The Musical as Drama:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton
Princeton University Press
2014
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Beschreibung: | Description based upon print version of record Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an ""integrated"" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and |
| Beschreibung: | 1 Online-Ressource (249 p) |
| ISBN: | 9781400865406 |
| DOI: | 10.1515/9781400865406 |
Internformat
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Datensatz im Suchindex
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| any_adam_object | |
| author | McMillin, Scott |
| author_facet | McMillin, Scott |
| author_role | aut |
| author_sort | McMillin, Scott |
| author_variant | s m sm |
| building | Verbundindex |
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| dewey-full | 792.60973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.60973 |
| dewey-search | 792.60973 |
| dewey-sort | 3792.60973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1515/9781400865406 |
| format | Electronic eBook |
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| isbn | 9781400865406 |
| language | English |
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| physical | 1 Online-Ressource (249 p) |
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| publisher | Princeton University Press |
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| spelling | McMillin, Scott Verfasser aut The Musical as Drama Princeton Princeton University Press 2014 1 Online-Ressource (249 p) txt rdacontent c rdamedia cr rdacarrier Description based upon print version of record Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an ""integrated"" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and Dramaturgie (DE-588)4124796-6 gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf Musical (DE-588)4040801-2 s Dramaturgie (DE-588)4124796-6 s 1\p DE-604 https://doi.org/10.1515/9781400865406 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | McMillin, Scott The Musical as Drama Dramaturgie (DE-588)4124796-6 gnd Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)4124796-6 (DE-588)4040801-2 |
| title | The Musical as Drama |
| title_auth | The Musical as Drama |
| title_exact_search | The Musical as Drama |
| title_full | The Musical as Drama |
| title_fullStr | The Musical as Drama |
| title_full_unstemmed | The Musical as Drama |
| title_short | The Musical as Drama |
| title_sort | the musical as drama |
| topic | Dramaturgie (DE-588)4124796-6 gnd Musical (DE-588)4040801-2 gnd |
| topic_facet | Dramaturgie Musical |
| url | https://doi.org/10.1515/9781400865406 |
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