The Tale of Genji: Translation, Canonization, and World Literature
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2013]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) |
| Beschreibung: | 1 online resource (512 pages) illustrations |
| ISBN: | 9780231534420 |
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| 245 | 1 | 0 | |a The Tale of Genji |b Translation, Canonization, and World Literature |c Michael Emmerich |
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| 505 | 8 | |a Michael Emmerich thoroughly revises the conventional narrative of the early modern and modern history of The Tale of Genji. Exploring iterations of the work from the 1830s to the 1950s, he demonstrates how translations and the global circulation of discourse they inspired turned The Tale of Genji into a widely read classic, reframing our understanding of its significance and influence and of the processes that have canonized the text.Emmerich begins with an analysis of the lavishly produced best seller Nise Murasaki inaka Genji (A Fraudulent Murasaki's Bumpkin Genji, 1829-1842), an adaptation of Genji written and designed by Ryutei Tanehiko, with pictures by the great print artist Utagawa Kunisada. He argues that this work introduced Genji to a popular Japanese audience and created a new mode of reading. He then considers movable-type editions of Inaka Genji from 1888 to 1928, connecting trends in print technology and publishing to larger developments in national literature and showing how the one-time best seller became obsolete. The study subsequently traces Genji's reemergence as a classic on a global scale, following its acceptance into the canon of world literature before the text gained popularity in Japan. It concludes with Genji's becoming a "national classic" during World War II and reviews an important postwar challenge to reading the work after it attained this status. Through his sustained critique, Emmerich upends scholarship on Japan's preeminent classic while remaking theories of world literature, continuity, and community | |
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| 650 | 7 | |a LITERARY CRITICISM / Asian / Japanese |2 bisacsh | |
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| 650 | 4 | |a Japanese literature |x Heian period | |
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Datensatz im Suchindex
| _version_ | 1804175338695032832 |
|---|---|
| any_adam_object | |
| author | Emmerich, Michael |
| author_facet | Emmerich, Michael |
| author_role | aut |
| author_sort | Emmerich, Michael |
| author_variant | m e me |
| building | Verbundindex |
| bvnumber | BV042999393 |
| collection | ZDB-23-DGG |
| contents | Michael Emmerich thoroughly revises the conventional narrative of the early modern and modern history of The Tale of Genji. Exploring iterations of the work from the 1830s to the 1950s, he demonstrates how translations and the global circulation of discourse they inspired turned The Tale of Genji into a widely read classic, reframing our understanding of its significance and influence and of the processes that have canonized the text.Emmerich begins with an analysis of the lavishly produced best seller Nise Murasaki inaka Genji (A Fraudulent Murasaki's Bumpkin Genji, 1829-1842), an adaptation of Genji written and designed by Ryutei Tanehiko, with pictures by the great print artist Utagawa Kunisada. He argues that this work introduced Genji to a popular Japanese audience and created a new mode of reading. He then considers movable-type editions of Inaka Genji from 1888 to 1928, connecting trends in print technology and publishing to larger developments in national literature and showing how the one-time best seller became obsolete. The study subsequently traces Genji's reemergence as a classic on a global scale, following its acceptance into the canon of world literature before the text gained popularity in Japan. It concludes with Genji's becoming a "national classic" during World War II and reviews an important postwar challenge to reading the work after it attained this status. Through his sustained critique, Emmerich upends scholarship on Japan's preeminent classic while remaking theories of world literature, continuity, and community |
| ctrlnum | (OCoLC)1165518178 (DE-599)BVBBV042999393 |
| dewey-full | 895.6/314 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 895 - Literatures of East and Southeast Asia |
| dewey-raw | 895.6/314 |
| dewey-search | 895.6/314 |
| dewey-sort | 3895.6 3314 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Außereuropäische Sprachen und Literaturen |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:14:42Z |
| institution | BVB |
| isbn | 9780231534420 |
| language | English |
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| spelling | Emmerich, Michael aut The Tale of Genji Translation, Canonization, and World Literature Michael Emmerich New York, NY Columbia University Press [2013] © 2013 1 online resource (512 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015) Michael Emmerich thoroughly revises the conventional narrative of the early modern and modern history of The Tale of Genji. Exploring iterations of the work from the 1830s to the 1950s, he demonstrates how translations and the global circulation of discourse they inspired turned The Tale of Genji into a widely read classic, reframing our understanding of its significance and influence and of the processes that have canonized the text.Emmerich begins with an analysis of the lavishly produced best seller Nise Murasaki inaka Genji (A Fraudulent Murasaki's Bumpkin Genji, 1829-1842), an adaptation of Genji written and designed by Ryutei Tanehiko, with pictures by the great print artist Utagawa Kunisada. He argues that this work introduced Genji to a popular Japanese audience and created a new mode of reading. He then considers movable-type editions of Inaka Genji from 1888 to 1928, connecting trends in print technology and publishing to larger developments in national literature and showing how the one-time best seller became obsolete. The study subsequently traces Genji's reemergence as a classic on a global scale, following its acceptance into the canon of world literature before the text gained popularity in Japan. It concludes with Genji's becoming a "national classic" during World War II and reviews an important postwar challenge to reading the work after it attained this status. Through his sustained critique, Emmerich upends scholarship on Japan's preeminent classic while remaking theories of world literature, continuity, and community In English Literatur in anderen Sprachen LITERARY CRITICISM / Asian / General bisacsh LITERARY CRITICISM / Asian / Japanese bisacsh Japanese literature Heian period, 794-1185 History and criticism Japanese literature Heian period http://www.degruyter.com/doi/book/10.7312/emme16272 Verlag Volltext |
| spellingShingle | Emmerich, Michael The Tale of Genji Translation, Canonization, and World Literature Michael Emmerich thoroughly revises the conventional narrative of the early modern and modern history of The Tale of Genji. Exploring iterations of the work from the 1830s to the 1950s, he demonstrates how translations and the global circulation of discourse they inspired turned The Tale of Genji into a widely read classic, reframing our understanding of its significance and influence and of the processes that have canonized the text.Emmerich begins with an analysis of the lavishly produced best seller Nise Murasaki inaka Genji (A Fraudulent Murasaki's Bumpkin Genji, 1829-1842), an adaptation of Genji written and designed by Ryutei Tanehiko, with pictures by the great print artist Utagawa Kunisada. He argues that this work introduced Genji to a popular Japanese audience and created a new mode of reading. He then considers movable-type editions of Inaka Genji from 1888 to 1928, connecting trends in print technology and publishing to larger developments in national literature and showing how the one-time best seller became obsolete. The study subsequently traces Genji's reemergence as a classic on a global scale, following its acceptance into the canon of world literature before the text gained popularity in Japan. It concludes with Genji's becoming a "national classic" during World War II and reviews an important postwar challenge to reading the work after it attained this status. Through his sustained critique, Emmerich upends scholarship on Japan's preeminent classic while remaking theories of world literature, continuity, and community Literatur in anderen Sprachen LITERARY CRITICISM / Asian / General bisacsh LITERARY CRITICISM / Asian / Japanese bisacsh Japanese literature Heian period, 794-1185 History and criticism Japanese literature Heian period |
| title | The Tale of Genji Translation, Canonization, and World Literature |
| title_auth | The Tale of Genji Translation, Canonization, and World Literature |
| title_exact_search | The Tale of Genji Translation, Canonization, and World Literature |
| title_full | The Tale of Genji Translation, Canonization, and World Literature Michael Emmerich |
| title_fullStr | The Tale of Genji Translation, Canonization, and World Literature Michael Emmerich |
| title_full_unstemmed | The Tale of Genji Translation, Canonization, and World Literature Michael Emmerich |
| title_short | The Tale of Genji |
| title_sort | the tale of genji translation canonization and world literature |
| title_sub | Translation, Canonization, and World Literature |
| topic | Literatur in anderen Sprachen LITERARY CRITICISM / Asian / General bisacsh LITERARY CRITICISM / Asian / Japanese bisacsh Japanese literature Heian period, 794-1185 History and criticism Japanese literature Heian period |
| topic_facet | Literatur in anderen Sprachen LITERARY CRITICISM / Asian / General LITERARY CRITICISM / Asian / Japanese Japanese literature Heian period, 794-1185 History and criticism Japanese literature Heian period |
| url | http://www.degruyter.com/doi/book/10.7312/emme16272 |
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