Our contemporary composers: American music in the twentieth century
Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Howard, John Tasker 1890-1964 (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: New York, N.Y. Crowell Company 1941
Schlagworte:
Beschreibung:At head of title: John Tasker Howard with the assistance of Arthur Mendel
"A selected list of books relating to contemporary American music": pages 349-350. "Recorded works by American composers": p. 351-371
1. From yesterday to today -- 2. Bridges to the past -- 3. Safe and sound : Henry Kimball Hadley ; Deems Taylor ; John Alden Carpenter ; Daniel Gregory Mason ; David Stanley Smith ; Charles Wakefield Cadman ; Sons of Harvard ; Ernest Schelling ; Richard Hageman ; From West of the Alleghenies ; Women composers ; Howard Hanson ; Leo Sowerby ; Albert Stoessel ; Doublas Moore ; Seth Bingham ; Abram Chasins ; Samuel Barlow ; Werner Janssen ; Bernard Rogers ; Horace Johnson ; Harold Morris ; Randall Thompson ; Composer performers -- 4. Unfamiliar idioms : Pioneer free-thinkers ; Roy Harris ; Aaron Copland ; Louis Gruenberg ; Emerson Whithorne ; Walter Piston ; Quincy Porter ; Richard Donovan ; Richard Hammond ; Lazare Saminsky ; Frederick Jacobi ; Roger Sessions ; Philip James ; Bernard Wagenaar ; Werner Josten ; John Duke ; Harl McDonald ; Arthur Shepherd ; Some other Middle-Westerners ; Nicolai Berezowsky ; Otto Luening ; Ernst Bacon ; Exotics by Birth or Choice ; Marion Bauer -- 5. Newcomers : Julliard Alumni ; The Eastman Group ; From the Curtis Institute ; From other schools and teachers ; Dante Fiorillo -- 6. Experimenters : Scientific Innovators ; Unicorn and Lion ; Atonalists ; "New Music" ; From France ; The clever ones -- 7. Folk-song and racial expressions : From Indian sources ; The Anglo-Saxon heritage ; Negro Composers -- 8. Broadway and its echoes : Jazz ; "Swing" and its performers ; Broadway composers ; Jazz in the concert hall ; Further echoes of Broadway -- 9. Today and tomorrow : Philanthropic foundations ; Composers' organizations ; Music during the Depression ; The Federal Music Project ; Other institutions in the 1930's ; Radio and sound films ; SCAP and payment for performing rights ; Grand rights ; The NAACC ; Performances by major orchestras ; Recent recruits
Beschreibung:XV, 447 S. Ill.

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