Race, philosophy, and film:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2014
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge studies in contemporary philosophy
50 |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | x, 235 Seiten Illustrationen |
| ISBN: | 9780415624459 9781138921900 |
Internformat
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Datensatz im Suchindex
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| adam_text |
Race, Philosophy, and Film
This collection of original essays investigates one of the least-explored top-
ics in the philosophy of film and the philosophy of race: the nexus of our
ideas and attitudes toward race and how they arise in cinematic narrative
and viewer ship. Employing a wide range of Continental and analytic per-
spectives, this collection addresses how different philosophical subfields
would look if racial considerations were moved from the periphery to posi-
tions of centrality. As the first anthology to focus on this provocative in-
tersection of topics, its chapters explore issues in epistemology, aesthetics,
moral philosophy, social and political philosophy, and technology and the
body. The essays assume no prior knowledge of philosophy of race and
aim to illuminate not only the philosophical perspectives employed but also
the cinematic examples analyzed. This anthology offers a timely collection
of essays providing broad considerations of race (including ethnicity and
whiteness); their connections to sex, gender, and the body; and their fre-
quent manifestations in ideology through a variety of film genres. Works
discussed include Avatar, The Help, Manderlay, The Matrix, The Prin-
cess and the Frog, Trading Places, Twilight, and the television series True
Blood. Contributors include Charles Mills, George Yancy, Michael Levine,
Monique Roelofs, and Naomi Zack.
Mary K. Bloodsworth-Lugo is professor of critical culture, gender, and race
studies at Washington State University, USA.
Dan Florv is associate professor of philosophy at Montana State University.
USA.
Contents
List of Ligures xi
Л cknou 'lodgments x і і і
Introduction: Philosophical Approaches to Race in Film l
DAN FLORA AND M ARY K. B1 OODSWORTFM L GO
PART і
Epistemology
1 Imaginative Resistance and the White Gaze in Machete
and The Help 17
DAN FI ORY
2 “Born into Bondage": Teaching The Matrix and
Unlearning the Racial Organization of Knowledge 35
MICHAEL ENG
3 What s So Bad About Blackface? 51
CHRISTY MAG UDHIR
PART II
Aesthetics
4 “So Now YouTe Swedish-American?" Jew ish-American
Women and Philosophies of Beauty in Requiem fora Dream 71
RENEE R. CL'RRY AND WILLIAM BRIGHAM
5 Cruising through Race 84
MONIQL’E ROELOFS
x Contents
PART III
Moral Philosophy
6 True Blood and Race: From Progress to Complacency
to Paganism, to Humanity
NAOMI ZACK
103
7 Avatar. Racism and Prejudice on Pandora
117
DAMIAN COX AND MICHAEL P. LEVINE
8 “Now, Imagine She’s White”: The Gift of the Black Gaze and
the Réinscription of Whiteness as Normative in A Time to Kill 134
GEORGE YANCY
PART IV
Social and Political Philosophy
9 Race as/and (Ex)change: Trading Places and the Rise
of Neoliheralism 151
CHARI ES w. MILLS
10 Hardly Black and White: Racial and Sexual Stereotypes in
Munderlay and Black Snake Moan 166
MELANIE V. WALTON
11 Elisions of Race and Stories of Progress: Planet 51 and
The Princess and the Frog 181
MARY K, BLOODS WO RTH-LCGO AND CARMEN R. LUGO-LUGO
PART V
Technology and the (Lived) Body
12 Vampires, Technology, and Racism: The Vampiric Image in
Twilight and Let Ale In 1
BRI AN H, ON1SHI
13 Desperate Black Female: Sex and Race in Monster's Ball 211
i ICY BOLTON
Contributors 227
Index
231 |
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| discipline | Allgemeines |
| edition | First issued in paperback |
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