The fine arts reduced to a single principle:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2015
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | LXXX, 151 Seiten 22 cm |
| ISBN: | 9780198747116 019874711X |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV042971145 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 151030s2015 |||| 00||| eng d | ||
| 020 | |a 9780198747116 |c hbk. |9 978-0-19-874711-6 | ||
| 020 | |a 019874711X |c hbk. |9 0-19-874711-X | ||
| 035 | |a (OCoLC)932341309 | ||
| 035 | |a (DE-599)BSZ446297399 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-Y3 |a DE-Y2 | ||
| 050 | 0 | |a BH39 | |
| 082 | 0 | |a 111.85 | |
| 084 | |a 3 |2 KUBA2 | ||
| 084 | |a 9,10 |2 ssgn | ||
| 100 | 1 | |a Batteux, Charles |d 1713-1780 |0 (DE-588)118507141 |4 aut | |
| 240 | 1 | 0 | |a Les beaux-arts réduits à un même principe |
| 245 | 1 | 0 | |a The fine arts reduced to a single principle |c Charles Batteux. Translated with an introduction and notes by James O. Young |
| 250 | |a First edition | ||
| 264 | 1 | |a Oxford |b Oxford University Press |c 2015 | |
| 300 | |a LXXX, 151 Seiten |c 22 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Part 1 Where we establish the nature of the arts by reference to the genius that produced them <br>ch. One Division and origin of the arts -- ch. Two Genius is only able to produce the arts by imitation; what imitation is -- ch. Three Genius must not imitate reality just as it is -- ch. Four The state genius must be in to imitate belle nature -- ch. Five On the manner in which the arts imitate -- ch. Six Why eloquence and architecture differ from the other arts<br><br>Part 2 Where we establish the principle of imitation by reference to nature and the laws of taste<br>ch. One What taste is -- ch. Two The subject of taste can only be nature -- ch. Three Evidence drawn from the history of taste -- ch. Four The purpose of the laws of taste is to imitate belle nature -- ch. Five Second general law of taste: Belle nature must be imitated well -- ch. Six There are particular rules for each artwork and taste finds them only in nature -- | |
| 600 | 1 | 7 | |a Batteux, Charles |d 1713-1780 |0 (DE-588)118507141 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1746 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte Anfänge-1800 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Aesthetics / Early works to 1800 | |
| 650 | 0 | 7 | |a Schönheit |0 (DE-588)4053125-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 655 | 7 | |8 1\p |0 (DE-588)4135952-5 |a Quelle |2 gnd-content | |
| 689 | 0 | 0 | |a Batteux, Charles |d 1713-1780 |0 (DE-588)118507141 |D p |
| 689 | 0 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Schönheit |0 (DE-588)4053125-9 |D s |
| 689 | 1 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 1 | 2 | |a Geschichte Anfänge-1800 |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 2 | 1 | |a Geschichte 1746 |A z |
| 689 | 2 | |8 2\p |5 DE-604 | |
| 689 | 3 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 3 | |8 3\p |5 DE-604 | |
| 700 | 1 | |a Young, James O. |d 1957- |0 (DE-588)136998518 |4 trl |4 win | |
| 787 | 0 | 8 | |i Übersetzung von |a Les beaux-arts réduits à un même principe |w (DE-604)BV003479827 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028396991 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804175301629968384 |
|---|---|
| any_adam_object | |
| author | Batteux, Charles 1713-1780 |
| author2 | Young, James O. 1957- |
| author2_role | trl |
| author2_variant | j o y jo joy |
| author_GND | (DE-588)118507141 (DE-588)136998518 |
| author_facet | Batteux, Charles 1713-1780 Young, James O. 1957- |
| author_role | aut |
| author_sort | Batteux, Charles 1713-1780 |
| author_variant | c b cb |
| building | Verbundindex |
| bvnumber | BV042971145 |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BH39 |
| callnumber-raw | BH39 |
| callnumber-search | BH39 |
| callnumber-sort | BH 239 |
| callnumber-subject | BH - Aesthetics |
| contents | Part 1 Where we establish the nature of the arts by reference to the genius that produced them <br>ch. One Division and origin of the arts -- ch. Two Genius is only able to produce the arts by imitation; what imitation is -- ch. Three Genius must not imitate reality just as it is -- ch. Four The state genius must be in to imitate belle nature -- ch. Five On the manner in which the arts imitate -- ch. Six Why eloquence and architecture differ from the other arts<br><br>Part 2 Where we establish the principle of imitation by reference to nature and the laws of taste<br>ch. One What taste is -- ch. Two The subject of taste can only be nature -- ch. Three Evidence drawn from the history of taste -- ch. Four The purpose of the laws of taste is to imitate belle nature -- ch. Five Second general law of taste: Belle nature must be imitated well -- ch. Six There are particular rules for each artwork and taste finds them only in nature -- |
| ctrlnum | (OCoLC)932341309 (DE-599)BSZ446297399 |
| dewey-full | 111.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111.85 |
| dewey-search | 111.85 |
| dewey-sort | 3111.85 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| edition | First edition |
| era | Geschichte 1746 gnd Geschichte Anfänge-1800 gnd |
| era_facet | Geschichte 1746 Geschichte Anfänge-1800 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03491nam a2200673 c 4500</leader><controlfield tag="001">BV042971145</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">151030s2015 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780198747116</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-19-874711-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">019874711X</subfield><subfield code="c">hbk.</subfield><subfield code="9">0-19-874711-X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)932341309</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ446297399</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">BH39</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111.85</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,10</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Batteux, Charles</subfield><subfield code="d">1713-1780</subfield><subfield code="0">(DE-588)118507141</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Les beaux-arts réduits à un même principe</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The fine arts reduced to a single principle</subfield><subfield code="c">Charles Batteux. Translated with an introduction and notes by James O. Young</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">LXXX, 151 Seiten</subfield><subfield code="c">22 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part 1 Where we establish the nature of the arts by reference to the genius that produced them <br>ch. One Division and origin of the arts -- ch. Two Genius is only able to produce the arts by imitation; what imitation is -- ch. Three Genius must not imitate reality just as it is -- ch. Four The state genius must be in to imitate belle nature -- ch. Five On the manner in which the arts imitate -- ch. Six Why eloquence and architecture differ from the other arts<br><br>Part 2 Where we establish the principle of imitation by reference to nature and the laws of taste<br>ch. One What taste is -- ch. Two The subject of taste can only be nature -- ch. Three Evidence drawn from the history of taste -- ch. Four The purpose of the laws of taste is to imitate belle nature -- ch. Five Second general law of taste: Belle nature must be imitated well -- ch. Six There are particular rules for each artwork and taste finds them only in nature --</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Batteux, Charles</subfield><subfield code="d">1713-1780</subfield><subfield code="0">(DE-588)118507141</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1746</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte Anfänge-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ästhetik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics / Early works to 1800</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schönheit</subfield><subfield code="0">(DE-588)4053125-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4135952-5</subfield><subfield code="a">Quelle</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Batteux, Charles</subfield><subfield code="d">1713-1780</subfield><subfield code="0">(DE-588)118507141</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Schönheit</subfield><subfield code="0">(DE-588)4053125-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte Anfänge-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Geschichte 1746</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Young, James O.</subfield><subfield code="d">1957-</subfield><subfield code="0">(DE-588)136998518</subfield><subfield code="4">trl</subfield><subfield code="4">win</subfield></datafield><datafield tag="787" ind1="0" ind2="8"><subfield code="i">Übersetzung von</subfield><subfield code="a">Les beaux-arts réduits à un même principe</subfield><subfield code="w">(DE-604)BV003479827</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028396991</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| id | DE-604.BV042971145 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:14:07Z |
| institution | BVB |
| isbn | 9780198747116 019874711X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028396991 |
| oclc_num | 932341309 |
| open_access_boolean | |
| owner | DE-255 DE-Y3 DE-Y2 |
| owner_facet | DE-255 DE-Y3 DE-Y2 |
| physical | LXXX, 151 Seiten 22 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Batteux, Charles 1713-1780 (DE-588)118507141 aut Les beaux-arts réduits à un même principe The fine arts reduced to a single principle Charles Batteux. Translated with an introduction and notes by James O. Young First edition Oxford Oxford University Press 2015 LXXX, 151 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Part 1 Where we establish the nature of the arts by reference to the genius that produced them <br>ch. One Division and origin of the arts -- ch. Two Genius is only able to produce the arts by imitation; what imitation is -- ch. Three Genius must not imitate reality just as it is -- ch. Four The state genius must be in to imitate belle nature -- ch. Five On the manner in which the arts imitate -- ch. Six Why eloquence and architecture differ from the other arts<br><br>Part 2 Where we establish the principle of imitation by reference to nature and the laws of taste<br>ch. One What taste is -- ch. Two The subject of taste can only be nature -- ch. Three Evidence drawn from the history of taste -- ch. Four The purpose of the laws of taste is to imitate belle nature -- ch. Five Second general law of taste: Belle nature must be imitated well -- ch. Six There are particular rules for each artwork and taste finds them only in nature -- Batteux, Charles 1713-1780 (DE-588)118507141 gnd rswk-swf Geschichte 1746 gnd rswk-swf Geschichte Anfänge-1800 gnd rswk-swf Ästhetik Aesthetics / Early works to 1800 Schönheit (DE-588)4053125-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf 1\p (DE-588)4135952-5 Quelle gnd-content Batteux, Charles 1713-1780 (DE-588)118507141 p Ästhetik (DE-588)4000626-8 s DE-604 Schönheit (DE-588)4053125-9 s Geschichte Anfänge-1800 z Geschichte 1746 z 2\p DE-604 Kunst (DE-588)4114333-4 s 3\p DE-604 Young, James O. 1957- (DE-588)136998518 trl win Übersetzung von Les beaux-arts réduits à un même principe (DE-604)BV003479827 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Batteux, Charles 1713-1780 The fine arts reduced to a single principle Part 1 Where we establish the nature of the arts by reference to the genius that produced them <br>ch. One Division and origin of the arts -- ch. Two Genius is only able to produce the arts by imitation; what imitation is -- ch. Three Genius must not imitate reality just as it is -- ch. Four The state genius must be in to imitate belle nature -- ch. Five On the manner in which the arts imitate -- ch. Six Why eloquence and architecture differ from the other arts<br><br>Part 2 Where we establish the principle of imitation by reference to nature and the laws of taste<br>ch. One What taste is -- ch. Two The subject of taste can only be nature -- ch. Three Evidence drawn from the history of taste -- ch. Four The purpose of the laws of taste is to imitate belle nature -- ch. Five Second general law of taste: Belle nature must be imitated well -- ch. Six There are particular rules for each artwork and taste finds them only in nature -- Batteux, Charles 1713-1780 (DE-588)118507141 gnd Ästhetik Aesthetics / Early works to 1800 Schönheit (DE-588)4053125-9 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118507141 (DE-588)4053125-9 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4135952-5 |
| title | The fine arts reduced to a single principle |
| title_alt | Les beaux-arts réduits à un même principe |
| title_auth | The fine arts reduced to a single principle |
| title_exact_search | The fine arts reduced to a single principle |
| title_full | The fine arts reduced to a single principle Charles Batteux. Translated with an introduction and notes by James O. Young |
| title_fullStr | The fine arts reduced to a single principle Charles Batteux. Translated with an introduction and notes by James O. Young |
| title_full_unstemmed | The fine arts reduced to a single principle Charles Batteux. Translated with an introduction and notes by James O. Young |
| title_short | The fine arts reduced to a single principle |
| title_sort | the fine arts reduced to a single principle |
| topic | Batteux, Charles 1713-1780 (DE-588)118507141 gnd Ästhetik Aesthetics / Early works to 1800 Schönheit (DE-588)4053125-9 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Batteux, Charles 1713-1780 Ästhetik Aesthetics / Early works to 1800 Schönheit Kunst Quelle |
| work_keys_str_mv | AT batteuxcharles lesbeauxartsreduitsaunmemeprincipe AT youngjameso lesbeauxartsreduitsaunmemeprincipe AT batteuxcharles thefineartsreducedtoasingleprinciple AT youngjameso thefineartsreducedtoasingleprinciple |