fantasy; Inside the Outside; Body Contact; Seeing through the Eyes of Another; I Dare You; Notes; Index | |
505 | 8 | |a "The world outside has burst into the studio," writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, the first on choreography approached through content rather than structure, is designed with them in mind. Spiced with wit and strong opinions, Choreography and the Specific Image explores, in nineteen far-ranging essays, the art of choreography through the life's work of an important artist. A career of performa | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Nagrin, Daniel |
author_facet | Nagrin, Daniel |
author_role | aut |
author_sort | Nagrin, Daniel |
author_variant | d n dn |
building | Verbundindex |
bvnumber | BV043029075 |
collection | ZDB-4-EBA |
contents | Acknowledgments; Introduction; The Essays; 1. Helen Tamiris and Her Teaching of Choreography; 2. A Method of Teaching Choreography; 3. Choreography and the Specific Image; 4. Improvisation as a Tool for Choreography; 5. ""Rules"" for Choreography in No Particular Order; 6. The Play of Metaphor; 7. Modern Dance Choreography-Ballet Choreography; 8. Choreography for the Solo Dancer, Choreography for a Group: The Problems and Differences; 9. Abstract Dance versus What?; 10. Music; 11. Words and Song Lyrics; 12. Virtuosity; 13. Direction 14. The Stage: The Costumes, The Lights, The Sets, The Sound15. Choreography for the Theatre, Musical Comedy and Opera; 16. Mindsets; 17. The Criticism of Choreography; 18. Anecdotal Material; 19. The Ethics of Aesthetics; The Workbook; Workbook Introduction and Outline; 1. Warming Up; Gifts; Medicine Ball; Outrageous Travel; Goldfish Bowl; Blind Journey; 2. The Rhythm Series; Breath Rhythm; Pulse Rhythm; Inner Rhythm; Dedicate Your Motion; Go Visiting; Spinning; True Repetition; Evolving Repetition; 3. Uncovering Sources of Movement: The First Steps; Circles; Each Alone; Backdoor Hub MeditationVisualization; Gesture Permutations; Gesture Rondo; 4. Metaphor; 5. Sense Memory Sources; Faces; Using Music for Improvisation; The Obstacle; Becoming Words; Passing through a Physical Object; Slalom; 6. Sources of Movement Material; The Mind-Wash; Not Naming; The Other; A Duet; The Duet as a Structure; 7. Finding Gold in ""Bad"" Habits; Cliché Rondo; Your Familiar; Possessed by a Mannerism; 8. Music Sources of Movement; Ambient Sound; Rhythm Circle; Before, After and On; Who or What Is Alive in the Music?; Riff Cactus; 9. Words and Movement; Words; Creating Words Being Created by WordsPrison; Poems; 10. More; Why Do You Dance?; Props Fantasy; Inside the Outside; Body Contact; Seeing through the Eyes of Another; I Dare You; Notes; Index "The world outside has burst into the studio," writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, the first on choreography approached through content rather than structure, is designed with them in mind. Spiced with wit and strong opinions, Choreography and the Specific Image explores, in nineteen far-ranging essays, the art of choreography through the life's work of an important artist. A career of performa |
ctrlnum | (OCoLC)880448720 (DE-599)BVBBV043029075 |
dewey-full | 792.8/2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.8/2 |
dewey-search | 792.8/2 |
dewey-sort | 3792.8 12 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Geschichte 1960-2000 gnd |
era_facet | Geschichte 1960-2000 |
format | Electronic eBook |
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indexdate | 2024-07-10T07:15:26Z |
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publisher | University of Pittsburgh Press |
record_format | marc |
spelling | Nagrin, Daniel Verfasser aut Choreography and the specific image nineteen essays and a workbook Daniel Nagrin Pittsburgh, Pennsylvania University of Pittsburgh Press 2001 © 2001 1 online resource (289 pages) illustrations, tables txt rdacontent c rdamedia cr rdacarrier Print version record Acknowledgments; Introduction; The Essays; 1. Helen Tamiris and Her Teaching of Choreography; 2. A Method of Teaching Choreography; 3. Choreography and the Specific Image; 4. Improvisation as a Tool for Choreography; 5. ""Rules"" for Choreography in No Particular Order; 6. The Play of Metaphor; 7. Modern Dance Choreography-Ballet Choreography; 8. Choreography for the Solo Dancer, Choreography for a Group: The Problems and Differences; 9. Abstract Dance versus What?; 10. Music; 11. Words and Song Lyrics; 12. Virtuosity; 13. Direction 14. The Stage: The Costumes, The Lights, The Sets, The Sound15. Choreography for the Theatre, Musical Comedy and Opera; 16. Mindsets; 17. The Criticism of Choreography; 18. Anecdotal Material; 19. The Ethics of Aesthetics; The Workbook; Workbook Introduction and Outline; 1. Warming Up; Gifts; Medicine Ball; Outrageous Travel; Goldfish Bowl; Blind Journey; 2. The Rhythm Series; Breath Rhythm; Pulse Rhythm; Inner Rhythm; Dedicate Your Motion; Go Visiting; Spinning; True Repetition; Evolving Repetition; 3. Uncovering Sources of Movement: The First Steps; Circles; Each Alone; Backdoor Hub MeditationVisualization; Gesture Permutations; Gesture Rondo; 4. Metaphor; 5. Sense Memory Sources; Faces; Using Music for Improvisation; The Obstacle; Becoming Words; Passing through a Physical Object; Slalom; 6. Sources of Movement Material; The Mind-Wash; Not Naming; The Other; A Duet; The Duet as a Structure; 7. Finding Gold in ""Bad"" Habits; Cliché Rondo; Your Familiar; Possessed by a Mannerism; 8. Music Sources of Movement; Ambient Sound; Rhythm Circle; Before, After and On; Who or What Is Alive in the Music?; Riff Cactus; 9. Words and Movement; Words; Creating Words Being Created by WordsPrison; Poems; 10. More; Why Do You Dance?; Props Fantasy; Inside the Outside; Body Contact; Seeing through the Eyes of Another; I Dare You; Notes; Index "The world outside has burst into the studio," writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, the first on choreography approached through content rather than structure, is designed with them in mind. Spiced with wit and strong opinions, Choreography and the Specific Image explores, in nineteen far-ranging essays, the art of choreography through the life's work of an important artist. A career of performa Geschichte 1960-2000 gnd rswk-swf PERFORMING ARTS / Theater / General bisacsh PERFORMING ARTS / Dance / Notation bisacsh Choreography fast Dance / Philosophy fast Choreography Dance / Philosophy Dance Philosophie Dance Philosophy Choreografie (DE-588)4069977-8 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Tanz (DE-588)4059028-8 s Geschichte 1960-2000 z 2\p DE-604 Choreografie (DE-588)4069977-8 s 3\p DE-604 Erscheint auch als Druck-Ausgabe Nagrin, Daniel Choreography and the specific image : nineteen essays and a workbook http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829127 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Nagrin, Daniel Choreography and the specific image nineteen essays and a workbook Acknowledgments; Introduction; The Essays; 1. Helen Tamiris and Her Teaching of Choreography; 2. A Method of Teaching Choreography; 3. Choreography and the Specific Image; 4. Improvisation as a Tool for Choreography; 5. ""Rules"" for Choreography in No Particular Order; 6. The Play of Metaphor; 7. Modern Dance Choreography-Ballet Choreography; 8. Choreography for the Solo Dancer, Choreography for a Group: The Problems and Differences; 9. Abstract Dance versus What?; 10. Music; 11. Words and Song Lyrics; 12. Virtuosity; 13. Direction 14. The Stage: The Costumes, The Lights, The Sets, The Sound15. Choreography for the Theatre, Musical Comedy and Opera; 16. Mindsets; 17. The Criticism of Choreography; 18. Anecdotal Material; 19. The Ethics of Aesthetics; The Workbook; Workbook Introduction and Outline; 1. Warming Up; Gifts; Medicine Ball; Outrageous Travel; Goldfish Bowl; Blind Journey; 2. The Rhythm Series; Breath Rhythm; Pulse Rhythm; Inner Rhythm; Dedicate Your Motion; Go Visiting; Spinning; True Repetition; Evolving Repetition; 3. Uncovering Sources of Movement: The First Steps; Circles; Each Alone; Backdoor Hub MeditationVisualization; Gesture Permutations; Gesture Rondo; 4. Metaphor; 5. Sense Memory Sources; Faces; Using Music for Improvisation; The Obstacle; Becoming Words; Passing through a Physical Object; Slalom; 6. Sources of Movement Material; The Mind-Wash; Not Naming; The Other; A Duet; The Duet as a Structure; 7. Finding Gold in ""Bad"" Habits; Cliché Rondo; Your Familiar; Possessed by a Mannerism; 8. Music Sources of Movement; Ambient Sound; Rhythm Circle; Before, After and On; Who or What Is Alive in the Music?; Riff Cactus; 9. Words and Movement; Words; Creating Words Being Created by WordsPrison; Poems; 10. More; Why Do You Dance?; Props Fantasy; Inside the Outside; Body Contact; Seeing through the Eyes of Another; I Dare You; Notes; Index "The world outside has burst into the studio," writes the influential dancer, teacher, and choreographer Daniel Nagrin. Many dancers want passionately to confront concrete, difficult subjects. But their formalistic training hasn't prepared them for what they need to say. This book, the first on choreography approached through content rather than structure, is designed with them in mind. Spiced with wit and strong opinions, Choreography and the Specific Image explores, in nineteen far-ranging essays, the art of choreography through the life's work of an important artist. A career of performa PERFORMING ARTS / Theater / General bisacsh PERFORMING ARTS / Dance / Notation bisacsh Choreography fast Dance / Philosophy fast Choreography Dance / Philosophy Dance Philosophie Dance Philosophy Choreografie (DE-588)4069977-8 gnd Tanz (DE-588)4059028-8 gnd |
subject_GND | (DE-588)4069977-8 (DE-588)4059028-8 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Choreography and the specific image nineteen essays and a workbook |
title_auth | Choreography and the specific image nineteen essays and a workbook |
title_exact_search | Choreography and the specific image nineteen essays and a workbook |
title_full | Choreography and the specific image nineteen essays and a workbook Daniel Nagrin |
title_fullStr | Choreography and the specific image nineteen essays and a workbook Daniel Nagrin |
title_full_unstemmed | Choreography and the specific image nineteen essays and a workbook Daniel Nagrin |
title_short | Choreography and the specific image |
title_sort | choreography and the specific image nineteen essays and a workbook |
title_sub | nineteen essays and a workbook |
topic | PERFORMING ARTS / Theater / General bisacsh PERFORMING ARTS / Dance / Notation bisacsh Choreography fast Dance / Philosophy fast Choreography Dance / Philosophy Dance Philosophie Dance Philosophy Choreografie (DE-588)4069977-8 gnd Tanz (DE-588)4059028-8 gnd |
topic_facet | PERFORMING ARTS / Theater / General PERFORMING ARTS / Dance / Notation Choreography Dance / Philosophy Dance Philosophie Dance Philosophy Choreografie Tanz USA Aufsatzsammlung |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829127 |
work_keys_str_mv | AT nagrindaniel choreographyandthespecificimagenineteenessaysandaworkbook |