Voices of Negritude in Modernist Print: Aesthetic Subjectivity, Diaspora, and the Lyric Regime
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2015]
|
| Schriftenreihe: | Modernist Latitudes
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) |
| Beschreibung: | 1 online resource (344 pages) illustrations |
| ISBN: | 9780231538640 |
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| 505 | 8 | |a Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized--performed, reiterated, and created anew--by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal--and not merely thematic--elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Noland, Carrie |
| author_facet | Noland, Carrie |
| author_role | aut |
| author_sort | Noland, Carrie |
| author_variant | c n cn |
| building | Verbundindex |
| bvnumber | BV043016266 |
| collection | ZDB-23-DGG |
| contents | Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized--performed, reiterated, and created anew--by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal--and not merely thematic--elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person |
| ctrlnum | (OCoLC)1165492138 (DE-599)BVBBV043016266 |
| dewey-full | 840.9896 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 840 - Literatures of Romance languages |
| dewey-raw | 840.9896 |
| dewey-search | 840.9896 |
| dewey-sort | 3840.9896 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik |
| format | Electronic eBook |
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| id | DE-604.BV043016266 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:07Z |
| institution | BVB |
| isbn | 9780231538640 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028441142 |
| oclc_num | 1165492138 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 online resource (344 pages) illustrations |
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| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Columbia University Press |
| record_format | marc |
| series2 | Modernist Latitudes |
| spelling | Noland, Carrie aut Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland New York, NY Columbia University Press [2015] © 2015 1 online resource (344 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Modernist Latitudes Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized--performed, reiterated, and created anew--by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal--and not merely thematic--elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person In English Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd rswk-swf Césaire, Aimé 1913-2008 (DE-588)118519948 gnd rswk-swf African diaspora in literature Französische Literatur Negritude (Literary movement) LITERARY COLLECTIONS / Caribbean & Latin American bisacsh LITERARY CRITICISM / European / French bisacsh French poetry Black authors History and criticism French poetry Foreign countries History and criticism Literatur (DE-588)4035964-5 gnd rswk-swf Négritude (DE-588)4171411-8 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Französisch (DE-588)4113615-9 s Literatur (DE-588)4035964-5 s Postkolonialismus (DE-588)4566658-1 s Négritude (DE-588)4171411-8 s 1\p DE-604 Césaire, Aimé 1913-2008 (DE-588)118519948 p Damas, Léon-Gontran 1912-1978 (DE-588)118670948 p 2\p DE-604 http://www.degruyter.com/doi/book/10.7312/nola16704 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Noland, Carrie Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized--performed, reiterated, and created anew--by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal--and not merely thematic--elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd Césaire, Aimé 1913-2008 (DE-588)118519948 gnd African diaspora in literature Französische Literatur Negritude (Literary movement) LITERARY COLLECTIONS / Caribbean & Latin American bisacsh LITERARY CRITICISM / European / French bisacsh French poetry Black authors History and criticism French poetry Foreign countries History and criticism Literatur (DE-588)4035964-5 gnd Négritude (DE-588)4171411-8 gnd Französisch (DE-588)4113615-9 gnd Postkolonialismus (DE-588)4566658-1 gnd |
| subject_GND | (DE-588)118670948 (DE-588)118519948 (DE-588)4035964-5 (DE-588)4171411-8 (DE-588)4113615-9 (DE-588)4566658-1 |
| title | Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime |
| title_auth | Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime |
| title_exact_search | Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime |
| title_full | Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland |
| title_fullStr | Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland |
| title_full_unstemmed | Voices of Negritude in Modernist Print Aesthetic Subjectivity, Diaspora, and the Lyric Regime Carrie Noland |
| title_short | Voices of Negritude in Modernist Print |
| title_sort | voices of negritude in modernist print aesthetic subjectivity diaspora and the lyric regime |
| title_sub | Aesthetic Subjectivity, Diaspora, and the Lyric Regime |
| topic | Damas, Léon-Gontran 1912-1978 (DE-588)118670948 gnd Césaire, Aimé 1913-2008 (DE-588)118519948 gnd African diaspora in literature Französische Literatur Negritude (Literary movement) LITERARY COLLECTIONS / Caribbean & Latin American bisacsh LITERARY CRITICISM / European / French bisacsh French poetry Black authors History and criticism French poetry Foreign countries History and criticism Literatur (DE-588)4035964-5 gnd Négritude (DE-588)4171411-8 gnd Französisch (DE-588)4113615-9 gnd Postkolonialismus (DE-588)4566658-1 gnd |
| topic_facet | Damas, Léon-Gontran 1912-1978 Césaire, Aimé 1913-2008 African diaspora in literature Französische Literatur Negritude (Literary movement) LITERARY COLLECTIONS / Caribbean & Latin American LITERARY CRITICISM / European / French French poetry Black authors History and criticism French poetry Foreign countries History and criticism Literatur Négritude Französisch Postkolonialismus |
| url | http://www.degruyter.com/doi/book/10.7312/nola16704 |
| work_keys_str_mv | AT nolandcarrie voicesofnegritudeinmodernistprintaestheticsubjectivitydiasporaandthelyricregime |