Duchamp and the aesthetics of chance: art as experiment
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ;Chichester
Columbia University Press
c2010
|
| Schriftenreihe: | Columbia themes in philosophy, social criticism, and the arts
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Beschreibung: | Includes bibliographical references and index Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision.Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the |
| Beschreibung: | 1 Online-Ressource (xvi, 214 p) |
| ISBN: | 9780231519748 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV042998521 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151111s2010 xx o|||| 00||| eng d | ||
| 020 | |a 9780231519748 |9 978-0-231-51974-8 | ||
| 020 | |a 9780231519748 |9 978-0-231-51974-8 | ||
| 024 | 7 | |a 10.7312/mold14762 |2 doi | |
| 035 | |a (OCoLC)676731525 | ||
| 035 | |a (DE-599)GBV686879880 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1046 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 709.2 | |
| 100 | 1 | |a Molderings, Herbert |e Verfasser |4 aut | |
| 240 | 1 | 0 | |a Kunst als Experiment. |
| 245 | 1 | 0 | |a Duchamp and the aesthetics of chance |b art as experiment |c Herbert Molderings; translated by John Brogden |
| 264 | 1 | |a New York ;Chichester |b Columbia University Press |c c2010 | |
| 300 | |a 1 Online-Ressource (xvi, 214 p) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Columbia themes in philosophy, social criticism, and the arts | |
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision.Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the | ||
| 546 | |a Translated from the German | ||
| 600 | 1 | 4 | |a Duchamp, Marcel |d 1887-1968 |t 3 standard stoppages |
| 600 | 1 | 4 | |a Duchamp, Marcel |d 1887-1968 |x Criticism and interpretation |
| 600 | 1 | 7 | |a Duchamp, Marcel |d 1887-1968 |t 3 Stoppages Etalon |0 (DE-588)7517770-5 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Sculpture |z France |x History |y 20th century | |
| 651 | 4 | |a Frankreich | |
| 689 | 0 | 0 | |a Duchamp, Marcel |d 1887-1968 |t 3 Stoppages Etalon |0 (DE-588)7517770-5 |D u |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 856 | 4 | 0 | |u http://www.degruyter.com/doi/book/10.7312/mold14762 |x Verlag |3 Volltext |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-028423790 | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.7312/mold14762 |l DE-1043 |p ZDB-23-DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.7312/mold14762 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.7312/mold14762 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.7312/mold14762 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.7312/mold14762 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.7312/mold14762 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.7312/mold14762 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824408224249413632 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Molderings, Herbert |
| author_facet | Molderings, Herbert |
| author_role | aut |
| author_sort | Molderings, Herbert |
| author_variant | h m hm |
| building | Verbundindex |
| bvnumber | BV042998521 |
| collection | ZDB-23-DGG |
| ctrlnum | (OCoLC)676731525 (DE-599)GBV686879880 |
| dewey-full | 709.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.2 |
| dewey-search | 709.2 |
| dewey-sort | 3709.2 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV042998521</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151111s2010 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231519748</subfield><subfield code="9">978-0-231-51974-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231519748</subfield><subfield code="9">978-0-231-51974-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/mold14762</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)676731525</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBV686879880</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709.2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Molderings, Herbert</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Kunst als Experiment.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Duchamp and the aesthetics of chance</subfield><subfield code="b">art as experiment</subfield><subfield code="c">Herbert Molderings; translated by John Brogden</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ;Chichester</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">c2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvi, 214 p)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Columbia themes in philosophy, social criticism, and the arts</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision.Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Translated from the German</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="t">3 standard stoppages</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="t">3 Stoppages Etalon</subfield><subfield code="0">(DE-588)7517770-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sculpture</subfield><subfield code="z">France</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Frankreich</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Duchamp, Marcel</subfield><subfield code="d">1887-1968</subfield><subfield code="t">3 Stoppages Etalon</subfield><subfield code="0">(DE-588)7517770-5</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.degruyter.com/doi/book/10.7312/mold14762</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028423790</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.7312/mold14762</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.7312/mold14762</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.7312/mold14762</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.7312/mold14762</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.7312/mold14762</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.7312/mold14762</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.7312/mold14762</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Frankreich |
| geographic_facet | Frankreich |
| id | DE-604.BV042998521 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-18T15:07:46Z |
| institution | BVB |
| isbn | 9780231519748 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028423790 |
| oclc_num | 676731525 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 Online-Ressource (xvi, 214 p) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Columbia University Press |
| record_format | marc |
| series2 | Columbia themes in philosophy, social criticism, and the arts |
| spelling | Molderings, Herbert Verfasser aut Kunst als Experiment. Duchamp and the aesthetics of chance art as experiment Herbert Molderings; translated by John Brogden New York ;Chichester Columbia University Press c2010 1 Online-Ressource (xvi, 214 p) txt rdacontent c rdamedia cr rdacarrier Columbia themes in philosophy, social criticism, and the arts Includes bibliographical references and index Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision.Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the Translated from the German Duchamp, Marcel 1887-1968 3 standard stoppages Duchamp, Marcel 1887-1968 Criticism and interpretation Duchamp, Marcel 1887-1968 3 Stoppages Etalon (DE-588)7517770-5 gnd rswk-swf Geschichte 1900-2000 Geschichte Sculpture France History 20th century Frankreich Duchamp, Marcel 1887-1968 3 Stoppages Etalon (DE-588)7517770-5 u 1\p DE-604 http://www.degruyter.com/doi/book/10.7312/mold14762 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Molderings, Herbert Duchamp and the aesthetics of chance art as experiment Duchamp, Marcel 1887-1968 3 standard stoppages Duchamp, Marcel 1887-1968 Criticism and interpretation Duchamp, Marcel 1887-1968 3 Stoppages Etalon (DE-588)7517770-5 gnd Geschichte Sculpture France History 20th century |
| subject_GND | (DE-588)7517770-5 |
| title | Duchamp and the aesthetics of chance art as experiment |
| title_alt | Kunst als Experiment. |
| title_auth | Duchamp and the aesthetics of chance art as experiment |
| title_exact_search | Duchamp and the aesthetics of chance art as experiment |
| title_full | Duchamp and the aesthetics of chance art as experiment Herbert Molderings; translated by John Brogden |
| title_fullStr | Duchamp and the aesthetics of chance art as experiment Herbert Molderings; translated by John Brogden |
| title_full_unstemmed | Duchamp and the aesthetics of chance art as experiment Herbert Molderings; translated by John Brogden |
| title_short | Duchamp and the aesthetics of chance |
| title_sort | duchamp and the aesthetics of chance art as experiment |
| title_sub | art as experiment |
| topic | Duchamp, Marcel 1887-1968 3 standard stoppages Duchamp, Marcel 1887-1968 Criticism and interpretation Duchamp, Marcel 1887-1968 3 Stoppages Etalon (DE-588)7517770-5 gnd Geschichte Sculpture France History 20th century |
| topic_facet | Duchamp, Marcel 1887-1968 3 standard stoppages Duchamp, Marcel 1887-1968 Criticism and interpretation Duchamp, Marcel 1887-1968 3 Stoppages Etalon Geschichte Sculpture France History 20th century Frankreich |
| url | http://www.degruyter.com/doi/book/10.7312/mold14762 |
| work_keys_str_mv | AT molderingsherbert kunstalsexperiment AT molderingsherbert duchampandtheaestheticsofchanceartasexperiment |