Guilty Knowledge, Guilty Pleasure: The Dirty Art of Poetry
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2014]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) |
| Beschreibung: | 1 online resource (344 pages) illustrations |
| ISBN: | 9780231537230 |
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| 505 | 8 | |a William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were--they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books.Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Glück and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved | |
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Datensatz im Suchindex
| _version_ | 1804175364890558464 |
|---|---|
| any_adam_object | |
| author | Logan, William |
| author_facet | Logan, William |
| author_role | aut |
| author_sort | Logan, William |
| author_variant | w l wl |
| building | Verbundindex |
| bvnumber | BV043016190 |
| collection | ZDB-23-DGG |
| contents | William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were--they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books.Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Glück and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved |
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| dewey-search | 811/.509 |
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| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:15:07Z |
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| language | English |
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| publisher | Columbia University Press |
| record_format | marc |
| spelling | Logan, William aut Guilty Knowledge, Guilty Pleasure The Dirty Art of Poetry William Logan New York, NY Columbia University Press [2014] © 2014 1 online resource (344 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were--they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books.Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Glück and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved In English Geschichte 1900-2000 Englische Literatur Amerikas Poetics Geschichte American poetry 20th century History and criticism Theory, etc American poetry 20th century History and criticism Criticism United States History 20th century LITERARY CRITICISM Poetry Poetry Authorship Literaturkritik (DE-588)4036020-9 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Lyrik (DE-588)4036774-5 s Autorschaft (DE-588)4130545-0 s Literaturkritik (DE-588)4036020-9 s 2\p DE-604 http://www.degruyter.com/doi/book/10.7312/loga16686 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Logan, William Guilty Knowledge, Guilty Pleasure The Dirty Art of Poetry William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were--they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books.Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Glück and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved Englische Literatur Amerikas Poetics Geschichte American poetry 20th century History and criticism Theory, etc American poetry 20th century History and criticism Criticism United States History 20th century LITERARY CRITICISM Poetry Poetry Authorship Literaturkritik (DE-588)4036020-9 gnd Lyrik (DE-588)4036774-5 gnd Autorschaft (DE-588)4130545-0 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4036020-9 (DE-588)4036774-5 (DE-588)4130545-0 (DE-588)4035964-5 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Guilty Knowledge, Guilty Pleasure The Dirty Art of Poetry |
| title_auth | Guilty Knowledge, Guilty Pleasure The Dirty Art of Poetry |
| title_exact_search | Guilty Knowledge, Guilty Pleasure The Dirty Art of Poetry |
| title_full | Guilty Knowledge, Guilty Pleasure The Dirty Art of Poetry William Logan |
| title_fullStr | Guilty Knowledge, Guilty Pleasure The Dirty Art of Poetry William Logan |
| title_full_unstemmed | Guilty Knowledge, Guilty Pleasure The Dirty Art of Poetry William Logan |
| title_short | Guilty Knowledge, Guilty Pleasure |
| title_sort | guilty knowledge guilty pleasure the dirty art of poetry |
| title_sub | The Dirty Art of Poetry |
| topic | Englische Literatur Amerikas Poetics Geschichte American poetry 20th century History and criticism Theory, etc American poetry 20th century History and criticism Criticism United States History 20th century LITERARY CRITICISM Poetry Poetry Authorship Literaturkritik (DE-588)4036020-9 gnd Lyrik (DE-588)4036774-5 gnd Autorschaft (DE-588)4130545-0 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Englische Literatur Amerikas Poetics Geschichte American poetry 20th century History and criticism Theory, etc American poetry 20th century History and criticism Criticism United States History 20th century LITERARY CRITICISM Poetry Poetry Authorship Literaturkritik Lyrik Autorschaft Literatur USA Aufsatzsammlung |
| url | http://www.degruyter.com/doi/book/10.7312/loga16686 |
| work_keys_str_mv | AT loganwilliam guiltyknowledgeguiltypleasurethedirtyartofpoetry |