Referentiality and the films of Woody Allen:
"Referentiality and the Films of Woody Allen is a scholarly collection that provides expansive exploration of the auteur's use of intertexuality, referentiality, and fusion of media forms. Its scope is framed by Allen's intermedial phase beginning in 1983 with Zelig and his most recen...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke
Palgrave Macmillan
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Referentiality and the Films of Woody Allen is a scholarly collection that provides expansive exploration of the auteur's use of intertexuality, referentiality, and fusion of media forms. Its scope is framed by Allen's intermedial phase beginning in 1983 with Zelig and his most recent film. While many chapters in the volume deal with texts, several delve into Allen's process of referentiality, his accessing non-textual works, material objects, and abstract concepts in the formation of his cinematic works. These objects and concepts include a vast array of phenomena, such as sexual orientation, historical events, time and space, geographic location, architecture, religion, philosophy, visual images, music, magic and other performance art. Characterized by international, interdisciplinary perspectives, this collection elucidates points of departure within as well as outside of Allen's own oeuvre to trace both artistic lineages and idiosyncratic creations in Allen's overall filmic work. "-- |
| Beschreibung: | xiii, 233 Seiten |
| ISBN: | 9781137515469 1137515465 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804175311048278016 |
|---|---|
| adam_text | Contents
Foreword by David Desser vii
Notes on Contributors x
Introduction 1
Klara Stephanie Sziezdk and /X E. Wynter
Part I Iutermediality and Form
1 Zelig: A Simulated Life 13
Britta Feyerabend
2 Woody Allen s Blue Jasmine: A Seductively Scented Flower
Performing in a Theatrical Bubble 31
Nassim Winnie Balestriru
Part II European Art-Cinema and the Auteur
3 Thank God the French exist : Exploring the Referentiality
of the Formal Elements of Film in Deconstructing Harry 51
Martin R. Hall
4 Two and a Half: Nostalgia, Modern Parody, and Fellini in
Stardust Memories, Radio Days, and To Rome with Love 68
Giacomo Boitani
Part III Greek Mythology Revisited
5 Oedipus or the Wrecks of the WASP Disguise 87
Naama Harel
6 Woody Allen and the Absurdity of Human Existence:
Origin, Legacy and Human Agency in God and Mighty
Aphrodite 100
Michael Fuchs
v
vi Contents
Part IV Literary Masters of Nineteenth-Century
Realism
7 A full meal with a vitamin pill and extra wheatgerm”:
Woody Allen, Dostoevsky and Existential Morality 119
Zachary* T Ingle
8 Darling, have you seen my Strindberg book? : Dialogism
as Social Discourse in Match Point 137
IX E. Wynter
Part V Referentiality and Transcultural Immersion
9 Guitar and Cultural Trespass in Vicky Cristina Barcelona 159
Allan Havis
10 Hi Mr. Hemingway : Time and Space, Travel, and Literary
Heritage in Midnight in Paris 173
Klara Stephanie Szlezdk
Part VI Identity: Conceptualization and
Performance
11 Woody and Woody : The Making of a Persona 193
Wiehmd Schwanebeck
12 Magical Tricks and Ingmar Bergman: Referentiality in
Magic in the Moonlight 210
Maria Elena de las Carreras-Kuntz
Index
227
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| spelling | Referentiality and the films of Woody Allen edited by Klara Stephanie Szlezák, Passau University, Germany, D. E. Winter, California State University, Northridge, USA Basingstoke Palgrave Macmillan 2015 xiii, 233 Seiten txt rdacontent n rdamedia nc rdacarrier "Referentiality and the Films of Woody Allen is a scholarly collection that provides expansive exploration of the auteur's use of intertexuality, referentiality, and fusion of media forms. Its scope is framed by Allen's intermedial phase beginning in 1983 with Zelig and his most recent film. While many chapters in the volume deal with texts, several delve into Allen's process of referentiality, his accessing non-textual works, material objects, and abstract concepts in the formation of his cinematic works. These objects and concepts include a vast array of phenomena, such as sexual orientation, historical events, time and space, geographic location, architecture, religion, philosophy, visual images, music, magic and other performance art. Characterized by international, interdisciplinary perspectives, this collection elucidates points of departure within as well as outside of Allen's own oeuvre to trace both artistic lineages and idiosyncratic creations in Allen's overall filmic work. "-- Allen, Woody / Criticism and interpretation Allen, Woody / 1935- fast Allen, Woody 1935- (DE-588)118502077 gnd rswk-swf Geschichte 1983-2014 gnd rswk-swf PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) bisacsh SOCIAL SCIENCE / Popular Culture bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Allen, Woody 1935- (DE-588)118502077 p Film (DE-588)4017102-4 s Geschichte 1983-2014 z DE-604 Szlezák, Klara Stephanie 1980- (DE-588)1015956521 edt Erscheint auch als Online-Ausgabe 978-1-137-51547-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028403295&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Referentiality and the films of Woody Allen Allen, Woody / Criticism and interpretation Allen, Woody / 1935- fast Allen, Woody 1935- (DE-588)118502077 gnd PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) bisacsh SOCIAL SCIENCE / Popular Culture bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film (DE-588)4017102-4 gnd |
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| title | Referentiality and the films of Woody Allen |
| title_auth | Referentiality and the films of Woody Allen |
| title_exact_search | Referentiality and the films of Woody Allen |
| title_full | Referentiality and the films of Woody Allen edited by Klara Stephanie Szlezák, Passau University, Germany, D. E. Winter, California State University, Northridge, USA |
| title_fullStr | Referentiality and the films of Woody Allen edited by Klara Stephanie Szlezák, Passau University, Germany, D. E. Winter, California State University, Northridge, USA |
| title_full_unstemmed | Referentiality and the films of Woody Allen edited by Klara Stephanie Szlezák, Passau University, Germany, D. E. Winter, California State University, Northridge, USA |
| title_short | Referentiality and the films of Woody Allen |
| title_sort | referentiality and the films of woody allen |
| topic | Allen, Woody / Criticism and interpretation Allen, Woody / 1935- fast Allen, Woody 1935- (DE-588)118502077 gnd PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts) bisacsh SOCIAL SCIENCE / Popular Culture bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film (DE-588)4017102-4 gnd |
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