The Musical as Drama:
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Princeton
Princeton University Press
2014
|
Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
Beschreibung: | Description based upon print version of record Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an ""integrated"" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and |
Beschreibung: | 1 Online-Ressource (249 p) |
ISBN: | 9781400865406 |
DOI: | 10.1515/9781400865406 |
Internformat
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | McMillin, Scott |
author_facet | McMillin, Scott |
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building | Verbundindex |
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dewey-raw | 792.60973 |
dewey-search | 792.60973 |
dewey-sort | 3792.60973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.1515/9781400865406 |
format | Electronic eBook |
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institution | BVB |
isbn | 9781400865406 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028423931 |
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physical | 1 Online-Ressource (249 p) |
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spelling | McMillin, Scott Verfasser aut The Musical as Drama Princeton Princeton University Press 2014 1 Online-Ressource (249 p) txt rdacontent c rdamedia cr rdacarrier Description based upon print version of record Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an ""integrated"" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and Musical (DE-588)4040801-2 gnd rswk-swf Dramaturgie (DE-588)4124796-6 gnd rswk-swf Musical (DE-588)4040801-2 s Dramaturgie (DE-588)4124796-6 s 1\p DE-604 https://doi.org/10.1515/9781400865406 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | McMillin, Scott The Musical as Drama Musical (DE-588)4040801-2 gnd Dramaturgie (DE-588)4124796-6 gnd |
subject_GND | (DE-588)4040801-2 (DE-588)4124796-6 |
title | The Musical as Drama |
title_auth | The Musical as Drama |
title_exact_search | The Musical as Drama |
title_full | The Musical as Drama |
title_fullStr | The Musical as Drama |
title_full_unstemmed | The Musical as Drama |
title_short | The Musical as Drama |
title_sort | the musical as drama |
topic | Musical (DE-588)4040801-2 gnd Dramaturgie (DE-588)4124796-6 gnd |
topic_facet | Musical Dramaturgie |
url | https://doi.org/10.1515/9781400865406 |
work_keys_str_mv | AT mcmillinscott themusicalasdrama |