Scandals and abstraction: financial fiction of the long 1980s
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2015]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Description based on online resource ; title from PDF title page (EBSCO; viewed on January 9, 2015) |
| Beschreibung: | 1 online resource |
| ISBN: | 019937287X 0199372888 9780199372874 9780199372881 |
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| 500 | |a Description based on online resource ; title from PDF title page (EBSCO; viewed on January 9, 2015) | ||
| 505 | 8 | |a Machine generated contents note: -- Table of Contents: -- Scandals and Abstraction: Financial Fictions of the Long 1980s -- Introduction -- Chapter 1. Personal Banking and Depersonalization in Don -- DeLillo's White Noise -- Chapter 2. Capitalist Realism: The 1987 Stock Market Crash -- and the New Proprietary of Tom Wolfe and Oliver Stone -- Chapter 3. "The Men Who Make The Killings": American -- Psycho and the Genre of the Financial Autobiography -- Chapter 4. Realism and Unreal Estate: The Savings and Loan -- Scandals and the Epistemologies of American Finance -- Coda | |
| 505 | 8 | |a "The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh Claire La Berge offers an in-depth study of these fictions alongside the key moments of financial history that inform them, contending that throughout the 1980s, novelists, journalists, and filmmakers began to reimagine the capitalist economy as one that was newly personal, masculine, and anxiety producing. The study's first half links the linguistic to the technological by exploring the arrival of ATMs and their ubiquity in postmodern American literature. In transformative readings of novels such as White Noise and American Psycho, La Berge traces how the ATM serves as a symbol of anxious isolation and the erosion of interpersonal communication. A subsequent chapter on Ellis' novel and Jane Smiley's Good Faith explores how male protagonists in each develop unique associations between money and masculinity. The second half of the monograph features chapters that attend to works-most notably Oliver Stone's Wall Street and Wolfe's The Bonfire of the Vanities-that capture aspects of the arrogance and recklessness that led to the savings-and-loan crisis and the 1987 stock market crash. Concluding with a coda on the recent Occupy Wall Street Movement and four short stories written in its wake, Scandals and Abstraction demonstrates how economic forces continue to remain a powerful presence in today's fiction"-- | |
| 505 | 8 | |a "Scandals and Abstraction offers an in-depth study of epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities, alongside the key moments of financial history that inform them"-- | |
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| contents | Machine generated contents note: -- Table of Contents: -- Scandals and Abstraction: Financial Fictions of the Long 1980s -- Introduction -- Chapter 1. Personal Banking and Depersonalization in Don -- DeLillo's White Noise -- Chapter 2. Capitalist Realism: The 1987 Stock Market Crash -- and the New Proprietary of Tom Wolfe and Oliver Stone -- Chapter 3. "The Men Who Make The Killings": American -- Psycho and the Genre of the Financial Autobiography -- Chapter 4. Realism and Unreal Estate: The Savings and Loan -- Scandals and the Epistemologies of American Finance -- Coda "The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh Claire La Berge offers an in-depth study of these fictions alongside the key moments of financial history that inform them, contending that throughout the 1980s, novelists, journalists, and filmmakers began to reimagine the capitalist economy as one that was newly personal, masculine, and anxiety producing. The study's first half links the linguistic to the technological by exploring the arrival of ATMs and their ubiquity in postmodern American literature. In transformative readings of novels such as White Noise and American Psycho, La Berge traces how the ATM serves as a symbol of anxious isolation and the erosion of interpersonal communication. A subsequent chapter on Ellis' novel and Jane Smiley's Good Faith explores how male protagonists in each develop unique associations between money and masculinity. The second half of the monograph features chapters that attend to works-most notably Oliver Stone's Wall Street and Wolfe's The Bonfire of the Vanities-that capture aspects of the arrogance and recklessness that led to the savings-and-loan crisis and the 1987 stock market crash. Concluding with a coda on the recent Occupy Wall Street Movement and four short stories written in its wake, Scandals and Abstraction demonstrates how economic forces continue to remain a powerful presence in today's fiction"-- "Scandals and Abstraction offers an in-depth study of epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities, alongside the key moments of financial history that inform them"-- |
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| dewey-ones | 813 - American fiction in English |
| dewey-raw | 813.009/3553 |
| dewey-search | 813.009/3553 |
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| spelling | La Berge, Leigh Claire Verfasser aut Scandals and abstraction financial fiction of the long 1980s Leigh Claire La Berge New York Oxford University Press [2015] © 2015 1 online resource txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Description based on online resource ; title from PDF title page (EBSCO; viewed on January 9, 2015) Machine generated contents note: -- Table of Contents: -- Scandals and Abstraction: Financial Fictions of the Long 1980s -- Introduction -- Chapter 1. Personal Banking and Depersonalization in Don -- DeLillo's White Noise -- Chapter 2. Capitalist Realism: The 1987 Stock Market Crash -- and the New Proprietary of Tom Wolfe and Oliver Stone -- Chapter 3. "The Men Who Make The Killings": American -- Psycho and the Genre of the Financial Autobiography -- Chapter 4. Realism and Unreal Estate: The Savings and Loan -- Scandals and the Epistemologies of American Finance -- Coda "The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh Claire La Berge offers an in-depth study of these fictions alongside the key moments of financial history that inform them, contending that throughout the 1980s, novelists, journalists, and filmmakers began to reimagine the capitalist economy as one that was newly personal, masculine, and anxiety producing. The study's first half links the linguistic to the technological by exploring the arrival of ATMs and their ubiquity in postmodern American literature. In transformative readings of novels such as White Noise and American Psycho, La Berge traces how the ATM serves as a symbol of anxious isolation and the erosion of interpersonal communication. A subsequent chapter on Ellis' novel and Jane Smiley's Good Faith explores how male protagonists in each develop unique associations between money and masculinity. The second half of the monograph features chapters that attend to works-most notably Oliver Stone's Wall Street and Wolfe's The Bonfire of the Vanities-that capture aspects of the arrogance and recklessness that led to the savings-and-loan crisis and the 1987 stock market crash. Concluding with a coda on the recent Occupy Wall Street Movement and four short stories written in its wake, Scandals and Abstraction demonstrates how economic forces continue to remain a powerful presence in today's fiction"-- "Scandals and Abstraction offers an in-depth study of epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities, alongside the key moments of financial history that inform them"-- 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1980-2000 gnd rswk-swf LITERARY CRITICISM / American / General bisacsh American fiction fast Capitalism and literature fast Finance in literature fast Financial crises in literature fast Money in literature fast American fiction 20th century History and criticism Money in literature Finance in literature Capitalism and literature Financial crises in literature Kapitalismus Motiv (DE-588)4221315-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Geld Motiv (DE-588)4156416-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Geld Motiv (DE-588)4156416-9 s Kapitalismus Motiv (DE-588)4221315-0 s Geschichte 1980-2000 z 1\p DE-604 Erscheint auch als Druck-Ausgabe La Berge, Leigh Claire Scandals and abstraction http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=883273 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | La Berge, Leigh Claire Scandals and abstraction financial fiction of the long 1980s Machine generated contents note: -- Table of Contents: -- Scandals and Abstraction: Financial Fictions of the Long 1980s -- Introduction -- Chapter 1. Personal Banking and Depersonalization in Don -- DeLillo's White Noise -- Chapter 2. Capitalist Realism: The 1987 Stock Market Crash -- and the New Proprietary of Tom Wolfe and Oliver Stone -- Chapter 3. "The Men Who Make The Killings": American -- Psycho and the Genre of the Financial Autobiography -- Chapter 4. Realism and Unreal Estate: The Savings and Loan -- Scandals and the Epistemologies of American Finance -- Coda "The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh Claire La Berge offers an in-depth study of these fictions alongside the key moments of financial history that inform them, contending that throughout the 1980s, novelists, journalists, and filmmakers began to reimagine the capitalist economy as one that was newly personal, masculine, and anxiety producing. The study's first half links the linguistic to the technological by exploring the arrival of ATMs and their ubiquity in postmodern American literature. In transformative readings of novels such as White Noise and American Psycho, La Berge traces how the ATM serves as a symbol of anxious isolation and the erosion of interpersonal communication. A subsequent chapter on Ellis' novel and Jane Smiley's Good Faith explores how male protagonists in each develop unique associations between money and masculinity. The second half of the monograph features chapters that attend to works-most notably Oliver Stone's Wall Street and Wolfe's The Bonfire of the Vanities-that capture aspects of the arrogance and recklessness that led to the savings-and-loan crisis and the 1987 stock market crash. Concluding with a coda on the recent Occupy Wall Street Movement and four short stories written in its wake, Scandals and Abstraction demonstrates how economic forces continue to remain a powerful presence in today's fiction"-- "Scandals and Abstraction offers an in-depth study of epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities, alongside the key moments of financial history that inform them"-- LITERARY CRITICISM / American / General bisacsh American fiction fast Capitalism and literature fast Finance in literature fast Financial crises in literature fast Money in literature fast American fiction 20th century History and criticism Money in literature Finance in literature Capitalism and literature Financial crises in literature Kapitalismus Motiv (DE-588)4221315-0 gnd Literatur (DE-588)4035964-5 gnd Geld Motiv (DE-588)4156416-9 gnd |
| subject_GND | (DE-588)4221315-0 (DE-588)4035964-5 (DE-588)4156416-9 (DE-588)4078704-7 |
| title | Scandals and abstraction financial fiction of the long 1980s |
| title_auth | Scandals and abstraction financial fiction of the long 1980s |
| title_exact_search | Scandals and abstraction financial fiction of the long 1980s |
| title_full | Scandals and abstraction financial fiction of the long 1980s Leigh Claire La Berge |
| title_fullStr | Scandals and abstraction financial fiction of the long 1980s Leigh Claire La Berge |
| title_full_unstemmed | Scandals and abstraction financial fiction of the long 1980s Leigh Claire La Berge |
| title_short | Scandals and abstraction |
| title_sort | scandals and abstraction financial fiction of the long 1980s |
| title_sub | financial fiction of the long 1980s |
| topic | LITERARY CRITICISM / American / General bisacsh American fiction fast Capitalism and literature fast Finance in literature fast Financial crises in literature fast Money in literature fast American fiction 20th century History and criticism Money in literature Finance in literature Capitalism and literature Financial crises in literature Kapitalismus Motiv (DE-588)4221315-0 gnd Literatur (DE-588)4035964-5 gnd Geld Motiv (DE-588)4156416-9 gnd |
| topic_facet | LITERARY CRITICISM / American / General American fiction Capitalism and literature Finance in literature Financial crises in literature Money in literature American fiction 20th century History and criticism Kapitalismus Motiv Literatur Geld Motiv USA |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=883273 |
| work_keys_str_mv | AT labergeleighclaire scandalsandabstractionfinancialfictionofthelong1980s |