Back in no time: the Brion Gysin reader
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Conn.
Wesleyan University Press
©2001
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext Inhaltsverzeichnis |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xiv, 354 pages) illustrations |
| ISBN: | 0819565288 0819565296 0819576166 9780819565280 9780819565297 9780819576163 |
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| 505 | 8 | |a Introduction ---- I. The Secret Look ---- II. From a Lost Novel. 1. Recollections of a Lost Seascape --- 2. Time and Grother Griphen ---- III. A Master -- A Long Goodnight (excerpts) ---- IV. Potipharʹs Wife ---- V. Early Cut-Up Experiments. 1. First Cut-Ups --- 2. Minutes to Go --- 3. Cut Me Up -- Brion Gysin ---- VI. Permutation Poems. 1. I Am That I Am --- 2. Junk Is No Good Baby --- 3. Kick That Habit Man --- 4. No Poets Donʹt Own Words --- 5. I Donʹt Work You Dig --- 6. This Is Sam Francis ---- VII. Brion Gysin Let the Mice In ---- VIII. The Poem of Poems ---- IX. Dreamachine ---- X. Unpublished Notes on Painting ---- XI. The Pipes of Pan ---- XII. About the Cut-Ups. 1. Cut-Ups: A Project for Disastrous Success --- 2. Cut-Ups Self-Explained ---- XIII. Am I the One? ---- XIV. Janicot ---- XV. The Process (excerpts) ---- XVI. The Naked Lunch Screenplay (excerpts) ---- XVII. A Quick Trip to Alamut ---- XVIII. Fire: Words by Day -- Images by Night ---- XIX. Psacré Psilocybin and Magic Mushrooms ---- XX. Not by Me ---- XXI. Songs. 1. Nowhere Street (score by Steve Lacy) --- 2. Somebody Special (score by Steve Lacy) --- 3. Clementeena Soopstar --- 4. Dreams (score by Steve Lacy) --- 5. Gay Paree Bop --- 6. Sham Pain --- 7. Stop Smoking ---- XXII. Hamriʹs Hands ---- XXIII. Snapshots from the Family Album (excerpts) ---- XXIV. An Ecomium for Allen Ginsberg ---- XXV. Calligraffiti of Fire ---- XXVI. The Sculpted Line ---- XXVII. The Last Museum. 1. The Door --- 2. Hotel Bardo --- 3. Back Jacket Copy --- 4. The Last Museum (excerpts) --- 5. Drawings for The Last Museum by Keith Haring | |
| 505 | 8 | |a Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the "cut-up" technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as "getting poetry back off the page and into performance." Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughsʹ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."--Publisher description | |
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Datensatz im Suchindex
| _version_ | 1804175382499295232 |
|---|---|
| adam_text | Titel: Back in no time
Autor: Gysin, Brion
Jahr: 2001
Contents
Preface vii
Introduction ix
That Secret Look é
From a Lost Novel 3
Recollections of a Lost Seascape 3
Time and Brother Griphen 10
To Master—A Long Goodnight (excerpts) 16
Potiphar s Wife 60
Early Cut-Up Experiments 69
First Cut-Ups 70
Minutes to Go 73
Cut Me Up * Brion Gysin 75
Permutation Poems 79
I Am That I Am 80
Junk Is No Good Baby 88
Kick That Habit Man 89
No Poets Don t Own Words 89
I Don t Work You Dig 93
This Is Sam Francis 94
Brion Gysin Let the Mice In 95
The Poem of Poems 102
Dreamachine 113
Unpublished Notes on Painting 117
The Pipes of Pan 122
About the Cut-Ups 125
Cut-Ups: A Project for Disastrous Success 125
Cut-Ups Self-Explained 132
Am I the One? 136
Janicot 141
The Process (excerpts) 144
The Naked Lunch Screenplay (excerpts) 190
A Quick Trip to Alamut 218
vi / Contents
Fire: Words by Day—Images by Night 240
Psacré Psilocybin and Magic Mushrooms 257
Not by Me 261
Songs 266
Nowhere Street (score by Steve Lacy) 267
Somebody Special (score by Steve Lacy) 272
Clementeena Soopastar 274
Dreams (score by Steve Lacy) 275
Gay Paree Bop 276
Sham Pain 277
Stop Smoking 278
Hamri s Hands 279
Snapshots from the Family Album (excerpts) 282
An Encomium for Allen Ginsberg 287
CalligrafEti of Fire 289
The Sculpted Line 291
The Last Museum 292
The Door 293
Hotel Bardo 297
Back Jacket Copy 297
The Last Museum (excerpts) 298
Drawings for The Last Museum by Keith Haring 322, 339
Bibliography 349
Discography 351
Permissions 353
|
| any_adam_object | 1 |
| author | Gysin, Brion |
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| author_sort | Gysin, Brion |
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| bvnumber | BV043028064 |
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| contents | Introduction ---- I. The Secret Look ---- II. From a Lost Novel. 1. Recollections of a Lost Seascape --- 2. Time and Grother Griphen ---- III. A Master -- A Long Goodnight (excerpts) ---- IV. Potipharʹs Wife ---- V. Early Cut-Up Experiments. 1. First Cut-Ups --- 2. Minutes to Go --- 3. Cut Me Up -- Brion Gysin ---- VI. Permutation Poems. 1. I Am That I Am --- 2. Junk Is No Good Baby --- 3. Kick That Habit Man --- 4. No Poets Donʹt Own Words --- 5. I Donʹt Work You Dig --- 6. This Is Sam Francis ---- VII. Brion Gysin Let the Mice In ---- VIII. The Poem of Poems ---- IX. Dreamachine ---- X. Unpublished Notes on Painting ---- XI. The Pipes of Pan ---- XII. About the Cut-Ups. 1. Cut-Ups: A Project for Disastrous Success --- 2. Cut-Ups Self-Explained ---- XIII. Am I the One? ---- XIV. Janicot ---- XV. The Process (excerpts) ---- XVI. The Naked Lunch Screenplay (excerpts) ---- XVII. A Quick Trip to Alamut ---- XVIII. Fire: Words by Day -- Images by Night ---- XIX. Psacré Psilocybin and Magic Mushrooms ---- XX. Not by Me ---- XXI. Songs. 1. Nowhere Street (score by Steve Lacy) --- 2. Somebody Special (score by Steve Lacy) --- 3. Clementeena Soopstar --- 4. Dreams (score by Steve Lacy) --- 5. Gay Paree Bop --- 6. Sham Pain --- 7. Stop Smoking ---- XXII. Hamriʹs Hands ---- XXIII. Snapshots from the Family Album (excerpts) ---- XXIV. An Ecomium for Allen Ginsberg ---- XXV. Calligraffiti of Fire ---- XXVI. The Sculpted Line ---- XXVII. The Last Museum. 1. The Door --- 2. Hotel Bardo --- 3. Back Jacket Copy --- 4. The Last Museum (excerpts) --- 5. Drawings for The Last Museum by Keith Haring Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the "cut-up" technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as "getting poetry back off the page and into performance." Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughsʹ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."--Publisher description |
| ctrlnum | (OCoLC)908192962 (DE-599)BVBBV043028064 |
| dewey-full | 818/.5409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 818 - American miscellaneous writings |
| dewey-raw | 818/.5409 |
| dewey-search | 818/.5409 |
| dewey-sort | 3818 45409 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| spelling | Gysin, Brion Verfasser aut Back in no time the Brion Gysin reader edited by Jason Weiss Middletown, Conn. Wesleyan University Press ©2001 1 online resource (xiv, 354 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Print version record Introduction ---- I. The Secret Look ---- II. From a Lost Novel. 1. Recollections of a Lost Seascape --- 2. Time and Grother Griphen ---- III. A Master -- A Long Goodnight (excerpts) ---- IV. Potipharʹs Wife ---- V. Early Cut-Up Experiments. 1. First Cut-Ups --- 2. Minutes to Go --- 3. Cut Me Up -- Brion Gysin ---- VI. Permutation Poems. 1. I Am That I Am --- 2. Junk Is No Good Baby --- 3. Kick That Habit Man --- 4. No Poets Donʹt Own Words --- 5. I Donʹt Work You Dig --- 6. This Is Sam Francis ---- VII. Brion Gysin Let the Mice In ---- VIII. The Poem of Poems ---- IX. Dreamachine ---- X. Unpublished Notes on Painting ---- XI. The Pipes of Pan ---- XII. About the Cut-Ups. 1. Cut-Ups: A Project for Disastrous Success --- 2. Cut-Ups Self-Explained ---- XIII. Am I the One? ---- XIV. Janicot ---- XV. The Process (excerpts) ---- XVI. The Naked Lunch Screenplay (excerpts) ---- XVII. A Quick Trip to Alamut ---- XVIII. Fire: Words by Day -- Images by Night ---- XIX. Psacré Psilocybin and Magic Mushrooms ---- XX. Not by Me ---- XXI. Songs. 1. Nowhere Street (score by Steve Lacy) --- 2. Somebody Special (score by Steve Lacy) --- 3. Clementeena Soopstar --- 4. Dreams (score by Steve Lacy) --- 5. Gay Paree Bop --- 6. Sham Pain --- 7. Stop Smoking ---- XXII. Hamriʹs Hands ---- XXIII. Snapshots from the Family Album (excerpts) ---- XXIV. An Ecomium for Allen Ginsberg ---- XXV. Calligraffiti of Fire ---- XXVI. The Sculpted Line ---- XXVII. The Last Museum. 1. The Door --- 2. Hotel Bardo --- 3. Back Jacket Copy --- 4. The Last Museum (excerpts) --- 5. Drawings for The Last Museum by Keith Haring Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the "cut-up" technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as "getting poetry back off the page and into performance." Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughsʹ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."--Publisher description Gysin, Brion fast Gysin, Brion Gysin, Brion Criticism and interpretation LITERARY CRITICISM / American / General bisacsh Weiss, Jason 1955- Sonstige oth Erscheint auch als Druck-Ausgabe Gysin, Brion Back in no time http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=980135 Aggregator Volltext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028452718&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gysin, Brion Back in no time the Brion Gysin reader Introduction ---- I. The Secret Look ---- II. From a Lost Novel. 1. Recollections of a Lost Seascape --- 2. Time and Grother Griphen ---- III. A Master -- A Long Goodnight (excerpts) ---- IV. Potipharʹs Wife ---- V. Early Cut-Up Experiments. 1. First Cut-Ups --- 2. Minutes to Go --- 3. Cut Me Up -- Brion Gysin ---- VI. Permutation Poems. 1. I Am That I Am --- 2. Junk Is No Good Baby --- 3. Kick That Habit Man --- 4. No Poets Donʹt Own Words --- 5. I Donʹt Work You Dig --- 6. This Is Sam Francis ---- VII. Brion Gysin Let the Mice In ---- VIII. The Poem of Poems ---- IX. Dreamachine ---- X. Unpublished Notes on Painting ---- XI. The Pipes of Pan ---- XII. About the Cut-Ups. 1. Cut-Ups: A Project for Disastrous Success --- 2. Cut-Ups Self-Explained ---- XIII. Am I the One? ---- XIV. Janicot ---- XV. The Process (excerpts) ---- XVI. The Naked Lunch Screenplay (excerpts) ---- XVII. A Quick Trip to Alamut ---- XVIII. Fire: Words by Day -- Images by Night ---- XIX. Psacré Psilocybin and Magic Mushrooms ---- XX. Not by Me ---- XXI. Songs. 1. Nowhere Street (score by Steve Lacy) --- 2. Somebody Special (score by Steve Lacy) --- 3. Clementeena Soopstar --- 4. Dreams (score by Steve Lacy) --- 5. Gay Paree Bop --- 6. Sham Pain --- 7. Stop Smoking ---- XXII. Hamriʹs Hands ---- XXIII. Snapshots from the Family Album (excerpts) ---- XXIV. An Ecomium for Allen Ginsberg ---- XXV. Calligraffiti of Fire ---- XXVI. The Sculpted Line ---- XXVII. The Last Museum. 1. The Door --- 2. Hotel Bardo --- 3. Back Jacket Copy --- 4. The Last Museum (excerpts) --- 5. Drawings for The Last Museum by Keith Haring Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the "cut-up" technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as "getting poetry back off the page and into performance." Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughsʹ novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."--Publisher description Gysin, Brion fast Gysin, Brion Gysin, Brion Criticism and interpretation LITERARY CRITICISM / American / General bisacsh |
| title | Back in no time the Brion Gysin reader |
| title_auth | Back in no time the Brion Gysin reader |
| title_exact_search | Back in no time the Brion Gysin reader |
| title_full | Back in no time the Brion Gysin reader edited by Jason Weiss |
| title_fullStr | Back in no time the Brion Gysin reader edited by Jason Weiss |
| title_full_unstemmed | Back in no time the Brion Gysin reader edited by Jason Weiss |
| title_short | Back in no time |
| title_sort | back in no time the brion gysin reader |
| title_sub | the Brion Gysin reader |
| topic | Gysin, Brion fast Gysin, Brion Gysin, Brion Criticism and interpretation LITERARY CRITICISM / American / General bisacsh |
| topic_facet | Gysin, Brion Gysin, Brion Criticism and interpretation LITERARY CRITICISM / American / General |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=980135 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028452718&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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