American film history: selected readings Volume 2 1960 to the present
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chichester
WILEY Blackwell
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xv, 497 Seiten Illustrationen 268 mm x 209 mm |
| ISBN: | 9781118475126 |
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| adam_text | Contents
Volume II: 1960 to the Present
Acknowledgments xii
Preface xiii
Part I 1960-1975
1 Setting the Stage: American Film History, 1960-1975 3
Notes 21
References 21
2 Adults Only: Low-Budget Exploitation 23
Eric Schaefer
Note 35
References 35
3 Black Representation in Independent Cinema: From Civil Rights to Black Power 37
Alex Lykidis
Notes 52
References 54
4 Cinema Direct and indirect: American Documentary, 1960-1975 56
Charles Warren
Notes 70
References 70
5 Comedy and the Dismantling of the Hollywood Western 72
Teresa Podlesney
Note 86
References 86
6 The New Hollywood 87
Derek Nystrom
Notes 103
References 103
7 “One Big Lousy X : The Cinema of Urban Crisis 105
Art Simon
References 118
8 Sashville: Putting on the Show: Or, Paradoxes of the “Instant” and the “Moment” 120
Thomas Elsaesser
Notes 131
References 132
VI
CONTENTS
9 Cinema and the Age of Television, 1946-1975 Michele Hilmes 134
Notes 146
References 146
Part II 1976-1990
10 Setting the Stage: American Film History, 1976-1990 151
Notes 173
References 173
11 Seismic Shifts in the American Film Industry Thomas Schatz 175
Notes 188
References 188
12 Independent Film: 1980s to the Present Geoff King 190
References 204
13 Reclaiming the Black Family: Charles Burnett, Julie Dash, and the “L.A. Rebellion” Janet K. Cutler 205
Notes 218
References 221
14 Feminism, Cinema, and Film Criticism Lucy Fischer 223
References 238
15 American Avant-Garde Cinema from 1970 to the Present Scott MacDonald 241
Note 258
References 258
16 A Réintroduction to the American Horror Film Adam Lowenstein 259
Note 274
References 274
17 Back to the Future: Hollywood and Reagan’s America Susan Jeffords 275
References 285
18 “Stayin’ Alive”: The Post-Studio Hollywood Musical Karen Backstein 286
Notes 301
References 302
CONTENTS ѴІІ
Part III 1991 to the Present
19 Setting the Stage: American Film History, 1991 to the Present 307
Notes 329
References 329
20 The Queer 1990s: The Challenge and Failure of Radical Change 330
Michael Bronski
Notes 344
References 346
21 24/7: Cable Television, Hollywood, and the Narrative Feature Film 347
Barbara Klinger
Notes 360
References 360
22 Plasmatics and Prisons: The Morph and the Spectacular Emergence of CGI 362
Kristen Whissel
References 375
23 Mainstream Documentary since 1999 376
Patricia Aufderheide
References 391
24 Truthiness Is Stranger than Fictition: The “New Biopic” 393
Michael Sicinski
Notes 407
25 “Asia” as Global Hollywood Commodity 408
Kenneth Chan
Notes 421
References 422
26 The Blockbuster Superhero 423
Bart Beaty
Notes 437
References 437
27 Limited Engagement: The Iraq War on Film 438
Susan L Carruthers
Notes 453
References 453
28 The Biggest independent Pictures Ever Made: Industrial Reflexivity Today 454
J. D. Connor
Notes 468
References 469
CONTENTS
viii
29 Writing American Film History 471
Robert Sklar
References 481
Index 483
Also available as part of this series
Volume I: Origins to 1960
Acknowledgments xii
Preface xiii
Part I Origins to 1928
1 Setting the Stage: American Film History, Origins to 1928 3
References 16
2 D. W. Griffith and the Development of American Narrative Cinema 18
Charlie Keil
Notes 34
References 34
3 Women and the Silent Screen 36
Shelley Stamp
References 51
4 African-Americans and Silent Films 54
Paula J. Massood
Notes 68
References 68
5 Chaplin and Silent Film Comedy 70
Charles J. Maland
References 84
6 Erich von Stroheim and Cecil B. DeMille: Early Hollywood and the Discourse
of Directorial “Genius” 85
Gaylyn Studlar
Notes 97
References 97
7 The Star System 99
Mark Lynti Anderson
Notes 112
References 113
8 Synchronized Sound Comes to the Cinema 115
Paul Young
Notes 128
References 129
CONTENTS IX
Part II 1929-1945
9 Setting the Stage: American Film History, 1929-1945 133
Note 151
References 151
10 Era of the Moguls: The Studio System 153
Matthew H. Bernstein
References 173
11 “As Close to Real Life as Hollywood Ever Gets”: Headline Pictures, Topical Movies, Editorial
Cinema, and Studio Realism in the 1930s 175
Richard Maîthy
Notes 194
References 198
12 Early American Avant-Garde Cinema 200
Jan-Christopher Horak
Notes 214
References 214
13 “Let ’Em Have It”: The Ironie Fate ofthe 1930s Hollywood Gangster 215
Ruth Vasey
Notes 230
References 230
14 Landscapes of Fantasy, Gardens of Deceit: The Adventure Film between Colonialism
and Tourism 231
Hans Jürgen Wulff
Notes 245
References 246
15 Cinema and the Modem Woman 248
Veronica Pravadelli
Notes 262
References 262
16 Queering the (New) Deal 264
David M. Lugowski
Notes 280
References 280
17 There’s No Place Like Home: The Hollywood Folk Musical 282
Desiree J. Garda
Notes 295
References 296
18 The Magician: Orson Welles and Film Style 297
James Naremore
Notes 309
References 310
X CONTENTS
19 Classical Cel Animation, World War II, and Bambi 311
Kirsten Moana Tliompson
Notes 324
References 325
20 Mapping Why We Fight: Frank Capra and the US Army Orientation Film in World War II 326
Charles Wolfe
Notes 339
References 339
21 A Victory “Uneasy with Its Contrasts”: The Hollywood Left Fights World War II 341
Saverio Giovacchini
Notes 356
References 359
22 Hollywood as Historian, 1929-1945 361
J. E. Smyth
Notes 377
References 377
Part III 1945-1960
23 Setting the Stage: American Film History, 1945-1960 383
References 397
24 Taking Stock at War’s End: Gender, Genre, and Hollywood Labor in The Strange Lope
of Martha Ivors 398
Roy Gnmdmatm
Notes 419
References 421
25 Natalie Wood: Studio Stardom and Hollywood in Transition 423
Cynthia Lucia
Notes 444
References 446
26 The Politics of Force of Evil: An Analysis of Abraham Polonsky’s Preblacklist Film 448
Christine Noll Brinckmanti
Notes 467
References 469
27 The Actors Studio in the Early Cold War 471
Cynthia Baron Beckett Warren
Notes 485
References 485
28 Authorship and Billy Wilder 486
Robert Sklar
Notes 501
References 501
CONTENTS XI
29 Cold War Thrillers 503
R. Barton Palmer
References 519
30 American Underground Film 520
Jared Rapfogel
Note 535
References 535
Index 537
Additional online resources such as sample syllabi, which include suggested readings and filmographies for both
general and specialized courses, are available at www.wiley.com.
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| spelling | American film history selected readings Volume 2 1960 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon Chichester WILEY Blackwell 2016 xv, 497 Seiten Illustrationen 268 mm x 209 mm txt rdacontent n rdamedia nc rdacarrier Geschichte 1960- gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschichte 1960- z DE-604 Lucia, Cynthia (DE-588)159031117 edt Grundmann, Roy 1963- (DE-588)174374127 edt Simon, Art 1959- (DE-588)1156576261 edt (DE-604)BV043269469 2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028362755&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | American film history selected readings |
| title_auth | American film history selected readings |
| title_exact_search | American film history selected readings |
| title_full | American film history selected readings Volume 2 1960 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_fullStr | American film history selected readings Volume 2 1960 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_full_unstemmed | American film history selected readings Volume 2 1960 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_short | American film history |
| title_sort | american film history selected readings 1960 to the present |
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