NYC RIP:
In 1980, Miron Zownir emigrated to the USA, where he lived for the next fifteen years; first in New York, then in Los Angeles, and Pittsburgh. In New York, back then arguably the world's most fascinating and permissive metropolis, Zownir's peculiar approach to cover the city's multipl...
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Berlin
PogoBooks
2015
|
Ausgabe: | First edition |
Schriftenreihe: | PogoBooks
#099 |
Schlagworte: | |
Zusammenfassung: | In 1980, Miron Zownir emigrated to the USA, where he lived for the next fifteen years; first in New York, then in Los Angeles, and Pittsburgh. In New York, back then arguably the world's most fascinating and permissive metropolis, Zownir's peculiar approach to cover the city's multiple layered day-to-day lunacy was quickly recognised by the local scene as the TEUTONIC PHENOMENOGRAPHER (Village Voice). Shot in moody, expressionistic b/w, Zownir's pictures from that period give a penetrating insight to inner-city sub-cultural spheres, which, in their original local context, have since perished in the boom of the 90s. His lens captured the untamed lust at the gay-parties, just shortly before Aids massively claimed its victims; the futile protest of artists and offbeat performers; the hopelessness on the Bowery; the shadowy world of hookers or junkies. Zownir's photographs of the "Sex Piers" have become legendary documents by now. The shutdown and dilapidated port area located between the Westside Highway and the Hudson River, with its sunbathing section for nudists and the surrounding "halls of the anonymous lust", was a popular meeting place among the gay-scene. Zownir meanwhile has gained the reputation of being one of the most uncompromising contemporary photographers. Some critics claim that Zownir, in his own characteristic manner, ties on where Diane Arbus and Weegee had stopped. But when it comes to the basis of his artistic intention, Miron Zownir would rather point to a quote from Kafka's "The Castle" then being compared to other photographers: "If one has the strength to look at the things incessantly, more or less without ever closing the eyes, one sees much. But if one lessens the effort only once and closes the eyes, it all immediately vanishes into darkness." |
Beschreibung: | 216 ungezählte Seiten 156 Duotone plates. - Duotone Plates 30 cm x 24 cm, 2000 g |
ISBN: | 9783942547512 |
Internformat
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520 | |a In 1980, Miron Zownir emigrated to the USA, where he lived for the next fifteen years; first in New York, then in Los Angeles, and Pittsburgh. In New York, back then arguably the world's most fascinating and permissive metropolis, Zownir's peculiar approach to cover the city's multiple layered day-to-day lunacy was quickly recognised by the local scene as the TEUTONIC PHENOMENOGRAPHER (Village Voice). Shot in moody, expressionistic b/w, Zownir's pictures from that period give a penetrating insight to inner-city sub-cultural spheres, which, in their original local context, have since perished in the boom of the 90s. His lens captured the untamed lust at the gay-parties, just shortly before Aids massively claimed its victims; the futile protest of artists and offbeat performers; the hopelessness on the Bowery; the shadowy world of hookers or junkies. Zownir's photographs of the "Sex Piers" have become legendary documents by now. The shutdown and dilapidated port area located between the Westside Highway and the Hudson River, with its sunbathing section for nudists and the surrounding "halls of the anonymous lust", was a popular meeting place among the gay-scene. Zownir meanwhile has gained the reputation of being one of the most uncompromising contemporary photographers. Some critics claim that Zownir, in his own characteristic manner, ties on where Diane Arbus and Weegee had stopped. But when it comes to the basis of his artistic intention, Miron Zownir would rather point to a quote from Kafka's "The Castle" then being compared to other photographers: "If one has the strength to look at the things incessantly, more or less without ever closing the eyes, one sees much. But if one lessens the effort only once and closes the eyes, it all immediately vanishes into darkness." | ||
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Datensatz im Suchindex
_version_ | 1804175353428574208 |
---|---|
any_adam_object | |
author2 | Zownir, Miron 1953- Pfeifer, Claudio 1978- |
author2_role | pht edt |
author2_variant | m z mz c p cp |
author_GND | (DE-588)115448063 (DE-588)122188985 (DE-588)13998044X |
author_facet | Zownir, Miron 1953- Pfeifer, Claudio 1978- |
building | Verbundindex |
bvnumber | BV043009335 |
ctrlnum | (OCoLC)935110014 (DE-599)DNB1077107145 |
dewey-full | 770 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770 |
dewey-search | 770 |
dewey-sort | 3770 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
edition | First edition |
format | Book |
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genre | (DE-588)4145395-5 Bildband gnd-content |
genre_facet | Bildband |
geographic | New York (N.Y.) / Social conditions / Pictorial works Deutschland |
geographic_facet | New York (N.Y.) / Social conditions / Pictorial works Deutschland |
id | DE-604.BV043009335 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:14:56Z |
institution | BVB |
institution_GND | (DE-588)1065868707 |
isbn | 9783942547512 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028434319 |
oclc_num | 935110014 |
open_access_boolean | |
owner | DE-255 DE-B170 |
owner_facet | DE-255 DE-B170 |
physical | 216 ungezählte Seiten 156 Duotone plates. - Duotone Plates 30 cm x 24 cm, 2000 g |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | PogoBooks |
record_format | marc |
series | PogoBooks |
series2 | PogoBooks |
spelling | Zownir, Miron 1953- (DE-588)115448063 pht NYC RIP Miron Zownir ; essay: Lydia Lunch ; editing: Miron Zownir & Claudio Pfeifer Miron Zownir - NYC RIP New York City rest in peace First edition Berlin PogoBooks 2015 216 ungezählte Seiten 156 Duotone plates. - Duotone Plates 30 cm x 24 cm, 2000 g sti rdacontent txt rdacontent n rdamedia nc rdacarrier PogoBooks #099 In 1980, Miron Zownir emigrated to the USA, where he lived for the next fifteen years; first in New York, then in Los Angeles, and Pittsburgh. In New York, back then arguably the world's most fascinating and permissive metropolis, Zownir's peculiar approach to cover the city's multiple layered day-to-day lunacy was quickly recognised by the local scene as the TEUTONIC PHENOMENOGRAPHER (Village Voice). Shot in moody, expressionistic b/w, Zownir's pictures from that period give a penetrating insight to inner-city sub-cultural spheres, which, in their original local context, have since perished in the boom of the 90s. His lens captured the untamed lust at the gay-parties, just shortly before Aids massively claimed its victims; the futile protest of artists and offbeat performers; the hopelessness on the Bowery; the shadowy world of hookers or junkies. Zownir's photographs of the "Sex Piers" have become legendary documents by now. The shutdown and dilapidated port area located between the Westside Highway and the Hudson River, with its sunbathing section for nudists and the surrounding "halls of the anonymous lust", was a popular meeting place among the gay-scene. Zownir meanwhile has gained the reputation of being one of the most uncompromising contemporary photographers. Some critics claim that Zownir, in his own characteristic manner, ties on where Diane Arbus and Weegee had stopped. But when it comes to the basis of his artistic intention, Miron Zownir would rather point to a quote from Kafka's "The Castle" then being compared to other photographers: "If one has the strength to look at the things incessantly, more or less without ever closing the eyes, one sees much. But if one lessens the effort only once and closes the eyes, it all immediately vanishes into darkness." Zownir, Miron Zownir, Miron 1953- (DE-588)115448063 gnd rswk-swf Artists' books / Germany Street photography / New York (State) / New York Unterschicht (DE-588)4062024-4 gnd rswk-swf Erotische Fotografie (DE-588)4015374-5 gnd rswk-swf Großstadt (DE-588)4022233-0 gnd rswk-swf New York (N.Y.) / Social conditions / Pictorial works Deutschland Lydia Lunch NYCRIP Miron Zownir New York (DE-588)4145395-5 Bildband gnd-content Zownir, Miron 1953- (DE-588)115448063 p Erotische Fotografie (DE-588)4015374-5 s Großstadt (DE-588)4022233-0 s Unterschicht (DE-588)4062024-4 s DE-604 Lunch, Lydia 1959- (DE-588)122188985 wat Pfeifer, Claudio 1978- (DE-588)13998044X edt POGO BOOKS Verlag (DE-588)1065868707 pbl PogoBooks #099 (DE-604)BV042012101 99 |
spellingShingle | NYC RIP PogoBooks Zownir, Miron Zownir, Miron 1953- (DE-588)115448063 gnd Artists' books / Germany Street photography / New York (State) / New York Unterschicht (DE-588)4062024-4 gnd Erotische Fotografie (DE-588)4015374-5 gnd Großstadt (DE-588)4022233-0 gnd |
subject_GND | (DE-588)115448063 (DE-588)4062024-4 (DE-588)4015374-5 (DE-588)4022233-0 (DE-588)4145395-5 |
title | NYC RIP |
title_alt | Miron Zownir - NYC RIP New York City rest in peace |
title_auth | NYC RIP |
title_exact_search | NYC RIP |
title_full | NYC RIP Miron Zownir ; essay: Lydia Lunch ; editing: Miron Zownir & Claudio Pfeifer |
title_fullStr | NYC RIP Miron Zownir ; essay: Lydia Lunch ; editing: Miron Zownir & Claudio Pfeifer |
title_full_unstemmed | NYC RIP Miron Zownir ; essay: Lydia Lunch ; editing: Miron Zownir & Claudio Pfeifer |
title_short | NYC RIP |
title_sort | nyc rip |
topic | Zownir, Miron Zownir, Miron 1953- (DE-588)115448063 gnd Artists' books / Germany Street photography / New York (State) / New York Unterschicht (DE-588)4062024-4 gnd Erotische Fotografie (DE-588)4015374-5 gnd Großstadt (DE-588)4022233-0 gnd |
topic_facet | Zownir, Miron Zownir, Miron 1953- Artists' books / Germany Street photography / New York (State) / New York Unterschicht Erotische Fotografie Großstadt New York (N.Y.) / Social conditions / Pictorial works Deutschland Bildband |
volume_link | (DE-604)BV042012101 |
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