Black milk: imagining slavery in the visual cultures of Brazil and America
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (xxviii, 523 pages) illustrations (black and white) |
| ISBN: | 0191669474 0199274576 1299805507 9780191669477 9780199274574 9781299805507 |
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| 505 | 8 | |a "Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level. Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera - Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focussed on Angelo Agostini the 'Brazilian Daumier') and some of the greatest photographers of the nineteenth century, lead by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mould-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora"--Page 4 of cover | |
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Datensatz im Suchindex
| _version_ | 1804175384131928064 |
|---|---|
| any_adam_object | |
| author | Wood, Marcus |
| author_facet | Wood, Marcus |
| author_role | aut |
| author_sort | Wood, Marcus |
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| building | Verbundindex |
| bvnumber | BV043029060 |
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| contents | "Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level. Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera - Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focussed on Angelo Agostini the 'Brazilian Daumier') and some of the greatest photographers of the nineteenth century, lead by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mould-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora"--Page 4 of cover |
| ctrlnum | (OCoLC)856625722 (DE-599)BVBBV043029060 |
| dewey-full | 704.9/49306362/097 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9/49306362/097 |
| dewey-search | 704.9/49306362/097 |
| dewey-sort | 3704.9 849306362 297 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | 1700 - 1899 fast Geschichte 1700-1800 Geschichte 1800-1900 |
| era_facet | 1700 - 1899 Geschichte 1700-1800 Geschichte 1800-1900 |
| format | Electronic eBook |
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| spelling | Wood, Marcus Verfasser aut Black milk imagining slavery in the visual cultures of Brazil and America Marcus Wood Oxford Oxford University Press 2013 1 online resource (xxviii, 523 pages) illustrations (black and white) txt rdacontent c rdamedia cr rdacarrier Description based on print version record "Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level. Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera - Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focussed on Angelo Agostini the 'Brazilian Daumier') and some of the greatest photographers of the nineteenth century, lead by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mould-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora"--Page 4 of cover 1700 - 1899 fast Geschichte 1700-1800 Geschichte 1800-1900 ART / Subjects & Themes / General bisacsh Art, American fast Art, Brazilian fast Slave trade in art fast Slavery in art fast Slavery in art Slave trade in art Art, American 18th century Art, Brazilian 18th century Art, American 19th century Art, Brazilian 19th century Sklaverei (DE-588)4055260-3 gnd rswk-swf Sklave Motiv (DE-588)4204854-0 gnd rswk-swf Bildliche Darstellung (DE-588)4145419-4 gnd rswk-swf Nordamerika (DE-588)4042483-2 gnd rswk-swf Brasilien (DE-588)4008003-1 gnd rswk-swf Nordamerika (DE-588)4042483-2 g Sklaverei (DE-588)4055260-3 s Bildliche Darstellung (DE-588)4145419-4 s Sklave Motiv (DE-588)4204854-0 s 1\p DE-604 Brasilien (DE-588)4008003-1 g 2\p DE-604 Erscheint auch als Druck-Ausgabe Wood, Marcus Black milk http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=632719 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wood, Marcus Black milk imagining slavery in the visual cultures of Brazil and America "Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level. Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera - Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focussed on Angelo Agostini the 'Brazilian Daumier') and some of the greatest photographers of the nineteenth century, lead by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mould-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora"--Page 4 of cover ART / Subjects & Themes / General bisacsh Art, American fast Art, Brazilian fast Slave trade in art fast Slavery in art fast Slavery in art Slave trade in art Art, American 18th century Art, Brazilian 18th century Art, American 19th century Art, Brazilian 19th century Sklaverei (DE-588)4055260-3 gnd Sklave Motiv (DE-588)4204854-0 gnd Bildliche Darstellung (DE-588)4145419-4 gnd |
| subject_GND | (DE-588)4055260-3 (DE-588)4204854-0 (DE-588)4145419-4 (DE-588)4042483-2 (DE-588)4008003-1 |
| title | Black milk imagining slavery in the visual cultures of Brazil and America |
| title_auth | Black milk imagining slavery in the visual cultures of Brazil and America |
| title_exact_search | Black milk imagining slavery in the visual cultures of Brazil and America |
| title_full | Black milk imagining slavery in the visual cultures of Brazil and America Marcus Wood |
| title_fullStr | Black milk imagining slavery in the visual cultures of Brazil and America Marcus Wood |
| title_full_unstemmed | Black milk imagining slavery in the visual cultures of Brazil and America Marcus Wood |
| title_short | Black milk |
| title_sort | black milk imagining slavery in the visual cultures of brazil and america |
| title_sub | imagining slavery in the visual cultures of Brazil and America |
| topic | ART / Subjects & Themes / General bisacsh Art, American fast Art, Brazilian fast Slave trade in art fast Slavery in art fast Slavery in art Slave trade in art Art, American 18th century Art, Brazilian 18th century Art, American 19th century Art, Brazilian 19th century Sklaverei (DE-588)4055260-3 gnd Sklave Motiv (DE-588)4204854-0 gnd Bildliche Darstellung (DE-588)4145419-4 gnd |
| topic_facet | ART / Subjects & Themes / General Art, American Art, Brazilian Slave trade in art Slavery in art Art, American 18th century Art, Brazilian 18th century Art, American 19th century Art, Brazilian 19th century Sklaverei Sklave Motiv Bildliche Darstellung Nordamerika Brasilien |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=632719 |
| work_keys_str_mv | AT woodmarcus blackmilkimaginingslaveryinthevisualculturesofbrazilandamerica |