Theatre and aural attention: stretching ourselves
"The question of attention in theatre remains relatively unexplored. In redressing this, Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focussing on four core aural phenomena in theatre - noise, designed sound, silence, and immersion - George Home-C...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Houndmills, Basingstoke, Hampshire ; New York, NY
Palgrave Macmillan
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The question of attention in theatre remains relatively unexplored. In redressing this, Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focussing on four core aural phenomena in theatre - noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres. Such matters are examined as they have arisen in some of the most sophisticated works of theatre sound design of recent years, including Sound & Fury's Kursk, Romeo Castellucci's Purgatorio, Complicite's Shun-kin and Robert Lepage's Lipsynch. In suggesting how theatre works to direct the audience's aural attention, the book also carries out an important enquiry into radio drama (Beckett's All That Fall, Embers, and Pinter's A Slight Ache). This ground-breaking study will be of interest to drama students, sound theorists, practitioner-researchers, performance philosophers, and to anyone curious to explore what it means to attend theatre."-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | ix, 229 Seiten Illustration |
| ISBN: | 9781137393685 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV042937987 | ||
| 003 | DE-604 | ||
| 005 | 20160219 | ||
| 007 | t | ||
| 008 | 151020s2015 a||| |||| 00||| eng d | ||
| 010 | |a 2015001201 | ||
| 020 | |a 9781137393685 |c hardback |9 978-1-137-39368-5 | ||
| 035 | |a (OCoLC)950441399 | ||
| 035 | |a (DE-599)GBV817916024 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 |a DE-703 | ||
| 084 | |a AP 77000 |0 (DE-625)7958: |2 rvk | ||
| 100 | 1 | |a Home-Cook, George |d 1975- |e Verfasser |0 (DE-588)1082759015 |4 aut | |
| 245 | 1 | 0 | |a Theatre and aural attention |b stretching ourselves |c George Home-Cook |
| 264 | 1 | |a Houndmills, Basingstoke, Hampshire ; New York, NY |b Palgrave Macmillan |c 2015 | |
| 300 | |a ix, 229 Seiten |b Illustration | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 1 | |a "The question of attention in theatre remains relatively unexplored. In redressing this, Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focussing on four core aural phenomena in theatre - noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres. Such matters are examined as they have arisen in some of the most sophisticated works of theatre sound design of recent years, including Sound & Fury's Kursk, Romeo Castellucci's Purgatorio, Complicite's Shun-kin and Robert Lepage's Lipsynch. In suggesting how theatre works to direct the audience's aural attention, the book also carries out an important enquiry into radio drama (Beckett's All That Fall, Embers, and Pinter's A Slight Ache). This ground-breaking study will be of interest to drama students, sound theorists, practitioner-researchers, performance philosophers, and to anyone curious to explore what it means to attend theatre."-- | |
| 650 | 0 | 7 | |a Aufmerksamkeit |0 (DE-588)4068943-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zuhören |0 (DE-588)4192660-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Publikum |0 (DE-588)4047764-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 1 | |a Publikum |0 (DE-588)4047764-2 |D s |
| 689 | 0 | 2 | |a Zuhören |0 (DE-588)4192660-2 |D s |
| 689 | 0 | 3 | |a Aufmerksamkeit |0 (DE-588)4068943-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | |m DE-601 |q pdf/application |u http://www.gbv.de/dms/bowker/toc/9781137393685.pdf |3 Inhaltsverzeichnis | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028364569 | ||
Datensatz im Suchindex
| _version_ | 1804175247071510528 |
|---|---|
| any_adam_object | |
| author | Home-Cook, George 1975- |
| author_GND | (DE-588)1082759015 |
| author_facet | Home-Cook, George 1975- |
| author_role | aut |
| author_sort | Home-Cook, George 1975- |
| author_variant | g h c ghc |
| building | Verbundindex |
| bvnumber | BV042937987 |
| classification_rvk | AP 77000 |
| ctrlnum | (OCoLC)950441399 (DE-599)GBV817916024 |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02563nam a2200421 c 4500</leader><controlfield tag="001">BV042937987</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160219 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">151020s2015 a||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2015001201</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781137393685</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-137-39368-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)950441399</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBV817916024</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 77000</subfield><subfield code="0">(DE-625)7958:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Home-Cook, George</subfield><subfield code="d">1975-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1082759015</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Theatre and aural attention</subfield><subfield code="b">stretching ourselves</subfield><subfield code="c">George Home-Cook</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Houndmills, Basingstoke, Hampshire ; New York, NY</subfield><subfield code="b">Palgrave Macmillan</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">ix, 229 Seiten</subfield><subfield code="b">Illustration</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"The question of attention in theatre remains relatively unexplored. In redressing this, Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focussing on four core aural phenomena in theatre - noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres. Such matters are examined as they have arisen in some of the most sophisticated works of theatre sound design of recent years, including Sound & Fury's Kursk, Romeo Castellucci's Purgatorio, Complicite's Shun-kin and Robert Lepage's Lipsynch. In suggesting how theatre works to direct the audience's aural attention, the book also carries out an important enquiry into radio drama (Beckett's All That Fall, Embers, and Pinter's A Slight Ache). This ground-breaking study will be of interest to drama students, sound theorists, practitioner-researchers, performance philosophers, and to anyone curious to explore what it means to attend theatre."--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufmerksamkeit</subfield><subfield code="0">(DE-588)4068943-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zuhören</subfield><subfield code="0">(DE-588)4192660-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Publikum</subfield><subfield code="0">(DE-588)4047764-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Zuhören</subfield><subfield code="0">(DE-588)4192660-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Aufmerksamkeit</subfield><subfield code="0">(DE-588)4068943-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="m">DE-601</subfield><subfield code="q">pdf/application</subfield><subfield code="u">http://www.gbv.de/dms/bowker/toc/9781137393685.pdf</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028364569</subfield></datafield></record></collection> |
| id | DE-604.BV042937987 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:13:15Z |
| institution | BVB |
| isbn | 9781137393685 |
| language | English |
| lccn | 2015001201 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028364569 |
| oclc_num | 950441399 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-703 |
| owner_facet | DE-19 DE-BY-UBM DE-703 |
| physical | ix, 229 Seiten Illustration |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| spelling | Home-Cook, George 1975- Verfasser (DE-588)1082759015 aut Theatre and aural attention stretching ourselves George Home-Cook Houndmills, Basingstoke, Hampshire ; New York, NY Palgrave Macmillan 2015 ix, 229 Seiten Illustration txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "The question of attention in theatre remains relatively unexplored. In redressing this, Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focussing on four core aural phenomena in theatre - noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres. Such matters are examined as they have arisen in some of the most sophisticated works of theatre sound design of recent years, including Sound & Fury's Kursk, Romeo Castellucci's Purgatorio, Complicite's Shun-kin and Robert Lepage's Lipsynch. In suggesting how theatre works to direct the audience's aural attention, the book also carries out an important enquiry into radio drama (Beckett's All That Fall, Embers, and Pinter's A Slight Ache). This ground-breaking study will be of interest to drama students, sound theorists, practitioner-researchers, performance philosophers, and to anyone curious to explore what it means to attend theatre."-- Aufmerksamkeit (DE-588)4068943-8 gnd rswk-swf Zuhören (DE-588)4192660-2 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Theater (DE-588)4059702-7 s Publikum (DE-588)4047764-2 s Zuhören (DE-588)4192660-2 s Aufmerksamkeit (DE-588)4068943-8 s DE-604 DE-601 pdf/application http://www.gbv.de/dms/bowker/toc/9781137393685.pdf Inhaltsverzeichnis |
| spellingShingle | Home-Cook, George 1975- Theatre and aural attention stretching ourselves Aufmerksamkeit (DE-588)4068943-8 gnd Zuhören (DE-588)4192660-2 gnd Theater (DE-588)4059702-7 gnd Publikum (DE-588)4047764-2 gnd |
| subject_GND | (DE-588)4068943-8 (DE-588)4192660-2 (DE-588)4059702-7 (DE-588)4047764-2 |
| title | Theatre and aural attention stretching ourselves |
| title_auth | Theatre and aural attention stretching ourselves |
| title_exact_search | Theatre and aural attention stretching ourselves |
| title_full | Theatre and aural attention stretching ourselves George Home-Cook |
| title_fullStr | Theatre and aural attention stretching ourselves George Home-Cook |
| title_full_unstemmed | Theatre and aural attention stretching ourselves George Home-Cook |
| title_short | Theatre and aural attention |
| title_sort | theatre and aural attention stretching ourselves |
| title_sub | stretching ourselves |
| topic | Aufmerksamkeit (DE-588)4068943-8 gnd Zuhören (DE-588)4192660-2 gnd Theater (DE-588)4059702-7 gnd Publikum (DE-588)4047764-2 gnd |
| topic_facet | Aufmerksamkeit Zuhören Theater Publikum |
| url | http://www.gbv.de/dms/bowker/toc/9781137393685.pdf |
| work_keys_str_mv | AT homecookgeorge theatreandauralattentionstretchingourselves |