Occult aesthetics: synchronization in sound film
This book offers the first sustained theorization of synchronization in sound film. The author addresses the manner in which the lock of audio and the visual exerts a synergetic effect, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its ex...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2014]
|
| Schriftenreihe: | Oxford music/media series
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 UBT01 BSB01 Volltext |
| Zusammenfassung: | This book offers the first sustained theorization of synchronization in sound film. The author addresses the manner in which the lock of audio and the visual exerts a synergetic effect, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its existence. Drawing upon theories of sound from Sergei Eisenstein to Pierre Schaeffer to Michel Chion, the book approaches and investigates points of synchronization as something like repose, providing moments of comfort in a potentially threatening environment that can be fraught with sound and image stimuli. Correspondingly, lack of synchrony between sound and images is characterized as potentially disturbing for the audience, signaling moments of danger. From this perspective, the interplay between the two becomes the central dynamic of audio-visual culture more generally which provides a starting point for a new understanding of audio/visual interactions. This fresh approach to the topic will be discussed in theoretical and historical terms as well as elaborated through analysis of and reference to a broad selection of films and their soundtracks |
| Beschreibung: | 1 Online-Ressource (XII, 260 Seiten) Illustrationen |
| ISBN: | 9780199358816 9780199773602 |
| DOI: | 10.1093/acprof:oso/9780199773497.001.0001 |
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| 505 | 8 | |a Introduction : the lock of synchronization -- Synchronization : McGurk and beyond -- Sound montage -- Occult aesthetics -- Isomorphic cadences : film as "musical" -- "Visual" sound design : the sonic continuum -- "Pre" and "post" sound -- Wildtrack asynchrony -- Conclusion : final speculations | |
| 505 | 8 | |a This book offers the first sustained theorization of synchronization in sound film. The author addresses the manner in which the lock of audio and the visual exerts a synergetic effect, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its existence. Drawing upon theories of sound from Sergei Eisenstein to Pierre Schaeffer to Michel Chion, the book approaches and investigates points of synchronization as something like repose, providing moments of comfort in a potentially threatening environment that can be fraught with sound and image stimuli. Correspondingly, lack of synchrony between sound and images is characterized as potentially disturbing for the audience, signaling moments of danger. From this perspective, the interplay between the two becomes the central dynamic of audio-visual culture more generally which provides a starting point for a new understanding of audio/visual interactions. This fresh approach to the topic will be discussed in theoretical and historical terms as well as elaborated through analysis of and reference to a broad selection of films and their soundtracks. | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Donnelly, Kevin J. 1963- |
| author_GND | (DE-588)141994479 |
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| author_sort | Donnelly, Kevin J. 1963- |
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| callnumber-raw | ML2075 |
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| contents | Introduction : the lock of synchronization -- Synchronization : McGurk and beyond -- Sound montage -- Occult aesthetics -- Isomorphic cadences : film as "musical" -- "Visual" sound design : the sonic continuum -- "Pre" and "post" sound -- Wildtrack asynchrony -- Conclusion : final speculations This book offers the first sustained theorization of synchronization in sound film. The author addresses the manner in which the lock of audio and the visual exerts a synergetic effect, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its existence. Drawing upon theories of sound from Sergei Eisenstein to Pierre Schaeffer to Michel Chion, the book approaches and investigates points of synchronization as something like repose, providing moments of comfort in a potentially threatening environment that can be fraught with sound and image stimuli. Correspondingly, lack of synchrony between sound and images is characterized as potentially disturbing for the audience, signaling moments of danger. From this perspective, the interplay between the two becomes the central dynamic of audio-visual culture more generally which provides a starting point for a new understanding of audio/visual interactions. This fresh approach to the topic will be discussed in theoretical and historical terms as well as elaborated through analysis of and reference to a broad selection of films and their soundtracks. |
| ctrlnum | (OCoLC)863157419 (DE-599)BVBBV043027577 |
| dewey-full | 781.5/42117 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42117 |
| dewey-search | 781.5/42117 |
| dewey-sort | 3781.5 542117 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1093/acprof:oso/9780199773497.001.0001 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:15:23Z |
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| isbn | 9780199358816 9780199773602 |
| language | English |
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| series2 | Oxford music/media series |
| spelling | Donnelly, Kevin J. 1963- Verfasser (DE-588)141994479 aut Occult aesthetics synchronization in sound film K. J. Donnelly New York Oxford University Press [2014] 1 Online-Ressource (XII, 260 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Oxford music/media series Introduction : the lock of synchronization -- Synchronization : McGurk and beyond -- Sound montage -- Occult aesthetics -- Isomorphic cadences : film as "musical" -- "Visual" sound design : the sonic continuum -- "Pre" and "post" sound -- Wildtrack asynchrony -- Conclusion : final speculations This book offers the first sustained theorization of synchronization in sound film. The author addresses the manner in which the lock of audio and the visual exerts a synergetic effect, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its existence. Drawing upon theories of sound from Sergei Eisenstein to Pierre Schaeffer to Michel Chion, the book approaches and investigates points of synchronization as something like repose, providing moments of comfort in a potentially threatening environment that can be fraught with sound and image stimuli. Correspondingly, lack of synchrony between sound and images is characterized as potentially disturbing for the audience, signaling moments of danger. From this perspective, the interplay between the two becomes the central dynamic of audio-visual culture more generally which provides a starting point for a new understanding of audio/visual interactions. This fresh approach to the topic will be discussed in theoretical and historical terms as well as elaborated through analysis of and reference to a broad selection of films and their soundtracks. This book offers the first sustained theorization of synchronization in sound film. The author addresses the manner in which the lock of audio and the visual exerts a synergetic effect, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its existence. Drawing upon theories of sound from Sergei Eisenstein to Pierre Schaeffer to Michel Chion, the book approaches and investigates points of synchronization as something like repose, providing moments of comfort in a potentially threatening environment that can be fraught with sound and image stimuli. Correspondingly, lack of synchrony between sound and images is characterized as potentially disturbing for the audience, signaling moments of danger. From this perspective, the interplay between the two becomes the central dynamic of audio-visual culture more generally which provides a starting point for a new understanding of audio/visual interactions. This fresh approach to the topic will be discussed in theoretical and historical terms as well as elaborated through analysis of and reference to a broad selection of films and their soundtracks Motion picture music History and criticism Music and occultism Sound in motion pictures Filmmusik (DE-588)4017129-2 gnd rswk-swf Synchronisierung (DE-588)4130847-5 gnd rswk-swf Filmmusik (DE-588)4017129-2 s Synchronisierung (DE-588)4130847-5 s DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 978-0-19-977349-7 Erscheint auch als Druck-Ausgabe, Broschur 978-0-19-977350-3 https://doi.org/10.1093/acprof:oso/9780199773497.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Donnelly, Kevin J. 1963- Occult aesthetics synchronization in sound film Introduction : the lock of synchronization -- Synchronization : McGurk and beyond -- Sound montage -- Occult aesthetics -- Isomorphic cadences : film as "musical" -- "Visual" sound design : the sonic continuum -- "Pre" and "post" sound -- Wildtrack asynchrony -- Conclusion : final speculations This book offers the first sustained theorization of synchronization in sound film. The author addresses the manner in which the lock of audio and the visual exerts a synergetic effect, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its existence. Drawing upon theories of sound from Sergei Eisenstein to Pierre Schaeffer to Michel Chion, the book approaches and investigates points of synchronization as something like repose, providing moments of comfort in a potentially threatening environment that can be fraught with sound and image stimuli. Correspondingly, lack of synchrony between sound and images is characterized as potentially disturbing for the audience, signaling moments of danger. From this perspective, the interplay between the two becomes the central dynamic of audio-visual culture more generally which provides a starting point for a new understanding of audio/visual interactions. This fresh approach to the topic will be discussed in theoretical and historical terms as well as elaborated through analysis of and reference to a broad selection of films and their soundtracks. Motion picture music History and criticism Music and occultism Sound in motion pictures Filmmusik (DE-588)4017129-2 gnd Synchronisierung (DE-588)4130847-5 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4130847-5 |
| title | Occult aesthetics synchronization in sound film |
| title_auth | Occult aesthetics synchronization in sound film |
| title_exact_search | Occult aesthetics synchronization in sound film |
| title_full | Occult aesthetics synchronization in sound film K. J. Donnelly |
| title_fullStr | Occult aesthetics synchronization in sound film K. J. Donnelly |
| title_full_unstemmed | Occult aesthetics synchronization in sound film K. J. Donnelly |
| title_short | Occult aesthetics |
| title_sort | occult aesthetics synchronization in sound film |
| title_sub | synchronization in sound film |
| topic | Motion picture music History and criticism Music and occultism Sound in motion pictures Filmmusik (DE-588)4017129-2 gnd Synchronisierung (DE-588)4130847-5 gnd |
| topic_facet | Motion picture music History and criticism Music and occultism Sound in motion pictures Filmmusik Synchronisierung |
| url | https://doi.org/10.1093/acprof:oso/9780199773497.001.0001 |
| work_keys_str_mv | AT donnellykevinj occultaestheticssynchronizationinsoundfilm |