How the materiality of paint is intrinsic to the work of art: an explanation of the meaningful placement of the medium of painting in contemporary art theory
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lewiston, New York
Edwin Mellen Press
[2013]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (ix, 288 pages.) |
| ISBN: | 0773407383 9780773407381 |
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| 245 | 1 | 0 | |a How the materiality of paint is intrinsic to the work of art |b an explanation of the meaningful placement of the medium of painting in contemporary art theory |c Sharon Orleans Lawrence ; with foreword by George Bauer |
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| 505 | 8 | |a HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking | |
| 505 | 8 | |a Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index | |
| 505 | 8 | |a With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon | |
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| 650 | 4 | |a Art / Theory | |
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Datensatz im Suchindex
| _version_ | 1804175384050139136 |
|---|---|
| any_adam_object | |
| author | Lawrence, Sharon Orleans |
| author2 | George Bauer |
| author2_role | aui |
| author2_variant | g b gb |
| author_facet | Lawrence, Sharon Orleans George Bauer |
| author_role | aut |
| author_sort | Lawrence, Sharon Orleans |
| author_variant | s o l so sol |
| building | Verbundindex |
| bvnumber | BV043028996 |
| collection | ZDB-4-EBA |
| contents | HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon |
| ctrlnum | (OCoLC)859581884 (DE-599)BVBBV043028996 |
| dewey-full | 759 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759 |
| dewey-search | 759 |
| dewey-sort | 3759 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| id | DE-604.BV043028996 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:26Z |
| institution | BVB |
| isbn | 0773407383 9780773407381 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028453647 |
| oclc_num | 859581884 |
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| physical | 1 online resource (ix, 288 pages.) |
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| publishDate | 2013 |
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| publisher | Edwin Mellen Press |
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| spelling | Lawrence, Sharon Orleans Verfasser aut How the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory Sharon Orleans Lawrence ; with foreword by George Bauer Lewiston, New York Edwin Mellen Press [2013] 1 online resource (ix, 288 pages.) txt rdacontent c rdamedia cr rdacarrier Description based on print version record HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon Geschichte gnd rswk-swf ART / History / General bisacsh Painting fast Art / History Art / Theory Telematics art Geschichte Kunst Painting History Materialität (DE-588)4512697-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Malerei (DE-588)4037220-0 s Ästhetik (DE-588)4000626-8 s Materialität (DE-588)4512697-5 s Geschichte z 1\p DE-604 George Bauer aui Erscheint auch als Druckausgabe 0-7734-4463-7 Erscheint auch als Druckausgabe 978-0-7734-4463-8 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=632343 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lawrence, Sharon Orleans How the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgments; Introduction; Chapter 1 -- The Materiality of What Painting Was; Chapter 2 -- The Materiality of What Painting Is; Chapter 3 -- The Materiality of Paint; Chapter 4 -- The Materiality of Paint and Painters; Chapter 5 -- The Materiality of Experience, Painterliness; Chapter 6 -- The Materiality of Experience, Markmaking Chapter 7 -- The Materiality of Experience, Artist's Intent and the ViewerConclusion; Bibliography; Index With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon ART / History / General bisacsh Painting fast Art / History Art / Theory Telematics art Geschichte Kunst Painting History Materialität (DE-588)4512697-5 gnd Ästhetik (DE-588)4000626-8 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)4512697-5 (DE-588)4000626-8 (DE-588)4037220-0 |
| title | How the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory |
| title_auth | How the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory |
| title_exact_search | How the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory |
| title_full | How the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory Sharon Orleans Lawrence ; with foreword by George Bauer |
| title_fullStr | How the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory Sharon Orleans Lawrence ; with foreword by George Bauer |
| title_full_unstemmed | How the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory Sharon Orleans Lawrence ; with foreword by George Bauer |
| title_short | How the materiality of paint is intrinsic to the work of art |
| title_sort | how the materiality of paint is intrinsic to the work of art an explanation of the meaningful placement of the medium of painting in contemporary art theory |
| title_sub | an explanation of the meaningful placement of the medium of painting in contemporary art theory |
| topic | ART / History / General bisacsh Painting fast Art / History Art / Theory Telematics art Geschichte Kunst Painting History Materialität (DE-588)4512697-5 gnd Ästhetik (DE-588)4000626-8 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | ART / History / General Painting Art / History Art / Theory Telematics art Geschichte Kunst Painting History Materialität Ästhetik Malerei |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=632343 |
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