Mad Loves: Women and Music in Offenbach's Les Contes d'Hoffmann
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Bibliographische Detailangaben
1. Verfasser: Hadlock, Heather (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Princeton Princeton University Press 2014
Schriftenreihe:Princeton Studies in Opera
Schlagworte:
Online-Zugang:DE-1043
DE-1046
DE-858
DE-859
DE-860
DE-473
DE-739
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Beschreibung:Description based upon print version of record
In a lively exploration of Jacques Offenbach's final masterpiece, Heather Hadlock shows how Les Contes d'Hoffmann summed up not only the composer's career but also a century of Romantic culture. A strange fusion of irony and profundity, frivolity and nightmare, the opera unfolds as a series of dreamlike episodes, peopled by such archetypes as the Poet, the Beautiful Dying Girl, the Automaton, the Courtesan, and the Mesmerist. Hadlock shows how these episodes comprise a collective unconscious. Her analyses touch on topics ranging from the self-reflexive style of the protagonist and the music
Beschreibung:1 Online-Ressource (176 p)
ISBN:9781400866724
DOI:10.1515/9781400866724

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