Verfügbarkeit: Sound Technology and the American Cinema

Sound Technology and the American Cinema: Perception, Representation, Modernity

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Bibliographische Detailangaben
1. Verfasser:	Lastra, James (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	New York Columbia University Press 2012
Schriftenreihe:	Film and Culture Series
Schlagworte:	Audiotechnik Film USA
Online-Zugang:	FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext
Beschreibung:	Description based upon print version of record Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect.Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice
Beschreibung:	1 Online-Ressource (289 p)
ISBN:	9780231505468

Internformat

MARC


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Datensatz im Suchindex

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dewey-tens	790 - Recreational and performing arts
discipline	Allgemeines
format	Electronic eBook
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publisher	Columbia University Press
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spelling	Lastra, James Verfasser aut Sound Technology and the American Cinema Perception, Representation, Modernity New York Columbia University Press 2012 1 Online-Ressource (289 p) txt rdacontent c rdamedia cr rdacarrier Film and Culture Series Description based upon print version of record Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect.Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice Audiotechnik (DE-588)4140445-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Audiotechnik (DE-588)4140445-2 s 1\p DE-604 http://www.degruyter.com/doi/book/10.7312/last11516 Verlag Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Lastra, James Sound Technology and the American Cinema Perception, Representation, Modernity Audiotechnik (DE-588)4140445-2 gnd Film (DE-588)4017102-4 gnd
subject_GND	(DE-588)4140445-2 (DE-588)4017102-4 (DE-588)4078704-7
title	Sound Technology and the American Cinema Perception, Representation, Modernity
title_auth	Sound Technology and the American Cinema Perception, Representation, Modernity
title_exact_search	Sound Technology and the American Cinema Perception, Representation, Modernity
title_full	Sound Technology and the American Cinema Perception, Representation, Modernity
title_fullStr	Sound Technology and the American Cinema Perception, Representation, Modernity
title_full_unstemmed	Sound Technology and the American Cinema Perception, Representation, Modernity
title_short	Sound Technology and the American Cinema
title_sort	sound technology and the american cinema perception representation modernity
title_sub	Perception, Representation, Modernity
topic	Audiotechnik (DE-588)4140445-2 gnd Film (DE-588)4017102-4 gnd
topic_facet	Audiotechnik Film USA
url	http://www.degruyter.com/doi/book/10.7312/last11516
work_keys_str_mv	AT lastrajames soundtechnologyandtheamericancinemaperceptionrepresentationmodernity

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