Franz Lehár oder das schlechte Gewissen der leichten Musik:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
Berlin/Boston
De Gruyter
[1995]
|
| Schriftenreihe: | Theatron
12 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (ACM, viewed April 03 2015) |
| Beschreibung: | 1 online resource (xiii,224pages) illustrations |
| ISBN: | 9783110935141 9783484660120 9783111825526 |
| DOI: | 10.1515/9783110935141 |
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| 505 | 8 | |a Franz Lehár (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of modernism his music is of significance as a negative contrast to the products of the avant-garde, a significance largely bound up with the implications of operetta on the plane of cultural sociology within the general aesthetic context of the 20th century. Thus the question posed by operetta has little to do with aesthetic evaluation and a great deal to do with historical content. If, as Adorno suggests, "art for entertainment purposes is in social terms the guilty conscience of its serious counterpart", then Lehár's operettas, hitherto neglected by musicologists as not warranting serious attention, would in fact demand to be taken seriously as the aesthetic guilty conscience of light music | |
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Datensatz im Suchindex
| _version_ | 1804175366175064064 |
|---|---|
| any_adam_object | |
| author | Frey, Stefan 1962- |
| author_GND | (DE-588)143241818 |
| author_facet | Frey, Stefan 1962- |
| author_role | aut |
| author_sort | Frey, Stefan 1962- |
| author_variant | s f sf |
| building | Verbundindex |
| bvnumber | BV043016810 |
| collection | ZDB-23-DGG ZDB-23-GBA ZDB-23-GLC ZDB-23-GCN_1990/1999 |
| contents | Franz Lehár (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of modernism his music is of significance as a negative contrast to the products of the avant-garde, a significance largely bound up with the implications of operetta on the plane of cultural sociology within the general aesthetic context of the 20th century. Thus the question posed by operetta has little to do with aesthetic evaluation and a great deal to do with historical content. If, as Adorno suggests, "art for entertainment purposes is in social terms the guilty conscience of its serious counterpart", then Lehár's operettas, hitherto neglected by musicologists as not warranting serious attention, would in fact demand to be taken seriously as the aesthetic guilty conscience of light music |
| ctrlnum | (OCoLC)853236798 (DE-599)BVBBV043016810 |
| dewey-full | 782.1/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/092 |
| dewey-search | 782.1/092 |
| dewey-sort | 3782.1 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1515/9783110935141 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:15:08Z |
| institution | BVB |
| isbn | 9783110935141 9783484660120 9783111825526 |
| language | German |
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| publishDate | 1995 |
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| spelling | Frey, Stefan 1962- (DE-588)143241818 aut Franz Lehár oder das schlechte Gewissen der leichten Musik Stefan Frey Berlin/Boston De Gruyter [1995] © 1995 1 online resource (xiii,224pages) illustrations txt rdacontent c rdamedia cr rdacarrier Theatron 12 Description based on online resource; title from PDF title page (ACM, viewed April 03 2015) Franz Lehár (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of modernism his music is of significance as a negative contrast to the products of the avant-garde, a significance largely bound up with the implications of operetta on the plane of cultural sociology within the general aesthetic context of the 20th century. Thus the question posed by operetta has little to do with aesthetic evaluation and a great deal to do with historical content. If, as Adorno suggests, "art for entertainment purposes is in social terms the guilty conscience of its serious counterpart", then Lehár's operettas, hitherto neglected by musicologists as not warranting serious attention, would in fact demand to be taken seriously as the aesthetic guilty conscience of light music In German Lehár, Franz 1870-1948 (DE-588)118571036 gnd rswk-swf Musik Operette Operettes MUSIC Instruction & Study Voice MUSIC Lyrics MUSIC Printed Music Vocal Operette (DE-588)4043602-0 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Lehár, Franz 1870-1948 (DE-588)118571036 p Operette (DE-588)4043602-0 s 2\p DE-604 https://doi.org/10.1515/9783110935141 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Frey, Stefan 1962- Franz Lehár oder das schlechte Gewissen der leichten Musik Franz Lehár (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of modernism his music is of significance as a negative contrast to the products of the avant-garde, a significance largely bound up with the implications of operetta on the plane of cultural sociology within the general aesthetic context of the 20th century. Thus the question posed by operetta has little to do with aesthetic evaluation and a great deal to do with historical content. If, as Adorno suggests, "art for entertainment purposes is in social terms the guilty conscience of its serious counterpart", then Lehár's operettas, hitherto neglected by musicologists as not warranting serious attention, would in fact demand to be taken seriously as the aesthetic guilty conscience of light music Lehár, Franz 1870-1948 (DE-588)118571036 gnd Musik Operette Operettes MUSIC Instruction & Study Voice MUSIC Lyrics MUSIC Printed Music Vocal Operette (DE-588)4043602-0 gnd |
| subject_GND | (DE-588)118571036 (DE-588)4043602-0 (DE-588)4113937-9 |
| title | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_auth | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_exact_search | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_full | Franz Lehár oder das schlechte Gewissen der leichten Musik Stefan Frey |
| title_fullStr | Franz Lehár oder das schlechte Gewissen der leichten Musik Stefan Frey |
| title_full_unstemmed | Franz Lehár oder das schlechte Gewissen der leichten Musik Stefan Frey |
| title_short | Franz Lehár oder das schlechte Gewissen der leichten Musik |
| title_sort | franz lehar oder das schlechte gewissen der leichten musik |
| topic | Lehár, Franz 1870-1948 (DE-588)118571036 gnd Musik Operette Operettes MUSIC Instruction & Study Voice MUSIC Lyrics MUSIC Printed Music Vocal Operette (DE-588)4043602-0 gnd |
| topic_facet | Lehár, Franz 1870-1948 Musik Operette Operettes MUSIC Instruction & Study Voice MUSIC Lyrics MUSIC Printed Music Vocal Hochschulschrift |
| url | https://doi.org/10.1515/9783110935141 |
| work_keys_str_mv | AT freystefan franzleharoderdasschlechtegewissenderleichtenmusik |