What is a cadence?: theoretical and analytical perspectives on cadences in the classical repertoire
The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account...
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| Format: | Buch |
| Sprache: | English |
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Leuven
Leuven Univerisity Press
[2015]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers |
| Beschreibung: | 346 Seiten Notenbeispiele |
| ISBN: | 9789462700154 |
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| 520 | |a The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers | ||
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Datensatz im Suchindex
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| adam_text | CONTENTS
Introduction: What is a Cadence? 7
Nine Perspectives
Markus Neuwirth and Pieter Bergé
Harmony and Cadence in Gjerdingen’s “Prinner” 17
William E. Caplin
Beyond‘Harmony՛ 59
The Cadence in the Partitura Tradition
Felix Diergarten
The Half Cadence and Related Analytic Fictions 85
Poundie Burstein
Fuggir la Cadenza, or The Art of Avoiding Cadential
Closure 117
Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire
Markus Neuwirth
The Mystery of the Cadential Six-Four 157
Danuta Mirka
6
Co n tents
The Mozartean Half Cadence 185
Nathan John Martín and Julie Pedneault-Deslauriers
“Hauptruhepuncte des Geistes” 215
Punctuation Schemas and the Late-Eighteenth-Cen Sonata
Vasili Byros
The Perception of Cadential Closure 25 3
Daihd Sears
Towards a Syntax of the Classical Cadence 287
Martin Rohrmeier and Markus Neuwirth
List of Contributors 339
Index
343
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| spelling | What is a cadence? theoretical and analytical perspectives on cadences in the classical repertoire Markus Neuwirth and Pieter Bergé (eds) Leuven Leuven Univerisity Press [2015] © 2015 346 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers Geschichte gnd rswk-swf Cadences (Music) / History and criticism Composition (Music) Music theory Tonal music MUSIC / Instruction & Study / Theory bisacsh Klassische Musik (DE-588)4164043-3 gnd rswk-swf Kadenz Tonsatz (DE-588)4271998-7 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Klassische Musik (DE-588)4164043-3 s Kadenz Tonsatz (DE-588)4271998-7 s Musikalische Analyse (DE-588)4040814-0 s Geschichte z DE-604 Bergé, Pieter 1967- (DE-588)138648441 edt Neuwirth, Markus 1982- (DE-588)1046076655 edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028408853&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | What is a cadence? theoretical and analytical perspectives on cadences in the classical repertoire Cadences (Music) / History and criticism Composition (Music) Music theory Tonal music MUSIC / Instruction & Study / Theory bisacsh Klassische Musik (DE-588)4164043-3 gnd Kadenz Tonsatz (DE-588)4271998-7 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
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| title | What is a cadence? theoretical and analytical perspectives on cadences in the classical repertoire |
| title_auth | What is a cadence? theoretical and analytical perspectives on cadences in the classical repertoire |
| title_exact_search | What is a cadence? theoretical and analytical perspectives on cadences in the classical repertoire |
| title_full | What is a cadence? theoretical and analytical perspectives on cadences in the classical repertoire Markus Neuwirth and Pieter Bergé (eds) |
| title_fullStr | What is a cadence? theoretical and analytical perspectives on cadences in the classical repertoire Markus Neuwirth and Pieter Bergé (eds) |
| title_full_unstemmed | What is a cadence? theoretical and analytical perspectives on cadences in the classical repertoire Markus Neuwirth and Pieter Bergé (eds) |
| title_short | What is a cadence? |
| title_sort | what is a cadence theoretical and analytical perspectives on cadences in the classical repertoire |
| title_sub | theoretical and analytical perspectives on cadences in the classical repertoire |
| topic | Cadences (Music) / History and criticism Composition (Music) Music theory Tonal music MUSIC / Instruction & Study / Theory bisacsh Klassische Musik (DE-588)4164043-3 gnd Kadenz Tonsatz (DE-588)4271998-7 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Cadences (Music) / History and criticism Composition (Music) Music theory Tonal music MUSIC / Instruction & Study / Theory Klassische Musik Kadenz Tonsatz Musikalische Analyse Aufsatzsammlung |
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