No Country: Working-Class Writing in the Age of Globalization
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2014]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) |
| Beschreibung: | 1 online resource (248 pages) illustrations |
| ISBN: | 9780231525442 |
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| 505 | 8 | |a Can there be a novel of the international working class despite the conditions and constraints of economic globalization? What does it mean to invoke working-class writing as an ethical intervention in an age of comparative advantage and outsourcing? No Country argues for a rethinking of the genre of working-class literature. Sonali Perera expands our understanding of working-class fiction by considering a range of international texts, identifying textual, political, and historical linkages often overlooked by Eurocentric and postcolonial scholarship. Her readings connect the literary radicalism of the 1930s to the feminist recovery projects of the 1970s, and the anticolonial and postcolonial fiction of the 1960s to today's counterglobalist struggles, building a new portrait of the twentieth century's global economy and the experiences of the working class within it.Perera considers novels by the Indian anticolonial writer Mulk Raj Anand; the American proletarian writer Tillie Olsen; Sri Lankan Tamil/Black British writer and political journalist Ambalavaner Sivanandan; Indian writer and bonded-labor activist Mahasweta Devi; South African-born Botswanan Bessie Head; and the fiction and poetry published under the collective signature Dabindu, a group of free-trade-zone garment factory workers and feminist activists in contemporary Sri Lanka. Articulating connections across the global North-South divide, Perera creates a new genealogy of working-class writing as world literature and transforms the ideological underpinnings casting literature as cultural practice | |
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Datensatz im Suchindex
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| author | Perera, Sonali |
| author_facet | Perera, Sonali |
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| contents | Can there be a novel of the international working class despite the conditions and constraints of economic globalization? What does it mean to invoke working-class writing as an ethical intervention in an age of comparative advantage and outsourcing? No Country argues for a rethinking of the genre of working-class literature. Sonali Perera expands our understanding of working-class fiction by considering a range of international texts, identifying textual, political, and historical linkages often overlooked by Eurocentric and postcolonial scholarship. Her readings connect the literary radicalism of the 1930s to the feminist recovery projects of the 1970s, and the anticolonial and postcolonial fiction of the 1960s to today's counterglobalist struggles, building a new portrait of the twentieth century's global economy and the experiences of the working class within it.Perera considers novels by the Indian anticolonial writer Mulk Raj Anand; the American proletarian writer Tillie Olsen; Sri Lankan Tamil/Black British writer and political journalist Ambalavaner Sivanandan; Indian writer and bonded-labor activist Mahasweta Devi; South African-born Botswanan Bessie Head; and the fiction and poetry published under the collective signature Dabindu, a group of free-trade-zone garment factory workers and feminist activists in contemporary Sri Lanka. Articulating connections across the global North-South divide, Perera creates a new genealogy of working-class writing as world literature and transforms the ideological underpinnings casting literature as cultural practice |
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| dewey-search | 809 |
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| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| spelling | Perera, Sonali aut No Country Working-Class Writing in the Age of Globalization Sonali Perera New York, NY Columbia University Press [2014] © 2014 1 online resource (248 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) Can there be a novel of the international working class despite the conditions and constraints of economic globalization? What does it mean to invoke working-class writing as an ethical intervention in an age of comparative advantage and outsourcing? No Country argues for a rethinking of the genre of working-class literature. Sonali Perera expands our understanding of working-class fiction by considering a range of international texts, identifying textual, political, and historical linkages often overlooked by Eurocentric and postcolonial scholarship. Her readings connect the literary radicalism of the 1930s to the feminist recovery projects of the 1970s, and the anticolonial and postcolonial fiction of the 1960s to today's counterglobalist struggles, building a new portrait of the twentieth century's global economy and the experiences of the working class within it.Perera considers novels by the Indian anticolonial writer Mulk Raj Anand; the American proletarian writer Tillie Olsen; Sri Lankan Tamil/Black British writer and political journalist Ambalavaner Sivanandan; Indian writer and bonded-labor activist Mahasweta Devi; South African-born Botswanan Bessie Head; and the fiction and poetry published under the collective signature Dabindu, a group of free-trade-zone garment factory workers and feminist activists in contemporary Sri Lanka. Articulating connections across the global North-South divide, Perera creates a new genealogy of working-class writing as world literature and transforms the ideological underpinnings casting literature as cultural practice In English Literatur, Rhetorik, Literaturwissenschaft Working class in literature Working class writings BIOGRAPHY & AUTOBIOGRAPHY Literary LITERARY CRITICISM Feminist Working class writings History and criticism Globalisierung (DE-588)4557997-0 gnd rswk-swf Arbeiterliteratur (DE-588)4002594-9 gnd rswk-swf Arbeiter Motiv (DE-588)4132011-6 gnd rswk-swf Arbeiterliteratur (DE-588)4002594-9 s Arbeiter Motiv (DE-588)4132011-6 s Globalisierung (DE-588)4557997-0 s 1\p DE-604 http://www.degruyter.com/doi/book/10.7312/pere15194 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Perera, Sonali No Country Working-Class Writing in the Age of Globalization Can there be a novel of the international working class despite the conditions and constraints of economic globalization? What does it mean to invoke working-class writing as an ethical intervention in an age of comparative advantage and outsourcing? No Country argues for a rethinking of the genre of working-class literature. Sonali Perera expands our understanding of working-class fiction by considering a range of international texts, identifying textual, political, and historical linkages often overlooked by Eurocentric and postcolonial scholarship. Her readings connect the literary radicalism of the 1930s to the feminist recovery projects of the 1970s, and the anticolonial and postcolonial fiction of the 1960s to today's counterglobalist struggles, building a new portrait of the twentieth century's global economy and the experiences of the working class within it.Perera considers novels by the Indian anticolonial writer Mulk Raj Anand; the American proletarian writer Tillie Olsen; Sri Lankan Tamil/Black British writer and political journalist Ambalavaner Sivanandan; Indian writer and bonded-labor activist Mahasweta Devi; South African-born Botswanan Bessie Head; and the fiction and poetry published under the collective signature Dabindu, a group of free-trade-zone garment factory workers and feminist activists in contemporary Sri Lanka. Articulating connections across the global North-South divide, Perera creates a new genealogy of working-class writing as world literature and transforms the ideological underpinnings casting literature as cultural practice Literatur, Rhetorik, Literaturwissenschaft Working class in literature Working class writings BIOGRAPHY & AUTOBIOGRAPHY Literary LITERARY CRITICISM Feminist Working class writings History and criticism Globalisierung (DE-588)4557997-0 gnd Arbeiterliteratur (DE-588)4002594-9 gnd Arbeiter Motiv (DE-588)4132011-6 gnd |
| subject_GND | (DE-588)4557997-0 (DE-588)4002594-9 (DE-588)4132011-6 |
| title | No Country Working-Class Writing in the Age of Globalization |
| title_auth | No Country Working-Class Writing in the Age of Globalization |
| title_exact_search | No Country Working-Class Writing in the Age of Globalization |
| title_full | No Country Working-Class Writing in the Age of Globalization Sonali Perera |
| title_fullStr | No Country Working-Class Writing in the Age of Globalization Sonali Perera |
| title_full_unstemmed | No Country Working-Class Writing in the Age of Globalization Sonali Perera |
| title_short | No Country |
| title_sort | no country working class writing in the age of globalization |
| title_sub | Working-Class Writing in the Age of Globalization |
| topic | Literatur, Rhetorik, Literaturwissenschaft Working class in literature Working class writings BIOGRAPHY & AUTOBIOGRAPHY Literary LITERARY CRITICISM Feminist Working class writings History and criticism Globalisierung (DE-588)4557997-0 gnd Arbeiterliteratur (DE-588)4002594-9 gnd Arbeiter Motiv (DE-588)4132011-6 gnd |
| topic_facet | Literatur, Rhetorik, Literaturwissenschaft Working class in literature Working class writings BIOGRAPHY & AUTOBIOGRAPHY Literary LITERARY CRITICISM Feminist Working class writings History and criticism Globalisierung Arbeiterliteratur Arbeiter Motiv |
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