Understanding graffiti: multidisciplinary studies from prehistory to the present
This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Walnut Creek, California
Left Coast Press Inc.
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway cars to messages left in library bathrooms. In total, the authors legitimize the study of graffiti as a multidisciplinary pursuit that can produce useful knowledge of individuals, cultures, and nations. The chapters -represent 20 authors from six countries; -offer perspectives of disciplines as diverse as archaeology, history, art history, museum studies, and sociology; -elicit common themes of authority and its subversion, the identity work of subcultures and countercultures, and presentation of privilege and status" |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 278 Seiten Illustrationen 23 cm |
| ISBN: | 9781611328677 9781611328684 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043012586 | ||
| 003 | DE-604 | ||
| 005 | 20160413 | ||
| 007 | t | ||
| 008 | 151117s2015 a||| |||| 00||| eng d | ||
| 010 | |a 2015008320 | ||
| 020 | |a 9781611328677 |c (hardback) |9 978-1-61132-867-7 | ||
| 020 | |a 9781611328684 |c (paperback) |9 978-1-61132-868-4 | ||
| 024 | 3 | |a 9781611328677 | |
| 035 | |a (OCoLC)935184923 | ||
| 035 | |a (DE-599)BSZ452048516 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-255 |a DE-188 | ||
| 050 | 0 | |a GT3912 | |
| 082 | 0 | |a 080 |b 23 | |
| 082 | 0 | |a 080 | |
| 084 | |a LB 42000 |0 (DE-625)90551:772 |2 rvk | ||
| 084 | |a LC 94000 |0 (DE-625)90705:772 |2 rvk | ||
| 245 | 1 | 0 | |a Understanding graffiti |b multidisciplinary studies from prehistory to the present |c edited by Troy Lovata & Elizabeth Olton |
| 264 | 1 | |a Walnut Creek, California |b Left Coast Press Inc. |c [2015] | |
| 300 | |a 278 Seiten |b Illustrationen |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Introduction / Elizabeth Olton and Troy Lovata.<br>1 Understanding the function of graffiti:<br>On the origins of anonymous texts that appear on walls / Amardo Rodriguez -- Latrinalia in a room of one's own, language, gender, place / Melissa Meade -- Beyond art history, graffiti on frescoes / Véronique Plesch -- Writing with a global accent,Cairo and the roots/routes of conflict graffiti / John Lennon.<br>2 Understanding the form and context of graffiti:<br>Archaeology and graffiti carved in Carpathian rock, the Thracian horseman, or an early medieval image of power and authority? / Dragoş Măndescu -- Marked trees, exploring the context of Southern Rocky Mountain aborglyphs / Troy Lovata -- Reclaiming the ruins, a case study of graffiti heritage interpretation at the Evergreen Brick Works in Toronto / Bruce Beaton and Shannon Todd -- Ornament as armament, playing defense in wildstyle graffiti / Gabrielle Gopinath -- From the street to the gallery, a critical analysis of the inseparable nature of graffiti and context / Alexandra K. Duncan.<br>3 Understanding graffiti as a witness for history:<br>Graffiti as resistance, early prehistoric examples from the Casma Valley of Peru / Shelia Pozorski and Thomas Pozorski -- A sub-rosa text, graffiti from Room Room 9, Structure 5D-65 in Tikal, Guatemala / Elizabeth Olton -- Inside the tunnels, inside the protests, the artistic legacy of anti-nuclear activists at a Nevada Peace Camp / Colleen M. Beck, Lauren W. Falvey, and Harold Drollinger.<br>4 Understanding the politics of graffiti:<br>Advertised defiance, how New York City graffiti went from "getting up" to "getting over" / Tyson Mitman -- Historic graffiti and calliglyphs on two military establishments in England / Christopher Daniell -- A wall in Mexico City's historic center, Calle Regina 56 / Pamela Scheinman | |
| 520 | |a This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway cars to messages left in library bathrooms. In total, the authors legitimize the study of graffiti as a multidisciplinary pursuit that can produce useful knowledge of individuals, cultures, and nations. The chapters -represent 20 authors from six countries; -offer perspectives of disciplines as diverse as archaeology, history, art history, museum studies, and sociology; -elicit common themes of authority and its subversion, the identity work of subcultures and countercultures, and presentation of privilege and status" | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Archäologie | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Graffiti / History | |
| 650 | 4 | |a SOCIAL SCIENCE / Anthropology / Cultural | |
| 650 | 4 | |a SOCIAL SCIENCE / Archaeology | |
| 650 | 4 | |a ART / History / Prehistoric & Primitive | |
| 650 | 0 | 7 | |a Graffito |0 (DE-588)4021791-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Graffito |0 (DE-588)4021791-7 |D s |
| 689 | 0 | 1 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Lovata, Troy |d 1972- |0 (DE-588)1081018429 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-61132-869-1 |
| 856 | 4 | 2 | |m SWB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028437503&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028437503 | ||
Datensatz im Suchindex
| _version_ | 1804175358224760832 |
|---|---|
| adam_text | CONTENTS
LIST OF ILLUSTRATIONS 7
INTRODUCTION ELIZABETH OLTON AND TROY LOVATA 11
SECTION I LWE.RS+3WII V^ +UFC FUV C+;V OF R3FFI+I 17
6V,3F+ER ON THE ORIGINS OF ANONYMOUS TEXTS THAT APPEAR
ON WALLS ANIARDO RODRIGUEZ 21
W3F+ER T LATRINALIA IN A ROOM OF ONE S OWN: LANGUAGE,
GENDER, PLACE MELISSA MEADE 33
6U3F+ER 3 BEYOND ART HISTORY: GRAFFITI
ON FRESCOES VERONIQUE PLESCH 47
CU3P+ER 4 WRITING WITH A GLOBAL ACCENT: CAIRO AND THE ROOTS/ROUTES
OF CONFLICT GRAFFITI JOHN LENNON 59
SECTION II U^ERS+3W^V C +WFC FOR*
.O* +E.X+ E-F R3F -FI+I 73
5 ARCHAEOLOGY AND GRAFFITI CARVED IN CARPATHIAN ROCK:
THE THRACIAN HORSEMAN, OR AN EARLY MEDIEVAL IMAGE
OF POWER AND AUTHORITY? DRAGOS MDNDESCU 77
R T MARKED TREES: EXPLORING THE CONTEXT OF SOUTHERN
ROCKY MOUNTAIN ARBORGLYPHS TROY LOVATA 91
CW3P+R 7 RECLAIMING THE RUINS: A CASE STUDY OF GRAFFITI HERITAGE
INTERPRETATION AT THE EVERGREEN BRICK WORKS IN TORONTO
BRUCE BEATON AND SHANNON TODD 105
6L 3F+FCR S ORNAMENT AS ARMAMENT: PLAYING DEFENSE IN
WILDSTYLE GRAFFITI GABRIELLE GOPINATH .117
6V 3F+FCR 1 FROM THE STREET TO THE GALLERY: A CRITICAL ANALYSIS OF
THE INSEPARABLE NATURE OF GRAFFITI AND CONTEXT
ALEXANDRA K. DUNCAN 129
SECTION III UW )FER+3VV^V Q R3-F-F;+.
139
L 3P+FCR LO GRAFFITI AS RESISTANCE: EARLY PREHISTORIC EXAMPLES
FROM THE CASMA VALLEY OF PERU
SHELIA POZORSKI AND THOMAS POZORSKI 143
CW3P+R A SUB-ROSA TEXT: GRAFFITI FROM ROOM ROOM 9, STRUCTURE
50-65, IN TIKAL, GUATEMALA ELIZABETH OLTON 159
W3P+FCR Z INSIDE THE TUNNELS, INSIDE THE PROTESTS:
THE ARTISTIC LEGACY OF ANTI-NUCLEAR ACTIVISTS
AT A NEVADA PEACE CAMP COLLEEN M. BECK,
LAUREN W. FALVEY, AND HAROLD DROLLINGER 177
SECTION IV UW()E.R+3V^;V FL +UE POK+.CS OF R3F F. +; 193
R 13 ADVERTISED DEFIANCE: HOW NEW YORK CITY GRAFFITI WENT
FROM GETTING UP TO GETTING OVER TYSON MITMAN 195
14 HISTORIC GRAFFITI AND CALLIGLYPHS ON TWO MILITARY
ESTABLISHMENTS IN ENGLAND CHRISTOPHER DANIELL 207
L 3F+ER 15 A WALL IN MEXICO CITY S HISTORIC CENTER:
CALLE REGINA 56 PAMELA SCHEINMAN 219
NOTES 233
REFERENCES 243
INDEX 267
ABOUT THE EDITORS & CONTRIBUTORS 271
|
| any_adam_object | 1 |
| author2 | Lovata, Troy 1972- |
| author2_role | edt |
| author2_variant | t l tl |
| author_GND | (DE-588)1081018429 |
| author_facet | Lovata, Troy 1972- |
| building | Verbundindex |
| bvnumber | BV043012586 |
| callnumber-first | G - Geography, Anthropology, Recreation |
| callnumber-label | GT3912 |
| callnumber-raw | GT3912 |
| callnumber-search | GT3912 |
| callnumber-sort | GT 43912 |
| callnumber-subject | GT - Manners and Customs |
| classification_rvk | LB 42000 LC 94000 |
| contents | Introduction / Elizabeth Olton and Troy Lovata.<br>1 Understanding the function of graffiti:<br>On the origins of anonymous texts that appear on walls / Amardo Rodriguez -- Latrinalia in a room of one's own, language, gender, place / Melissa Meade -- Beyond art history, graffiti on frescoes / Véronique Plesch -- Writing with a global accent,Cairo and the roots/routes of conflict graffiti / John Lennon.<br>2 Understanding the form and context of graffiti:<br>Archaeology and graffiti carved in Carpathian rock, the Thracian horseman, or an early medieval image of power and authority? / Dragoş Măndescu -- Marked trees, exploring the context of Southern Rocky Mountain aborglyphs / Troy Lovata -- Reclaiming the ruins, a case study of graffiti heritage interpretation at the Evergreen Brick Works in Toronto / Bruce Beaton and Shannon Todd -- Ornament as armament, playing defense in wildstyle graffiti / Gabrielle Gopinath -- From the street to the gallery, a critical analysis of the inseparable nature of graffiti and context / Alexandra K. Duncan.<br>3 Understanding graffiti as a witness for history:<br>Graffiti as resistance, early prehistoric examples from the Casma Valley of Peru / Shelia Pozorski and Thomas Pozorski -- A sub-rosa text, graffiti from Room Room 9, Structure 5D-65 in Tikal, Guatemala / Elizabeth Olton -- Inside the tunnels, inside the protests, the artistic legacy of anti-nuclear activists at a Nevada Peace Camp / Colleen M. Beck, Lauren W. Falvey, and Harold Drollinger.<br>4 Understanding the politics of graffiti:<br>Advertised defiance, how New York City graffiti went from "getting up" to "getting over" / Tyson Mitman -- Historic graffiti and calliglyphs on two military establishments in England / Christopher Daniell -- A wall in Mexico City's historic center, Calle Regina 56 / Pamela Scheinman |
| ctrlnum | (OCoLC)935184923 (DE-599)BSZ452048516 |
| dewey-full | 080 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 080 - General collections |
| dewey-raw | 080 |
| dewey-search | 080 |
| dewey-sort | 280 |
| dewey-tens | 080 - General collections |
| discipline | Allgemeines Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04723nam a2200553zc 4500</leader><controlfield tag="001">BV043012586</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160413 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">151117s2015 a||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2015008320</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781611328677</subfield><subfield code="c">(hardback)</subfield><subfield code="9">978-1-61132-867-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781611328684</subfield><subfield code="c">(paperback)</subfield><subfield code="9">978-1-61132-868-4</subfield></datafield><datafield tag="024" ind1="3" ind2=" "><subfield code="a">9781611328677</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)935184923</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ452048516</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">GT3912</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">080</subfield><subfield code="b">23</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">080</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LB 42000</subfield><subfield code="0">(DE-625)90551:772</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LC 94000</subfield><subfield code="0">(DE-625)90705:772</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Understanding graffiti</subfield><subfield code="b">multidisciplinary studies from prehistory to the present</subfield><subfield code="c">edited by Troy Lovata & Elizabeth Olton</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Walnut Creek, California</subfield><subfield code="b">Left Coast Press Inc.</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">278 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction / Elizabeth Olton and Troy Lovata.<br>1 Understanding the function of graffiti:<br>On the origins of anonymous texts that appear on walls / Amardo Rodriguez -- Latrinalia in a room of one's own, language, gender, place / Melissa Meade -- Beyond art history, graffiti on frescoes / Véronique Plesch -- Writing with a global accent,Cairo and the roots/routes of conflict graffiti / John Lennon.<br>2 Understanding the form and context of graffiti:<br>Archaeology and graffiti carved in Carpathian rock, the Thracian horseman, or an early medieval image of power and authority? / Dragoş Măndescu -- Marked trees, exploring the context of Southern Rocky Mountain aborglyphs / Troy Lovata -- Reclaiming the ruins, a case study of graffiti heritage interpretation at the Evergreen Brick Works in Toronto / Bruce Beaton and Shannon Todd -- Ornament as armament, playing defense in wildstyle graffiti / Gabrielle Gopinath -- From the street to the gallery, a critical analysis of the inseparable nature of graffiti and context / Alexandra K. Duncan.<br>3 Understanding graffiti as a witness for history:<br>Graffiti as resistance, early prehistoric examples from the Casma Valley of Peru / Shelia Pozorski and Thomas Pozorski -- A sub-rosa text, graffiti from Room Room 9, Structure 5D-65 in Tikal, Guatemala / Elizabeth Olton -- Inside the tunnels, inside the protests, the artistic legacy of anti-nuclear activists at a Nevada Peace Camp / Colleen M. Beck, Lauren W. Falvey, and Harold Drollinger.<br>4 Understanding the politics of graffiti:<br>Advertised defiance, how New York City graffiti went from "getting up" to "getting over" / Tyson Mitman -- Historic graffiti and calliglyphs on two military establishments in England / Christopher Daniell -- A wall in Mexico City's historic center, Calle Regina 56 / Pamela Scheinman</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway cars to messages left in library bathrooms. In total, the authors legitimize the study of graffiti as a multidisciplinary pursuit that can produce useful knowledge of individuals, cultures, and nations. The chapters -represent 20 authors from six countries; -offer perspectives of disciplines as diverse as archaeology, history, art history, museum studies, and sociology; -elicit common themes of authority and its subversion, the identity work of subcultures and countercultures, and presentation of privilege and status"</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Archäologie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Graffiti / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">SOCIAL SCIENCE / Anthropology / Cultural</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">SOCIAL SCIENCE / Archaeology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ART / History / Prehistoric & Primitive</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Graffito</subfield><subfield code="0">(DE-588)4021791-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Graffito</subfield><subfield code="0">(DE-588)4021791-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lovata, Troy</subfield><subfield code="d">1972-</subfield><subfield code="0">(DE-588)1081018429</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-61132-869-1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">SWB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028437503&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028437503</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043012586 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:15:01Z |
| institution | BVB |
| isbn | 9781611328677 9781611328684 |
| language | English |
| lccn | 2015008320 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028437503 |
| oclc_num | 935184923 |
| open_access_boolean | |
| owner | DE-11 DE-255 DE-188 |
| owner_facet | DE-11 DE-255 DE-188 |
| physical | 278 Seiten Illustrationen 23 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Left Coast Press Inc. |
| record_format | marc |
| spelling | Understanding graffiti multidisciplinary studies from prehistory to the present edited by Troy Lovata & Elizabeth Olton Walnut Creek, California Left Coast Press Inc. [2015] 278 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Introduction / Elizabeth Olton and Troy Lovata.<br>1 Understanding the function of graffiti:<br>On the origins of anonymous texts that appear on walls / Amardo Rodriguez -- Latrinalia in a room of one's own, language, gender, place / Melissa Meade -- Beyond art history, graffiti on frescoes / Véronique Plesch -- Writing with a global accent,Cairo and the roots/routes of conflict graffiti / John Lennon.<br>2 Understanding the form and context of graffiti:<br>Archaeology and graffiti carved in Carpathian rock, the Thracian horseman, or an early medieval image of power and authority? / Dragoş Măndescu -- Marked trees, exploring the context of Southern Rocky Mountain aborglyphs / Troy Lovata -- Reclaiming the ruins, a case study of graffiti heritage interpretation at the Evergreen Brick Works in Toronto / Bruce Beaton and Shannon Todd -- Ornament as armament, playing defense in wildstyle graffiti / Gabrielle Gopinath -- From the street to the gallery, a critical analysis of the inseparable nature of graffiti and context / Alexandra K. Duncan.<br>3 Understanding graffiti as a witness for history:<br>Graffiti as resistance, early prehistoric examples from the Casma Valley of Peru / Shelia Pozorski and Thomas Pozorski -- A sub-rosa text, graffiti from Room Room 9, Structure 5D-65 in Tikal, Guatemala / Elizabeth Olton -- Inside the tunnels, inside the protests, the artistic legacy of anti-nuclear activists at a Nevada Peace Camp / Colleen M. Beck, Lauren W. Falvey, and Harold Drollinger.<br>4 Understanding the politics of graffiti:<br>Advertised defiance, how New York City graffiti went from "getting up" to "getting over" / Tyson Mitman -- Historic graffiti and calliglyphs on two military establishments in England / Christopher Daniell -- A wall in Mexico City's historic center, Calle Regina 56 / Pamela Scheinman This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway cars to messages left in library bathrooms. In total, the authors legitimize the study of graffiti as a multidisciplinary pursuit that can produce useful knowledge of individuals, cultures, and nations. The chapters -represent 20 authors from six countries; -offer perspectives of disciplines as diverse as archaeology, history, art history, museum studies, and sociology; -elicit common themes of authority and its subversion, the identity work of subcultures and countercultures, and presentation of privilege and status" Geschichte gnd rswk-swf Archäologie Geschichte Graffiti / History SOCIAL SCIENCE / Anthropology / Cultural SOCIAL SCIENCE / Archaeology ART / History / Prehistoric & Primitive Graffito (DE-588)4021791-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Graffito (DE-588)4021791-7 s Geschichte z DE-604 Lovata, Troy 1972- (DE-588)1081018429 edt Erscheint auch als Online-Ausgabe 978-1-61132-869-1 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028437503&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Understanding graffiti multidisciplinary studies from prehistory to the present Introduction / Elizabeth Olton and Troy Lovata.<br>1 Understanding the function of graffiti:<br>On the origins of anonymous texts that appear on walls / Amardo Rodriguez -- Latrinalia in a room of one's own, language, gender, place / Melissa Meade -- Beyond art history, graffiti on frescoes / Véronique Plesch -- Writing with a global accent,Cairo and the roots/routes of conflict graffiti / John Lennon.<br>2 Understanding the form and context of graffiti:<br>Archaeology and graffiti carved in Carpathian rock, the Thracian horseman, or an early medieval image of power and authority? / Dragoş Măndescu -- Marked trees, exploring the context of Southern Rocky Mountain aborglyphs / Troy Lovata -- Reclaiming the ruins, a case study of graffiti heritage interpretation at the Evergreen Brick Works in Toronto / Bruce Beaton and Shannon Todd -- Ornament as armament, playing defense in wildstyle graffiti / Gabrielle Gopinath -- From the street to the gallery, a critical analysis of the inseparable nature of graffiti and context / Alexandra K. Duncan.<br>3 Understanding graffiti as a witness for history:<br>Graffiti as resistance, early prehistoric examples from the Casma Valley of Peru / Shelia Pozorski and Thomas Pozorski -- A sub-rosa text, graffiti from Room Room 9, Structure 5D-65 in Tikal, Guatemala / Elizabeth Olton -- Inside the tunnels, inside the protests, the artistic legacy of anti-nuclear activists at a Nevada Peace Camp / Colleen M. Beck, Lauren W. Falvey, and Harold Drollinger.<br>4 Understanding the politics of graffiti:<br>Advertised defiance, how New York City graffiti went from "getting up" to "getting over" / Tyson Mitman -- Historic graffiti and calliglyphs on two military establishments in England / Christopher Daniell -- A wall in Mexico City's historic center, Calle Regina 56 / Pamela Scheinman Archäologie Geschichte Graffiti / History SOCIAL SCIENCE / Anthropology / Cultural SOCIAL SCIENCE / Archaeology ART / History / Prehistoric & Primitive Graffito (DE-588)4021791-7 gnd |
| subject_GND | (DE-588)4021791-7 (DE-588)4143413-4 |
| title | Understanding graffiti multidisciplinary studies from prehistory to the present |
| title_auth | Understanding graffiti multidisciplinary studies from prehistory to the present |
| title_exact_search | Understanding graffiti multidisciplinary studies from prehistory to the present |
| title_full | Understanding graffiti multidisciplinary studies from prehistory to the present edited by Troy Lovata & Elizabeth Olton |
| title_fullStr | Understanding graffiti multidisciplinary studies from prehistory to the present edited by Troy Lovata & Elizabeth Olton |
| title_full_unstemmed | Understanding graffiti multidisciplinary studies from prehistory to the present edited by Troy Lovata & Elizabeth Olton |
| title_short | Understanding graffiti |
| title_sort | understanding graffiti multidisciplinary studies from prehistory to the present |
| title_sub | multidisciplinary studies from prehistory to the present |
| topic | Archäologie Geschichte Graffiti / History SOCIAL SCIENCE / Anthropology / Cultural SOCIAL SCIENCE / Archaeology ART / History / Prehistoric & Primitive Graffito (DE-588)4021791-7 gnd |
| topic_facet | Archäologie Geschichte Graffiti / History SOCIAL SCIENCE / Anthropology / Cultural SOCIAL SCIENCE / Archaeology ART / History / Prehistoric & Primitive Graffito Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028437503&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT lovatatroy understandinggraffitimultidisciplinarystudiesfromprehistorytothepresent |