"Let us save the heterogeneous sensible": vernacular modernism vs. cognitive classicism in the historical turn of film studies
Gespeichert in:
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| Format: | Artikel |
| Sprache: | English |
| ISBN: | 978-88-8420-886-6 |
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| spelling | Geil, Abraham Verfasser aut "Let us save the heterogeneous sensible" vernacular modernism vs. cognitive classicism in the historical turn of film studies Abraham Geil txt rdacontent n rdamedia nc rdacarrier pages:335-346 At the borders of (film) history / a cura di Alberto Beltrame, Giuseppe Fidotta, Andrea Mariani 2015 S.335 - 346 (DE-604)BV042872463 978-88-8420-886-6 |
| spellingShingle | Geil, Abraham "Let us save the heterogeneous sensible" vernacular modernism vs. cognitive classicism in the historical turn of film studies |
| title | "Let us save the heterogeneous sensible" vernacular modernism vs. cognitive classicism in the historical turn of film studies |
| title_auth | "Let us save the heterogeneous sensible" vernacular modernism vs. cognitive classicism in the historical turn of film studies |
| title_exact_search | "Let us save the heterogeneous sensible" vernacular modernism vs. cognitive classicism in the historical turn of film studies |
| title_full | "Let us save the heterogeneous sensible" vernacular modernism vs. cognitive classicism in the historical turn of film studies Abraham Geil |
| title_fullStr | "Let us save the heterogeneous sensible" vernacular modernism vs. cognitive classicism in the historical turn of film studies Abraham Geil |
| title_full_unstemmed | "Let us save the heterogeneous sensible" vernacular modernism vs. cognitive classicism in the historical turn of film studies Abraham Geil |
| title_short | "Let us save the heterogeneous sensible" |
| title_sort | let us save the heterogeneous sensible vernacular modernism vs cognitive classicism in the historical turn of film studies |
| title_sub | vernacular modernism vs. cognitive classicism in the historical turn of film studies |
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